South Korea Box Office for The Angry Birds Movie (2016)

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The Angry Birds Movie poster
Theatrical Performance (US$)
South Korea Box Office $4,595,629Details
Worldwide Box Office $352,288,341Details
Home Market Performance
North America DVD Sales $15,843,538 Details
North America Blu-ray Sales $12,465,722 Details
Total North America Video Sales $28,309,260
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

In an Island paradise, Red, a bird with a temper problem, speedy Chuck, and the volatile Bomb have always been outsiders. But when the island is visited by mysterious green piggies, it’s up to these unlikely outcasts to figure out what the pigs are up to.

Metrics

Movie Details

Production Budget:$73,000,000
South Korea Releases: May 15th, 2016 (Wide)
Video Release: July 29th, 2016 by Sony Pictures Home Entertainment
MPAA Rating: PG for rude humor and action.
(Rating bulletin 2415 (Cert #49734), 3/9/2016)
Running Time: 97 minutes
Franchise: Angry Birds
Keywords: Animal Lead, Talking Animals, Therapists / Therapy, 3-D, 3-D - Shot in 3-D, Family Adventure
Source:Based on Game
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Columbia Pictures, Rovio Animation
Production Countries: Finland, United States
Languages: English

Home Market Releases for August 16th, 2016

August 16th, 2016

The Fits

There are a lot of releases on this week’s list, but most of them are like The Angry Birds Movie on DVD, Blu-ray Combo Pack, or 4K Combo Pack. They are good, but not good enough to be a Pick of the Week contender. The best new release is The Fits, but it is only coming out on Video on Demand. More...

Friday Estimates: Star Trek Soars with $22.5 million

July 23rd, 2016

Star Trek Beyond

As expected, Star Trek Beyond led the way on the Friday box office chart, earning $22.5 million. This is in line with the average among analysts, but lower than my prediction. I did warn you about irrational exuberance. Given the film’s reviews and its A CinemaScore, it should have a relatively good internal multiplier. Look for an opening weekend of close to $57 million, which is significantly better than Ghostbusters’ opening with last week and not that much worse than what X-Men: Apocalypse opened with in May. I assume Paramount is happy with this result, but the film will need good legs and a strong international run to justify another sequel. More...

Thursday Night Previews: Star Trek’s Previews are in the Stratosphere at $5.5 million

July 22nd, 2016

Star Trek Beyond

Star Trek Beyond got off to a fast start with $5.5 million during its midnight previews. This is $2 million more than Ghostbusters made last weekend, plus it has better reviews. On the other hand, it is a sequel, so the comparison isn’t perfect. We could compare it to the previous installment in the franchise, but that film opened on a Wednesday. X-Men: Apocalypse earned $8.4 million in its previews, but that film earned weaker reviews and is a comic book movie, which tend to be more front-loaded. I was a little more bullish than most with my prediction, but this result make me feel a lot better. More...

Thursday Night Previews: The Purge Takes Care of the Competition with $3.64 million

July 1st, 2016

The Purge: Election Year

The Purge: Election Year earned the best Thursday previews out of the three wide releases with $3.64 million last night. This is the best in the franchise, just beating the $3.44 million the first film managed and well ahead of the $2.64 million the second film pulled in. On the downside, the film's reviews have slipped to just 57% positive. That's still good, for this genre and it might be a bigger than expected hit. More...

Weekend Predictions: Will Audience Find Dory? Is Seeing Central Intelligence the Smart Thing to do?

June 16th, 2016

Finding-Dory

This weekend should be the best weekend in June, led by Finding Dory. Finding Dory should easily be the biggest hit of the month, one of the biggest hits of the year, and the fastest opening film in Pixar's history. On the other hand, Central Intelligence is just hoping for a solid second place opening in its role as counter-programming. If it hits $30 million, then the studio will be very happy. This weekend last year, Jurassic World led the way with $106.59 million, while Inside Out opened in second place with $90.44 million. 2016 is going to lose more ground to 2015. I just hope they keep it close. I will be happy if Finding Dory and Central Intelligence earned a combined $150 million to $170 million. More...

