Japan Box Office for Woman in Gold (2015)

← Go to main Woman in Gold page

Woman in Gold poster
Theatrical Performance (US$)
Japan Box Office $1,251,653Details
Worldwide Box Office $58,586,407Details
Home Market Performance
North America DVD Sales $3,195,960 Details
North America Blu-ray Sales $1,021,221 Details
Total North America Video Sales $4,217,181
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Sixty years after she fled Vienna during World War II, an elderly Jewish woman, Maria Altmann, starts her journey to retrieve family possessions seized by the Nazis, among them Klimt's famous painting “Portrait of Adele Bloch-Bauer I.” Together with her inexperienced but plucky young lawyer Randy Schoenberg, she embarks upon a major battle which takes them all the way to the heart of the Austrian establishment and the U.S. Supreme Court, and forces her to confront difficult truths about the past along the way.

Metrics

Movie Details

Production Budget:$11,000,000
Japan Releases: November 27th, 2015 (Wide)
Video Release: June 23rd, 2015 by Anchor Bay Home Entertainment
MPAA Rating: PG-13 for some thematic elements and brief strong language.
(Rating bulletin 2354, 12/24/2014)
Running Time: 107 minutes
Keywords: Nazis, World War II, Courtroom / Legal Drama, Set in Vienna, Set in Austria
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Origin Pictures Productions
Production Countries: United Kingdom, United States
Languages: English

2015 Awards Season: SAG Nominations

December 9th, 2015

Trumbo

The Screen Actors Guild nominations were announced today and there are at least a few surprises to talk about. Trumbo led the way with three nominations, but there were six films with two nods apiece. Six!

More...

Home Market Numbers: Maggie Can't Wake Up the Box Office

July 26th, 2015

Maggie

There was not a single first run release among the new releases for July 7th, which meant Get Hard remained on top of the combined DVD and Blu-ray chart for July 12th. It sold an additional 268,000 units and generated $5.21 million for the week, giving it totals of 760,000 units / $13.75 million after two. More...

Home Market Releases for July 7th, 2015

July 8th, 2015

Dude Bro Party Massacre 3

It's a slow week, which should come as no surprise. There are no major releases and even among the smaller releases, there are few that are must haves. As far as Pick of the Week contenders go, Dude Bro Party Massacre 3 is the best. It is the Pick of the Week, but you can only get it on the Official Site. I think it is worth the price for the Superfan Edition, but I also backed the Kickstarter at the Blu-ray level, so my judgment is not to be trusted. More...

Per Theater Chart: In the Name of the Per Theater Chart

May 27th, 2015

When Marnie Was There

In the Name of my Daughter rose to the first place on the per theater chart with an average of $20,069 in four theaters. I'll See You in My Dreams saw its theater count expand to 26 while its average was mostly flat down to $14,593. The best new release was When Marnie Was There, which earned an average of $13,695 in two theaters. This is great for an animated film in limited release. More...

Per Theater Chart: Ultron is Still Big

May 12th, 2015

I Am Big Bird

The Avengers: Age of Ultron remained in first place on the per theater chart with an average of $18,182. It wasn't the only film in the $10,000 chart this week. Pather Panchali was close behind with $16,333 in its lone theater. I Am Big Bird: The Caroll Spinney Story earned $10,150 over the weekend for a total of $13,053 from Wednesday through Sunday. More...

Per Theater Chart: Calm Before the Storm

April 28th, 2015

Felix et Meira poster

There were no films in the $10,000 club this week and no new releases really came close. The closest was Full Moon in Paris, which rose 58% from last weekend to $7,987, still in one theater. Felix et Meira was next with an average of $6,590 after expanding from one to four theaters. Don't Think I've Forgotten: Cambodia's Lost Rock and Roll was the biggest new release with an average of $6,402 in three theaters over the weekend for an average of $8,465 from Wednesday to Sunday. More...

