Australia Box Office for Our Last Tango (2016)

← Go to main Un tango mas page

Un tango mas poster
Theatrical Performance (US$)
Australia Box Office $52,908Details
Worldwide Box Office $517,651Details
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A story of love between the two most famous dancers in tango’s history. And the story of their tremendous love of tango. María Nieves Rego and Juan Carlos Copes met when they were 14 and 17, and they danced together for nearly fifty years. In all those years they loved and hated each other and went through several painful separations but always got back together. No other man danced like Juan and no other woman danced like María! Eventually, he left her for good for a woman 20 years younger with whom he fathered two children. Now, at the end of their lives, Juan and María are willing to open up about their love, their hatred, and their passion.

Metrics

Movie Details

Australia Releases: March 25th, 2016 (Limited), released as Our Last Tango
MPAA Rating: Not Rated
Running Time: 85 minutes
Keywords: Dancing, Romance
Source:Based on Real Life Events
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Lailaps Pictures, German Kral Filmproduktion, Monogatari Films, Mateina Producciones, Schubert International, Westdeutscher Rundfunk, Filmfernsehfonds Bayern, Filmforderungsanstalt, Deutscher Filmfoerderfonds, INCAA
Production Countries: Argentina, Germany
Languages: Spanish

Theater Averages: Green Room Pulls in the Green with an average of $29,328

April 20th, 2016

Green Room

Green Room led the way with an average of $29,328 in three theaters. This is yet another success for A24 and whoever is in charge of acquisitions over there needs to get a raise. The overall number one film, The Jungle Book was next with an average of $25,636. Sing Street was well back with an average of $12,715 in five theaters. The only holdover in the $10,000 club was Vita Activa: The Spirit of Hannah Arendt, which was down a mere 18% to $10,814 in its lone theater. More...

Limited and VOD Releases: Singing Praises

April 15th, 2016

Sing Street

There are not a lot of new releases on this week's list, but four of the seven of of them are earning overwhelmingly positive reviews. Additionally, one of the other three, Fan, doesn't have enough reviews for a Tomatometer Score, but the first two reviews are positive. Of the best films, Sing Street is the one I expect to do the best at the box office. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/03/25 28 $16,513   6 $2,752   $16,513 1
2016/04/01 36 $7,562 -54% 6 $1,260   $31,027 2
2016/04/08 42 $3,507 -54% 4 $877   $37,690 3
2016/04/15 47 $2,920 -17% 4 $730   $43,837 4
2016/04/22 48 $2,190 -25% 4 $548   $47,737 5
2016/04/29 63 $472 -78% 3 $157   $49,064 6
2016/05/13 60 $1,111   4 $278   $48,462 8
2016/05/27 52 $2,303   3 $768   $51,599 10
2016/06/03 66 $352 -85% 1 $352   $52,908 11

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 3/25/2016 $16,513 6 6 35 $52,908 6/9/2016
France 6/3/2016 $86,586 0 0 0 $155,903 10/2/2018
Germany 4/8/2016 $0 0 0 0 $161,651 8/18/2018
New Zealand 9/9/2016 $3,056 9 9 19 $7,961 9/26/2016
North America 4/15/2016 $6,550 1 6 55 $100,086
Portugal 2/23/2018 $797 1 1 2 $4,299 3/7/2018
South Korea 1/1/2016 $0 0 0 0 $33,375 9/9/2018
United Kingdom 9/22/2017 $1,468 2 2 2 $1,468 9/28/2017
 
Worldwide Total$517,651 10/2/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Documentary Subject(s)

Maria Nieves Rego    Herself
Juan Carlos Copes    Himself

Interviewee(s)

Pablo Veron    Himself
Alejandra Gutty    Herself
Ayelen Alvarez Mino    Herself
Juan Malizia    Himself
Pancho Martinez Pey    Himself
Johana Copes    Herself

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

German Kral    Director
German Kral    Screenwriter
Nils Dunker    Producer
Dieter Horres    Producer
German Kral    Producer
Wim Wenders    Executive Producer
Rodrigo Furth    Executive Producer
Jakob Abrahamsson    Executive Producer
Birgit Rothorl    Co-Producer
Josef Brandmaier    Co-Producer
Carolin Dassel    Associate Producer
Nicole Ackermann    Associate Producer
Anatole Taubman    Associate Producer
Christoph Thoke    Associate Producer
Jutta Krug    Editor-Commissioning Editor
Lothar Mattner    Editor-Commissioning Editor
Ulrike Tortora    Editor
Jo Heim    Director of Photography
Felix Monti    Director of Photography
Luis Borda    Composer
Sexteto Mayor    Composer
Pablo Fidanza    Artistic Producer
Carolina Fernandez    Line Producer
Constanza Sanz Palacios    Line Producer
Matias Martinez    Production Designer
Celeste Palma    Sound Mixer
Giselle Peisojovich    Costume Designer
Cecilia Belsito    Costume Designer
Osky Rodriguez    Make up
Gabriela Tania Fantl    Casting Director
Pablo Fidanza    Casting Director
Melina Brufman    Choreography
Leonardo Cuello    Choreography
Sabrina Veliz    Choreography
Ruben Veliz    Choreography
Brenda Angiel    Choreography