International Box Office: Apocalypse Tops Weekend Chart, Zootopia Hits $1 billion

June 9th, 2016

X-Men: Apocalypse

X-Men: Apocalypse returned to top spot on the international chart with $84.4 million in 66 markets for totals of $286.0 million internationally and $403.0 million worldwide. Most of the film's weekend haul came from China, where it earned first place with $59.33 million. This is the best opening in the franchise in that market. The film has yet to open in Japan, but will likely fall out of the top ten before it gets there. More...

Weekend Wrap-Up: Turtles Open First, but Isn't Powerful with a $35.32 Million Opening

June 7th, 2016

Teenage Mutant Ninja Turtles: Out of the Shadows

Two of the three new wide releases failed to make much of an impact at the box office over the weekend. This includes the overall number one film, Teenage Mutant Ninja Turtles: Out of the Shadows. It earned $35.32 million during its opening weekend, which isn't as bad as some feared, but it is also well below its predecessor's opening. Me Before You did very well in a counter-programming role with $18.72 million. Finally, Popstar: Never Stop Never Stopping barely topped the Mendoza Line. Overall, the box office earned $133 million, which is 19% lower than last weekend, but that is an acceptable post-holiday decline. Compared to last year, the box office this year was lower, but by less than 0.1%. Year-to-date, 2016's lead has grown to $250 million or 5.9% at $4.56 billion to $4.30 billion. More...

Weekend Predictions: Throwing Shade on the New Releases

June 2nd, 2016

Teenage Mutant Ninja Turtles: Out of the Shadows

It's one of those weekends where the bigger the release is, the worse its reviews are. Teenage Mutant Ninja Turtles: Out of the Shadows is the only film expected to top $100 million domestically and its reviews are just 31% positive. Me Before You is expected to be a midlevel hit, but its reviews have slipped to 47% positive. Meanwhile, most analysts think Popstar: Never Stop Never Stopping will bomb, but its reviews are by far the best at 81% positive. This weekend last year, Spy opened with just under $30 million. Out of the Shadows should top that, while both years have similar depth. Hopefully 2016 will win the year-over-year comparison. More...

International Box Office: Alice is Looking Up

June 2nd, 2016

Alice Through the Looking Glass

Alice Through the Looking Glass opened in first place on the international chart with $65.0 million in 43 markets for a worldwide opening of $91.9 million, not including holiday Monday. The film's biggest opening was in China, where it made $26.88 million. It also did well in Mexico opening in first place with $4.85 million. On the other hand, it had mediocre openings in Russia (second place with $3.95 million on 1,199 screens), in the U.K. (second place with $3.33 million in 603 theaters) and in Australia (first place with $2.18 million on 503 screens). Those three openings were similar to a $20 million opening here, more or less. If the film can get to $300 million to $350 million worldwide, then it will have a shot at breaking even, eventually. It opens in France this week, Japan next month, and closes its international run in South Korea in September. It will be a while before we will know where it ends. More...

Weekend Wrap-Up: X-Men has Okay Opening with $79.81 million, Alice suffers Apocalyptic Opening

May 31st, 2016

X-Men: Apocalypse

Last Memorial Day was bad with Tomorrowland leading the way with $33.03 million / $42.68 million. This year things were a bit better, with X-Men: Apocalypse earning $65.77 million / $79.81 million. Again, this is okay, but not outstanding. It's record-breaking compared to Alice Through the Looking Glass, which took in $26.86 million / $33.51 million. It's Disney's first bomb of the year. Don't feel bad for them, as they also set the record for fastest to $4 Billion Worldwide over the weekend. Overall, the box office was at $164 million, which was 20% better than last weekend and 18% better than last year. Including Monday, the box office pulled in $205 million, which was 6.3% more than last Memorial day. Year-to-date, 2016 has earned $4.39 billion, which is 5.4% or $220 million more than last year's figure of $4.16 billion. (This does include Monday of last year, because of the misalignment of holiday. This is the last misaligned holiday till Labor Day.) More...