Per Theater Chart: Felix et Machina

April 21st, 2015

Ex Machina poster

Ex Machina remained in first place on the per theater chart with an average of $20,478 in 39 theaters. The only other film in the $10,000 club was Felix et Meira, which earned $15,018 in its lone theater. More...

Per Theater Chart: Machina Saves Box Office

April 15th, 2015

Ex Machina poster

Ex Machina's opening weekend was surprisingly potent earning an average of $59,316 in four theaters. This is the biggest per theater average for a film that opened in 2015. I was not expecting that. On the other hand, I was expecting Clouds of Sils Maria to do well, and it did, earning an average of $20,603 in three theaters. Furious 7 remained in the $10,000 club with an average of $14,815 in more than 4,000 theaters. More...

Weekend Wrap-Up: Furious Races into Top Spot for the Year

April 14th, 2015

Furious 7 poster

It didn't take long for for Furious 7 to become the biggest hit of the year; in fact, it took just five days to top Cinderella. Over the weekend, it became the first film released in 2015 to reach the $200 million milestone and thanks to a better than expected hold, reached $250 million as well. Home finished well back in second place, while The Longest Ride managed third place. Overall, the box office fell 42% from last weekend down to $131 million, which is 6.3% lower than the same weekend last year. Furious 7 topped Captain America: The Winter Soldier, but Rio 2 and the other films of 2014 had better depth giving 2014 the win. 2015 is still ahead in the year-to-date comparison, up 4.1% at $2.85 billion to $2.74 billion. More...

Per Theater Chart: Furious Laps the Competition

April 7th, 2015

Furious 7 poster

The overall box office leader, Furious 7, was also the leader on the per theater chart earning an average of $36,763. That's the third best average for a 2015 release, with While We're Young still earning top spot on that chart. Speaking of While We're Young, it was the only other film in the $10,000 club earning an average of $14,226 in 34 theaters. Sometime this weekend, it will have reached its first major milestone. More...

Weekend Wrap-Up: Seven Does Furious Business

April 7th, 2015

Furious 7 poster

As expected, Furious 7 easily won the race for top spot on the weekend box office chart. However, it did so in an unexpectedly robust way, destroying a number of records along the way. This helped the overall box office grow 49% from last weekend to $224 million. More importantly, the overall box office was 34% more than the same weekend last year. Year-to-date, 2015 is now 3.1% above 2014's pace at $2.64 billion to $2.56 billion. Assuming Furious 7 has any legs at all, this lead will continue to grow next weekend. More...

Weekend Estimates: Furious 7 Blasts Off with $143.6 Million Weekend

April 5th, 2015

Furious 7 poster

After a massive $67.3 million on Friday, all eyes were on a $150 million weekend for Furious 7. It doesn’t look as though that is to be, with Universal projecting a weekend mark of $143,623,480 on Sunday morning. That’s the biggest April weekend of all time, and the biggest weekend outside the Summer or Thanksgiving holidays. It’s also the ninth-biggest weekend of all time, and, needless to say, franchise record. (Click here for a full list of records.) The studio will be delighted at its biggest weekend ever, and the industry as a whole will be looking forward to a lucrative Summer season with some optimism. More...

Limited Releases: Any Gold to be Found?

April 3rd, 2015

Cheatin' poster

It is a busy week, but not a good week for limited releases. The two biggest releases, Effie Gray and Woman in Gold, are both earning weak reviews. The film on this list I'm most interested in seeing is Cheatin'. I own a number of Bill Plympton movies / shorts and this one looks like it is worth adding to my collection. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/11/27 10 $229,696   119 $1,930   $301,258 1
2015/12/04 15 $141,450 -38% 119 $1,189   $910,604 2
2015/12/11 15 $103,138 -27% 119 $867   $1,251,653 3

