Synopsis
The world’s boldest buccaneers set sail for the great Pirate Festival, where the Straw Hats join a mad-dash race to find Gol D. Roger’s treasure. There’s just one little problem. An old member of Roger’s crew has a sinister score to settle. All bets are off when the most iconic pirates of One Piece history band together for a swashbuckling showdown, the likes of which have never been seen!
Metrics
Movie Details
October 25th, 2019
There are several films on this week’s list earning merely good reviews, which probably isn’t good enough to thrive in limited release. There are exceptions, including Making Waves: The Art of Cinematic Sound, which is earning some of the best reviews on this week’s list. However, Western Stars appears to have much louder buzz to go with its reviews.
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October 23rd, 2019
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Maleficent: Mistress of Evil topped the international chart with $117.0 million in 56 markets during its debut weekend. This includes a $23.41 million first place debut in China, which is a little more than the original opened with there. On the other hand, the film slipped a little in Russia earning $11.1 million during its opening there, although it still managed first place in that market. On the other hand, the film really struggled in Mexico, when compared to its predecessor, earning $7.62 million, which is barely more than half of the first film’s debut there. Furthermore, the film has debuted in every international market, so it won’t be able to rely on new releases to hang around on the international chart for long.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2019/10/25 |
5 |
$437,902 |
|
0 |
|
$442,148 |
1 |
| 2019/11/01 |
17 |
$42,122 |
-90% |
0 |
|
$584,002 |
2 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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