-(2019).jpg)
| Theatrical Performance (US$) | ||
| China Box Office | $18,521,816 | Details |
| Worldwide Box Office | $18,653,041 | Details |
| Further financial details... | ||
| China Releases: | February 5th, 2019 (Wide) |
| MPAA Rating: | G (Rating bulletin 2564 (Cert #52022), 2/6/2019) |
| Running Time: | 81 minutes |
| Keywords: | Talking Animals, Animal Lead, Set in China, Chinese New Year |
| Source: | Based on TV |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: | Alibaba Pictures, Entertainment One |
| Production Countries: | China |
| Languages: | Mandarin |
February 14th, 2019
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There was only one new release in the $10,000 club this week, Everybody Knows, which earned an average of $17,802 in four theaters. Last week’s winner, Never Look Away, expanded into three theaters earning an average of $12,942. The 2019 Oscar Shorts didn’t make the $10,000 club, but it did earn nearly $1 million in 270 theaters for an average of $3,476, which is a better than 30% increase compared to the previous installment and easily the best of the franchise. Granted, it was also the widest release in the franchise, but this is still a start worth celebrating.
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February 8th, 2019
It is a rather long list of limited releases this week, but this is a case of quantity over quality and there’s not much here to get excited about. If you are into strange films with overly long titles, then The Man Who Killed Hitler and Then the Big Foot should be up your alley. However, the film most likely to find an audience is 2019 Oscar Shorts.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/02/08 | 7 | $2,733,367 | 0 | $16,618,218 | 1 | ||
| 2019/02/15 | 10 | $446,217 | -84% | 0 | $17,987,589 | 2 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Brazil | 1/12/2023 | $0 | 0 | 0 | 0 | $0 | |
| China | 2/5/2019 | $2,733,367 | 0 | 0 | 0 | $18,521,816 | 3/9/2019 |
| Germany | 1/12/2023 | $0 | 0 | 0 | 0 | $0 | |
| Italy | 1/26/2023 | $0 | 0 | 0 | 0 | $0 | |
| North America | 2/6/2019 | $66,913 | 67 | 67 | 82 | $131,225 | |
| Spain | 1/11/2023 | $0 | 0 | 0 | 0 | $0 | |
| Worldwide Total | $18,653,041 | 3/9/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Dapeng Zhang | Director |