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 6/18/2015 $77,250 21 51 145 $348,412 11/25/2018
Australia 5/21/2015 $14,908 11 236 1563 $4,941,396 9/22/2015
Austria 6/4/2015 $0 0 47 193 $259,887 10/20/2015
Belgium 7/15/2015 $0 0 20 154 $200,077 10/6/2015
Brazil 8/13/2015 $125,534 51 51 178 $421,987 11/25/2015
Colombia 8/13/2015 $0 0 13 27 $75,703 12/30/2018
Denmark 10/29/2015 $151,510 102 104 317 $1,305,480 6/9/2016
Finland 9/18/2015 $29,969 52 52 95 $72,808 11/3/2015
France 7/15/2015 $525,083 181 197 730 $1,675,308 8/11/2015
Germany 6/4/2015 $166,119 0 222 489 $1,573,115 8/22/2018
Italy 10/15/2015 $488,519 186 186 505 $1,354,995 6/9/2016
Japan 11/27/2015 $229,696 119 119 357 $1,251,653 12/16/2015
Mexico 7/2/2015 $207,719 0 43 102 $937,548 9/7/2018
Netherlands 5/28/2015 $106,732 34 36 215 $564,994 11/21/2018
New Zealand 4/9/2015 $0 0 73 408 $1,413,320 7/13/2015
North America 4/1/2015 $2,091,551 258 2,011 11,250 $33,307,793
Norway 8/28/2015 $0 0 7 7 $76,143 9/22/2015
Peru 7/2/2015 $9,655 9 19 43 $131,632 12/20/2018
Poland 5/22/2015 $55,433 0 0 0 $232,921 12/30/2018
Portugal 6/4/2015 $0 0 18 38 $186,081 7/8/2015
Singapore 8/27/2015 $7,721 3 3 6 $13,115 9/9/2015
Slovakia 6/25/2015 $20,126 34 34 47 $21,346 7/8/2015
South Africa 7/31/2015 $43,978 32 32 45 $197,793 10/6/2015
South Korea 7/9/2015 $238,062 0 221 404 $958,076 9/1/2018
Spain 4/10/2015 $398,612 150 171 752 $1,484,687 11/28/2018
Sweden 7/31/2015 $63,031 53 60 250 $510,376 9/22/2015
Switzerland 7/15/2015 $0 0 19 48 $175,807 8/18/2015
Taiwan 6/5/2015 $65,743 20 20 66 $262,929 11/4/2018
Turkey 4/10/2015 $20,193 27 27 109 $81,982 12/30/2018
United Kingdom 4/10/2015 $723,733 0 4 8 $4,451,989 8/27/2018
Uruguay 7/16/2015 $21,733 5 6 33 $97,054 12/30/2018
 
Worldwide Total$58,586,407 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Helen Mirren    Maria Altmann
Ryan Reynolds    Randy Schoenberg

Supporting Cast

Daniel Brühl    Hubertus Czernin
Katie Holmes    Pam Schoenberg
Tatiana Maslany    Young Maria
Max Irons    Frederick 'Fritz' Altmann
Charles Dance    Sherman
Elizabeth McGovern    Judge Florence Cooper
Jonathan Pryce    Chief Justice Rehnquist
Frances Fisher    Barbara Schoenberg

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Simon Curtis    Director
Alexi Kaye Campbell    Screenwriter
E. Randol Schoenberg    Based on the Life Stories of
Maria Altmann    Based on the Life Stories of
David M. Thompson    Producer
Kris Thykier    Producer
Christine Langan    Executive Producer
Harvey Weinstein    Executive Producer
Len Blavatnik    Executive Producer
Bob Weinstein    Executive Producer
Negeen Yazdi    Executive Producer
Robert Walak    Executive Producer
Ed Wethered    Executive Producer
Alan Yentob    Executive Producer
Ed Rubin    Executive Producer
Simon Curtis    Executive Producer
Tim Jackson    Executive Producer
Peter Heslop    Co-Producer
Joanie Blaikie    Co-Producer
Ross Emery    Director of Photography
Martin Phipps    Composer
Hans Zimmer    Composer
Jim Clay    Production Designer
Peter Lambert    Editor
Mark Holt    Special Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.