Weekend Predictions: Apocalypse vs. Alice

May 26th, 2016

X-Men: Apocalypse

It's Memorial Day long weekend and there are two wide releases trying to take advantage of the holidays. X-Men: Apocalypse is the latest installment in the X-Men franchise, but it is earning among the worst reviews. Alice Through the Looking Glass is the sequel to Alice in Wonderland, which was a surprise $1 billion hit back in 2010. Neither film is expected to live up to its predecessor, but both are expected to be hits. This weekend last year, San Andreas opened with $54.59 million over three days. Apocalypse will top that over three days, while it might take Alice four days to get there. More...

International Box Office: Apocalypse Leaves World Intact with $103.2 million

May 25th, 2016

X-Men: Apocalypse

X-Men: Apocalypse started its international run in first place with $103.2 million. At first glance, that's a good start. On the other hand, the film is playing in 75 markets, so it doesn't have a lot of markets left to open in. Back to the original hand, one of the markets it has yet to open in is China. The film's biggest single market was the U.K., where it opened in first place with $10.99 million in 598 theaters. This is nearly 30% less than Days of Future Past earned and with weaker reviews, it will likely have weaker legs. The movie-to-movie decline was even steeper in Russia, where it was down 38% to $6.41 million on 1,208 screens, and in Australia, where it was down 39% with $4.68 million on 574. On the other hand, it was down a mere 6.4% in Mexico to $8.8 million and actually rose 22% in the Philippines to $4.9 million. If it can get to $600 million worldwide, then the film will break even some time during its home market run. More...

Contest: Anger Management: Winning Announcement

May 25th, 2016

The Angry Birds Movie

The winners of our Anger Management contest were determined and the entrants with the closest predictions for The Angry Birds Movie opening weekend were... More...

Weekend Wrap-Up: Birds should be Happy with a $38.16 million

May 24th, 2016

The Angry Birds Movie

While each film in the top five on this weekend's box office chart finished in the right place, none of them matched expectations, save for The Jungle Book, which earned fifth place. The Angry Birds Movie debuted on top of the chart with $38.16 million, which is an okay opening for a family film at this time of year and nothing more. Likewise, Neighbors 2: Sorority Rising struggled compared to its predecessor, but did well compared to its budget. The Nice Guys will need long legs to break even. The overall box office rose 4.5% from last weekend, reaching $137 million, but fell 11% from the same weekend last year. 2016's lead over 2015 shrank to 5.1% or $200 million at $4.14 billion to $3.94 billion. This is a very impressive figure, but might not be enough to keep 2016 in the lead throughout the rest of the year. Jurassic World came out last June and there's little hope any film this June will match it. More...

Weekend Estimates: Angry Birds Win Civil War with $39 Million Debut

May 22nd, 2016

The Angry Birds Movie

The Angry Birds Movie is performing at the top end of expectations this weekend, and will top the box office chart with a commendable $39 million. While that’s a long way behind the $75.1 million earned by Zootopia on its opening weekend back in March, it’s a very respectable figure, and gives Sony the increasingly-rare bragging rights over Disney this weekend, with Captain America: Civil War dropping to second place with $33.1 million. More...

Friday Estimates: Angry Birds have Nice Opening

May 21st, 2016

The Nice Guys

The Angry Birds Movie earned first place on Friday’s box office chart with $11 million. This is in line with our reduced prediction after Thursday’s previews. The film’s reviews have fallen to just 42% positive, while its CinemaScore is just a B+. Both of those results are fine, for a kids film, I guess. (It’s hard to get worked up either way.) It won’t have the same internal multiplier that Zootopia had, so look for an opening weekend of just under $40 million and more than $100 million domestically. The film cost $80 million to make, so Rovio Animation needs the film to make about $300 million worldwide to have a shot at breaking even. (Sony is taking a 7% cut to distribute the movie, but didn’t pay for its production or advertising.) More...

Thursday Night Previews: Neighbors 2 Rises

May 20th, 2016

Neighbors 2: Sorority Rising

Neighbors 2: Sorority Rising led the way during Thursday night previews pulling in $1.67 million in 2,627 theaters last night. This is a third less than Neighbors earned, while the its internal multiplier will also be smaller, due to weaker reviews and the Sequel Effect. That said, it is still aiming at $30 million over the weekend, which is very likely more than it cost to make. More...

Weekend Predictions: Will Angry have a Reason to Blow Up?

May 19th, 2016

The Angry Birds Movie

There are three wide releases coming out this week, all of which are aimed at different target audiences. The Angry Birds Movie is aimed at families and will likely be the biggest hit of the weekend. Neighbors 2: Sorority Rising is an R-rated comedy that is hoping to avoid a Horrible Bosses 2 drop-off. Finally there's The Nice Guys, which is aiming for counter-programming success. If it tops $15 million over the weekend, it will be seen as a success. Captain America: Civil War will still be in the mix and could earn the threepeat, but could also fall to third place. This weekend last year, all five films in the top five earned at least $20 million. That won't happen this year. 2016 will lose, but it won't be a disaster in the year-over-year comparison. More...

International Box Office: Billion Dollars Loom Large for Civil War with Weekend Haul of $84.2 million

May 18th, 2016

Captain America: Civil War

Captain America: Civil War remained in top spot as it races towards $1 billion worldwide. Over the weekend, it added $84.2 million in 55 markets lifting its international total to $645.0 million, while its worldwide total hit $941.0 million. The film had no new openings this past weekend, but it pulled in $31.87 million in China for a total of $155.95 million after 11 days in that market. The film will top $1 billion by Friday, at the latest. More...

Contest: Money, Money, Money: Winning Announcement

May 18th, 2016

Money Monster

The winners of our Money, Money, Money contest were determined and the entrants with the closest predictions for Money Monster opening weekend were... More...

Contest: Anger Management

May 13th, 2016

The Angry Birds Movie

It is actually challenging to decide which film should be the target film in this week's box office prediction contest. The Angry Birds Movie is expected to be the biggest hit opening next weekend, but Neighbors 2: Sorority Rising could open faster, but not have as strong legs. (The Nice Guys will be a midlevel hit, at the most.) Sorority Rising's international numbers are weaker than expected, so I'm going with The Angry Birds Movie as the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Money Monster.

Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize of previously reviews DVD and / or Blu-rays. I grabbed a few more boxes from storage, so we can do winner's choice again. The choices are; two movies, one TV on DVD release, three single-disc kids DVDs, or two items from the mystery box. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a Frankenprize, as described above. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will win the final Frankenprize.

Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay! More...

2016 Preview: May

May 1st, 2016

Captain America: Civil War

April started on a soft note and ended weak, but thanks to The Jungle Book, overall the month was actually really good. That's what happens when you get a surprise $300 million hit. This bodes well for May, which is both a slow month and a fantastic month. There are only four weekends and only eight movies coming out, but of those eight films, five have a shot at $100 million. The potential blockbusters are led by Captain America: Civil War, which is not only going to be the biggest hit of the month, but according to a Fandango survey, it is the most anticipated film of the summer. (On a side note, Finding Dory is the most anticipated family film of the summer and Ghostbusters is the most anticipated comedy of the summer. I was surprised by the last result.) Both Alice Through the Looking Glass and X-Men: Apocalypse have real shots at $200 million. One of them could get to $300 million, if they weren't opening against each other. Overall, the month looks excellent. Even better, last May there was only one monster hit, The Avengers: Age of Ultron, and most analysts think Captain America: Civil War will beat it at the box office. (There's also the issue of the misalignment in the weekends, which hurt April, but will really help May.) More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2016/05/13 15 $11,161   7 $1,594   $11,161 1
2016/05/20 2 $1,619,825 +14,413% 658 $2,462   $1,695,227 2
2016/05/27 3 $1,063,602 -34% 554 $1,920   $2,902,262 3
2016/06/03 5 $633,954 -40% 419 $1,513   $3,687,815 4
2016/06/10 8 $179,078 -72% 165 $1,085   $4,310,185 5
2016/06/17 11 $70,565 -61% 75 $941   $4,473,661 6
2016/06/24 17 $28,497 -60% 30 $950   $4,525,507 7
2016/07/01 27 $15,402 -46% 18 $856   $4,595,366 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/12/2016 $1,513,325 325 325 1128 $4,138,513 11/30/2018
Aruba 5/19/2016 $15,846 6 6 14 $51,906 12/31/2018
Australia 5/13/2016 $1,912,608 405 405 1966 $6,931,673 7/11/2016
Austria 5/13/2016 $603,491 140 149 1330 $2,031,090 8/30/2016
Bahrain 5/12/2016 $146,620 14 14 62 $526,278 12/31/2018
Belgium 5/11/2016 $390,720 174 174 1107 $1,801,871 8/30/2016
Bolivia 5/12/2016 $120,148 36 36 115 $384,854 12/31/2018
Brazil 5/12/2016 $2,697,896 876 876 2921 $7,100,172 7/10/2020
Bulgaria 5/13/2016 $193,989 71 71 509 $827,012 12/31/2018
Cambodia 5/12/2016 $52,299 34 34 72 $103,338 12/31/2018
Central America 5/12/2016 $1,115,674 272 272 741 $2,492,004 6/21/2016
Chile 5/12/2016 $706,901 171 171 491 $2,146,949 12/31/2018
China 5/19/2016 $30,020,000 70184 70184 159905 $75,872,968 7/20/2016
Colombia 5/12/2016 $765,245 337 337 933 $1,931,421 12/20/2018
Croatia 5/12/2016 $151,852 80 80 430 $429,695 12/31/2018
Curacao 5/19/2016 $9,256 6 6 19 $35,164 12/31/2018
Czech Republic 5/12/2016 $423,978 207 207 781 $1,083,308 10/19/2022
Denmark 5/12/2016 $454,632 120 132 1002 $2,054,873 8/30/2016
Dominican Republic 5/19/2016 $42,239 30 31 117 $136,010 12/31/2018
East Africa 5/13/2016 $4,312 1 1 2 $9,299 5/24/2016
Ecuador 5/13/2016 $300,805 95 95 275 $972,762 12/31/2018
Egypt 5/12/2016 $32,733 20 20 74 $152,530 12/31/2018
Estonia 5/13/2016 $71,894 16 29 172 $343,833 8/2/2016
Finland 5/13/2016 $801,856 260 260 1492 $3,686,742 9/13/2016
France 5/11/2016 $1,665,038 532 549 3959 $6,064,540 7/26/2016
Germany 5/12/2016 $2,697,278 1073 1129 9217 $11,974,639 8/30/2016
Ghana 5/13/2016 $577 3 3 16 $7,104 12/31/2018
Greece 5/12/2016 $269,013 171 171 682 $796,460 8/23/2016
Hong Kong 6/2/2016 $540,657 139 139 484 $2,144,277 8/9/2016
Hungary 5/12/2016 $249,012 87 87 486 $749,705 12/31/2018
Iceland 5/11/2016 $28,901 17 17 73 $115,619 12/31/2018
India 5/27/2016 $1,903,370 735 735 1412 $4,125,862 7/6/2016
Indonesia 5/13/2016 $889,184 314 314 647 $2,483,707 12/31/2018
Iraq 5/12/2016 $30,472 10 10 42 $109,906 12/31/2018
Israel 5/12/2016 $271,490 98 98 298 $1,251,354 12/31/2018
Italy 6/17/2016 $1,399,456 539 573 2208 $3,606,544 11/1/2016
Jamaica 5/18/2016 $27,528 6 6 27 $83,400 12/31/2018
Japan 10/1/2016 $623,515 338 338 1309 $2,244,315 11/29/2016
Jordan 5/12/2016 $28,629 8 8 47 $126,874 12/31/2018
Kenya 5/13/2016 $13,982 13 13 60 $67,770 12/31/2018
Kuwait 5/12/2016 $274,508 19 20 90 $1,129,105 12/31/2018
Latvia 5/13/2016 $104,154 10 36 121 $364,203 12/31/2018
Lebanon 5/12/2016 $58,048 22 22 127 $261,512 12/31/2018
Lithuania 5/13/2016 $119,870 265 265 1257 $539,127 12/20/2017
Malaysia 5/12/2016 $1,156,660 370 370 1015 $3,295,036 6/28/2016
Mexico 5/13/2016 $2,828,925 1296 1296 3868 $7,016,536 7/12/2016
Mongolia 5/20/2016 $23,834 5 8 28 $101,887 12/31/2018
Netherlands 5/19/2016 $599,434 135 135 1368 $4,280,374 8/30/2016
New Zealand 5/13/2016 $212,602 94 94 574 $808,190 8/9/2016
Nigeria 5/13/2016 $17,953 23 23 163 $133,825 12/31/2018
North America 5/20/2016 $38,155,177 3,932 3,932 18,331 $107,509,366 6/24/2017
Norway 5/13/2016 $426,227 308 308 1176 $1,893,046 8/9/2016
Oman 5/12/2016 $68,418 17 17 52 $221,682 12/31/2018
Peru 5/12/2016 $1,383,205 263 263 728 $3,068,497 12/31/2018
Philippines 5/11/2016 $855,715 169 169 309 $1,435,371 12/31/2018
Poland 5/27/2016 $1,276,599 283 294 1755 $4,910,472 11/18/2018
Portugal 6/1/2016 $343,700 92 92 521 $1,687,495 12/8/2016
Qatar 5/12/2016 $170,331 15 15 61 $498,685 12/31/2018
Romania 5/13/2016 $212,401 85 85 567 $698,096 12/31/2018
Russia (CIS) 5/12/2016 $5,751,279 1209 1209 4617 $11,996,823 12/31/2018
Serbia and Montenegro 5/12/2016 $68,973 42 42 231 $215,094 12/31/2018
Singapore 5/26/2016 $916,397 63 63 194 $2,028,295 7/20/2016
Slovakia 5/12/2016 $261,733 74 74 350 $538,598 12/21/2016
Slovenia 5/12/2016 $110,213 43 43 213 $275,911 8/9/2016
South Africa 5/13/2016 $278,411 122 122 742 $1,292,420 8/16/2016
South Korea 5/15/2016 $11,161 7 658 1926 $4,595,629 7/16/2016
Spain 5/13/2016 $1,939,913 582 582 3432 $6,172,927 11/22/2016
Suriname 5/19/2016 $2,517 2 2 5 $8,497 12/31/2018
Sweden 5/13/2016 $543,341 252 252 1212 $2,115,180 9/7/2016
Switzerland 5/12/2016 $640,803 159 159 864 $1,926,326 7/12/2016
Syria 5/12/2016 $2,230 2 3 18 $12,937 12/31/2018
Taiwan 6/8/2016 $593,399 105 105 230 $1,162,038 7/26/2016
Thailand 5/12/2016 $552,063 185 185 362 $1,388,091 6/14/2016
Trinidad 5/25/2016 $82,690 24 24 78 $190,759 12/31/2018
Turkey 5/13/2016 $458,900 305 388 1512 $1,785,032 1/1/2019
Ukraine 5/12/2016 $666,678 266 270 909 $1,464,962 12/31/2018
United Arab Emirates 5/12/2016 $827,575 106 106 397 $2,426,813 12/31/2018
United Kingdom 5/13/2016 $3,073,009 520 558 5462 $15,367,738 10/11/2016
Uruguay 5/12/2016 $43,475 23 23 121 $283,609 12/31/2018
Venezuela 5/13/2016 $138,189 82 82 336 $585,886 8/2/2016
Vietnam 5/13/2016 $594,892 198 198 535 $2,025,984 12/31/2018
 
Rest of World $3,379,946
 
Worldwide Total$352,288,341 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jason Sudeikis    Red
Josh Gad    Speedy Chuck
Danny McBride    Bomb

Supporting Cast

Maya Rudolph    Matilda
Kate McKinnon    Stella, Eva the Birthday Mom
Sean Penn    Terence
Tony Hale    Ross, Cyrus, Mime
Keegan-Michael Key    Judge Peckinpah
Bill Hader    Hog
Peter Dinklage    Mighty Eagle
Hannibal Buress    Edward the Birthday Dad
Ike Barinholtz    Tiny
Tituss Burgess    Photog
Ian Hecox    Bubbles
Anthony Padilla    Hal
Jillian Bell    Helene the Lunch Mom, Yoga Instructor
Billy Eichner    Chef Pig, Phillip
Danielle Brooks    Olive Blue, Monica the Crossing Guard
Blake Shelton    Earl Pig
Charli XCX*    Willow
Romeo Santos    Early Bird
Cristela Alonzo    Shirley the Old Lady Bird
Adam Brown    Hug Trader
Ava Acres    Timothy the Birthday Boy
Geoffrey Arend    Day Care Teacher
Malena Brewer    Arianna Bird
Catherine Winder    Billy the Sign
Alex Borstein    Sophie Bird, Peggy Bird
John Cohen    Johnny Bird
Max Charles    Bobby Bird
Clay Kaytis    Clayton the Waiter Bird
Matt McCarthy    Rodney Bird, Acrobat Pig
Vincent Oswald    Dylan Hatchling
Fergal Reilly    Foreman Pig
Samantha Cohen    Samantha Hatchling
Kevin Bigley    Greg Blue
Matt Taylor    Hamilton Pig, Acrobat Pig
Josh Robert Thompson    Brad Bird, Dane the Saxophone Bird
Ali Wong    Betty Bird
Mckenna Grace    Ella Bird
Bella Laudiero    Maya Bird
Aiden McGraw    Young Red
Fred Tatasciore    Monty Pig
Eileen Marra    Hatchling Singer
Indra Raval    Hatchling Singer
Joaquin Raval    Hatchling Singer
Sofie Wolfe    Hatchling Singer

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Clay Kaytis    Director
Fergal Reilly    Director
Jon Vitti    Screenwriter
Mikael Hed    Story by
Mikko Polla    Story by
John Cohen    Story by
John Cohen    Producer
Catherine Winder    Producer
Mikael Hed    Executive Producer
David Maisel    Executive Producer
Pete Oswald    Production Designer
Kent Beyda    Editor
Ally Garrett    Editor
Heitor Pereira    Composer
Linda Lamontagne    Casting Director
Kim Rozner    Associate Producer
Francesca Natale    Art Director-Character Art Director
Danny Dimian    Visual Effects Supervisor
Pete Nash    Animation Supervisor
Stephen W. Childers    Head of Layout
Todd Napier    3D Stereoscopic Supervisor
Manish Raval    Music Supervisor
Tom Wolfe    Music Supervisor
Tom Myers    Supervising Sound Editor
Tom Myers    Sound Designer
Jason Brewer    Story & Editorial Production Manager
Scott Berri    Production Supervisor-Art Department Production Supervisor
Bradley M. Goodman    Post-Production Supervisor
Lydia Bottegoni    Executive Animation Producer
Julie Zackary    Line Producer
Lisa Jacqueline Bechard    Digital Producer
Tamara Boutcher    Digital Producer
Kristy Lynn Fortier    Digital Production Manager
Garrick McLaughlin    Digital Production Manager
Luis Gadea    Character Designer
Sandro Lucio Cleuzo    Character Designer
Meghan Kraft    Associate Editor
Darrian M. James    First Assistant Editor
Kira Tamagawa    Second Assistant Editor
Julius Kwan    Supervising Animator
Robert Lehman    Supervising Animator
William Moten    Animation Supervisor
Daniel Pozo    Animation Supervisor
Philip Rudolph    Animation Supervisor
Kelsey Wagner    Supervising Animator
Kevin Webb    Animation Supervisor
Mario Capellari    CG Supervisor
R. Stirling Duguid    CG Supervisor
Clint Hanson    CG Supervisor
Cam Langs    CG Supervisor
Nicola Lavender    CG Supervisor
Marvin Kim    Modeling Supervisor
Ed Siomacco Jr    Character Effects Supervisor
Gary A. Rizzo    Re-recording Mixer
Tom Myers    Re-recording Mixer
Slamm Andrews    Supervising Music Editor
Craig Berkey    Sound Designer
Pascal Garneau    Sound Effects Editor
David C. Hughes    Sound Effects Editor
Stuart McCowan    Dialogue Editor
Alan Meyerson    Score Mixer
Manish Raval    Music Editor
Tom Wolfe    Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.