This graph shows Elizabeth Banks’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
It was another stellar weekend for Deadpool & Wolverine at the domestic box office, as the film secured over $53 million and currently enjoys $511 million in 20 days of big screen play. This weekend, we will see what its studio cousin can do as Alien: Romulus arrives in theaters, along with a trio of other wide releases sure to fit nearly every film buff’s desire.
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As the lone wide release to enter theaters last week, Wonka dominated both the domestic and international box office, scoring a solid $39 million from North American showings, while adding just over $54 million to its previous overseas total of $59 million. The Willy Wonka origin story starring Timothée Chalamet will begin its sophomore frame by adding 10 locations this week, making the musical the widest film in the land with availability in 4,213 cinemas. Wonka will face far stiffer competition however this week at the box office as a bevy of new films make their way into theaters in time for the Christmas holiday.
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It’s likely no big surprise to see last week’s juggernaut release retain its spot as the widest release this week. Ant-Man and the Wasp: Quantumania debuted in 4,345 locations and went on to collect an impressive $106 million in its opening weekend and currently enjoys a six-day domestic total of $131.33 million. The latest Marvel feature retains its opening theater count, once again making it the only film currently playing in over 4,000 movie houses.
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To no great surprise, Black Adam will once again be the week’s widest release in North America as the superhero feature will retain all of the 4,402 theaters from its debut weekend in its second outing. The Dwayne Johnson movie snagged a very respectable $67 million over its first three days and has settled in with just over $80 million in domestic earnings and a global take of nearly $156 million so far. This week sees two new films opening in wide release: the pre-Halloween horror flick Prey for the Devil and Call Jane.
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The Angels are working for the mysterious Charles Townsend, whose security and investigative agency has expanded internationally. With the world’s smartest, bravest, and most highly trained women all over the globe, there are now teams of Angels guided by multiple Bosleys taking on the toughest jobs everywhere.
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What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?
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The screener for The Happytime Murders arrived technically on time, but late enough that I was barely able to get the review finished on Tuesday. The film failed to connect with audiences or with critics. Is it as bad as its Tomatometer Score would indicate? Or should more people have watched it in theaters.
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Power Rangers, the TV show, has been around for more than 20 years and it is still going strong. Power Rangers, the movie, was supposed to setup a six-part franchise, but its box office numbers probably killed any chance of that happening. Were moviegoers spared five more of these? Or was there enough here that fans would have been looking forward to more?
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Modern Family has been one of the best and most popular sitcoms on TV for each of its five previous seasons. In fact, it has won five Outstanding Comedy Series Emmys in a row, tying the record. Is it still the best sitcom on TV? And how are the extras on the DVD?
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Love and Mercy is a movie about a real life person dealing with adversity. It's a movie about a real life famous person dealing with adversity. This movie practically screams Oscar bait. However, while it won over a lot of critics, Oscar bait movies can't always translate critical acclaim into mainstream appeal. Is that the case here? Is it worth checking out for fans of the The Beach Boys? Will those with limited knowledge of their music enjoy the film?
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April is over and there was good news and bad news. Good news: Furious 7 crushed the competition, and broke records along the way. Bad news: Furious 7 crushed the competition and no other April release will earn as much in total as Furious 7 earned during its opening day. Fortunately, Furious 7 was so strong that it carried April of 2015 to a draw when compared to April of 2014. May has a lot of similarities to April. The Avengers: Age of Ultron is expected to break records during its opening weekend and even the low end has it earning more than $1 billion worldwide. Unfortunately, no other film is going to come close to that figure. There are five other films with a potential to reach $100 million at the box office. The keyword there is "potential". There's a chance less than half of those five films will get to that milestone. And like last April, last May had much better depth with five films that reached $100 million, including four that surpassed $200 million. Age of Ultron will earn more than the combined totals of Maleficent, last month's winner, and X-Men: Days of Future Past, which placed second for the month. I am a little concerned about the lack of depth this month and this could cause May to lose in the month-over-month comparison in the end.
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October was a better than expected month with the overall box office keeping pace with October of 2013, for the most part. (The last weekend will be terrible, but that's because of Halloween.) We were able to close the gap somewhat in the year-over-year comparison, at least by a little bit. So how will November do compared to October. Let's put it this way. There are only seven films opening wide this month. Of those, Beyond the Lights will likely not make an impact at the box office. Every other film has at least a reasonable shot at $100 million. More than half the of the films opening this month could hit $200 million. Leading the way will be The Hunger Games: Mockingjay, Part 1, which could hit $400 million. The only problem is when book franchises split the final installment into two parts, the first part tends to be weaker at the box office. Interstellar is a big question mark. On the low end, it could make just over $100 million, while on the high end, just over $300 million is within reach. That's a wide range of expectations. On the downside, last November, there were two movies to reach $400 million: Catching Fire and Frozen. On the other hand, there was only one other movie to make more than $100 million, Thor: The Dark World, so perhaps the depth this year will help 2014 come out ahead in the year-over-year comparison.
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After a weak start, January rebounded and a couple of films on last month's preview cracked $100 million at the box office. Granted, Lone Survivor is technically a December release, but Ride Along will become one of the rare January releases to reach the century mark. Unfortunately, there doesn't appear to be too many February releases that have a real shot at $100 million. It is very likely that The Lego Movie will reach that milestone, but most of the rest of the movies will be lucky if they reach $50 million. Last February was very similar. We had one surprise $100 million hit, Identity Thief, plus a couple of solid midlevel hits, Warm Bodies, for instance. However, for the most part, the month was one miss after another. This means 2014 could continue its winning ways, or at the very least, shouldn't fall behind 2013's pace.
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Movie 43 earned some of the worst reviews of the year so far, with many critics calling it the worst movie they've ever seen. When I got the chance to review the movie, I jumped at it. I had to know if it was really as bad as its reviews. It couldn't possible be, right?
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There are not a lot of new releases on this week's list, and even fewer that have a good shot at earning some measure of mainstream success. This Must Be the Place is probably the best bet in that regard, but fans of B-movies should try and see Miami Connection.
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