February 1st, 2018
Maze Runner: The Death Cure jumped into first place on the international chart with $62.6 million in 70 markets for an early international total of $82.0 million. The film opened in first place in China with $22.80 million over the weekend for a total opening of $23.07 million. On the other hand, the film struggled in the U.K. earning third place with just $3.19 million in 507 theaters. By the end of the weekend, the studio’s share of the worldwide box office was over $40 million, which is fantastic for a film that cost $61 million to make. It should have no trouble breaking even early in its home market run, if not sooner.
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January 24th, 2018
Jumanji: Welcome to the Jungle remained in first place with $32.6 million on 33,000 screens in 83 markets for totals of $450.8 million internationally and $767.3 million worldwide. Had the film earned half of that, it still would have been a financial success worthy of a sequel. China was the film’s biggest market, both of the weekend and overall, as it earned $7.71 million over the weekend for a two-week total of $66.50 million. The film will have no trouble getting to $800 million worldwide, probably by the end of this coming weekend, while $900 million isn’t completely out of the question.
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January 18th, 2018
Jumanji: Welcome to the Jungle leaped into first place with $81.75 million on 33,000 screens in 83 markets for totals of $385.03 million internationally and $669.27 million worldwide. The film debuted in first place in China with $39.74 million on 20,000 screens over the weekend for a total opening of $40.23 million. Had the film only earned $385.03 million in total, it still would have been enough to to break even before the home market. The film will eventually hit $800 million worldwide, which is enough to cover its entire budget and the production budget of the inevitable sequel.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2015/07/10 |
2 |
$37,050,000 |
|
55,069 |
$673 |
$37,380,000 |
1 |
2015/07/17 |
6 |
$1,890,000 |
-95% |
8,600 |
$220 |
$54,230,000 |
1 |
2018/01/12 |
3 |
$21,610,000 |
|
57,349 |
$377 |
$21,790,000 |
1 |
2018/01/19 |
2 |
$23,920,000 |
+11% |
51,603 |
$464 |
$69,320,000 |
2 |
2018/01/26 |
3 |
$12,250,000 |
-49% |
39,965 |
$307 |
$96,590,000 |
3 |
2018/02/02 |
6 |
$4,740,000 |
-61% |
19,901 |
$238 |
$109,140,000 |
4 |
2018/02/09 |
4 |
$3,320,000 |
-30% |
22,317 |
$149 |
$115,350,000 |
5 |
2021/05/28 |
- |
$100,000 |
|
153 |
$654 |
$240,000 |
177 |
2021/06/04 |
- |
$90,000 |
-10% |
155 |
$581 |
$420,000 |
178 |
2021/06/18 |
17 |
$110,000 |
|
60 |
$1,833 |
$790,000 |
180 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits