Germany Box Office for BrightBurn (2019)

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BrightBurn
Theatrical Performance (US$)
Germany Box Office $585,590Details
Worldwide Box Office $33,183,640Details
Home Market Performance
North America DVD Sales $1,512,086 Details
North America Blu-ray Sales $3,164,985 Details
Total North America Video Sales $4,677,071
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister?

Metrics

Movie Details

Production Budget:$7,000,000
Germany Releases: June 20th, 2019 (Wide)
Video Release: August 6th, 2019 by Sony Pictures Home Entertainment
October 21st, 2019 by Sony Pictures
MPAA Rating: R for horror violence/bloody images, and language.
(Rating bulletin 2572 (Cert #52113), 4/3/2019)
Running Time: 90 minutes
Keywords: Set in Kansas, Unexpected Families, Alien Encounters, Adopted Family, Scary Kids, Psychological Horror, Death of a Partner, Death of a Spouse or Fiancée / Fiancé, Familicide
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Super Hero
Production/Financing Companies: The H Collective, Troll Court Entertainment, Screen Gems, Stage 6 Films
Production Countries: United States
Languages: English

Home Market Releases for August 20th, 2019

August 21st, 2019

John Wick: Chapter 3 — Parabellum

I don’t like awarding the Pick of the Week to films only coming out on Video on Demand, but John Wick: Chapter 3 — Parabellum is the best release of the week and it isn’t even particularly close. More...

Home Market Releases for August 6th, 2019

August 7th, 2019

Pokémon: Detective Pikachu

Pokémon: Detective Pikachu is the biggest release of the week and it is also one of the best. Amazing Grace and Penguin Highway and better movies, but Pikachu is the only one of the three Pick of the Week contenders with significant extras on its DVD / Blu-ray release. More...

Weekend Wrap-Up: Godzilla Tops Weekend Chart and Helps 2019 to Rare Win

June 4th, 2019

Godzilla: King of the Monsters

Godzilla: King of the Monsters didn’t live up to expectations, but it did well enough to earn first place on the weekend box office chart. King of the Monsters opened with $47.78 million, while Aladdin was right behind with $42.84 million. This helped the overall box office hold on a lot better than expected, down just 4.3% to $174 million, which is a fantastic hold for a post-holiday weekend. The box office was also a huge improvement from this weekend last year, up 63% in the year-over-year comparison. Year-to-date, 2019 has pulled in $4.54 billion, which is still 7.4% or $380 million behind last year’s pace, but a few more wins like this and that gap won’t seem so bad anymore. That said, as anyone who’s read our monthly preview will know, I’m not expecting too many weekends like this in June. More...

Weekend Predictions: Will Godzilla Crush the Critics with a Massive Opening Weekend?

May 30th, 2019

Aladdin

Godzilla: King of the Monsters leads a trio of new releases hoping to make an impact at the box office this weekend. It will have no trouble earning first place and even the low-end of predictions are at $50 million. Rocketman has the best reviews of the week and it could continue the positive trend for musical biopics. Finally there’s MA, a psychological horror that could become a midlevel hit, but even if it fails to live up to expectations, it was inexpensive enough to break even. Meanwhile, Aladdin and John Wick: Chapter 3 - Parabellum will remain in the top five, while Avengers: Endgame could be one of six films earning more than $10 million over the weekend. This weekend last year, Adrift was the biggest new release opening with just $11.60 million, while Solo: A Star Wars Story was the number one film with $29.40 million. There should be three films that top Solo and as many as six that top Adrift. 2019 should come away with an easy win. More...

Weekend Wrap-Up: Aladdin Earns $100 million Opening

May 28th, 2019

Aladdin

It was a great weekend for Aladdin and an okay weekend for the box office as a whole. Aladdin made more over the three-day portion of the weekend than most predicted it would make over four days. Unfortunately, not all of the rest of the films were able to pull their weight. The overall box office still grew 23% from last weekend reaching $181 million, but it slipped when compared to last year. Granted, it fell less than $1 million or 0.5% when compared to the same weekend last year, which is such a small gap that it is practically a tie. Year-to-date, 2019 has pulled in $4.31 billion, which is 9.2% or $440 million lower than 2018’s running tally of $4.75 million and this number needs to improve over the coming weeks. More...

Weekend Estimates: Aladdin Goes Long with $86 million over Three-Day Weekend

May 26th, 2019

Aladdin

Aladdin’s box office continues to grow with Disney projecting $86.1 million over the three-day weekend, putting it on pace for $105 million including Monday. Its reviews are fine, but its A from CinemaScore is really telling a story here and it should lead to long legs, especially with school holidays starting soon. Internationally, the film earned $121.0 million, not including Monday, for a $207.1 million global debut. The film did okay in China with $18.7 million, but clearly the lack of nostalgia was hurting it here. The film was a much bigger hit in Mexico with $9.2 million, but it was also a smash in the U.K. ($8.4 million); Italy ($6.6 million); and others. More on that during our International Top Five column. More...

Friday Estimates: Aladdin Has a Memorable Start with $31 Million

May 25th, 2019

Aladdin

Aladdin is looking stellar after a $31.0 million opening Friday. The film’s reviews are nothing special, but it scored an A from CinemaScore, so clearly audiences are loving the movie much more than critics did. The word-of-mouth should help its legs and this puts it on pace to top $100 million over the four-day weekend and even top last year’s top film, Solo: A Star Wars Story, with about $107 million. This is much better than most predictions and a return to form for live-action Disney remakes after Dumbo’s disappointing run earlier in the year. It could even help 2019 top 2018 in the year-over-year comparison, but that depends on the rest of the new releases and holdovers also matching or exceeding expectations. That doesn’t look as promising. More...

Thursday Night Previews: Aladdin Opens with a Lucky $7 million - Update

May 24th, 2019

Aladdin

Aladdin got off to a great start, earning $7 million from previews last night. Granted, this is just half of what Solo: A Star Wars Story made during its previews last year. However, that film was the definition of the Fanboy Film, while Aladdin is clearly aimed at families and it should therefore have better legs as a result. We could also compare the film to Dumbo, which managed $2.6 million, or Beauty and the Beast with its $16.3 million in previews. If this film can have similar legs as those two films did, then it will have a great opening and top our prediction. Here’s hoping that’s the case. More...

Weekend Predictions: Can Aladdin Grant the Box Office its Wish?

May 23rd, 2019

Aladdin

It’s Memorial Day long weekend, which is historically one of the biggest weekends of the year. However, this year there are not a lot of prime new releases to talk about. Aladdin is the only new release expected to become even a midlevel hit, while both Booksmart and Brightburn are expected to struggle in their counter-programming roles. The three new releases will be competing for spots in the top five with three holdovers, John Wick: Chapter 3 - Parabellum, Avengers: Endgame, and Pokémon: Detective Pikachu. That’s six films competing for five slots, so one of them will miss out. This weekend last year, Solo: A Star Wars Story led the way with $84.42 million over the three-day weekend. There are many who think Aladdin won’t make that much over four days. I’m a little more bullish than most, but I don’t think 2019 will get back in the winning column this weekend. Aladdin’s numbers haven’t picked up as they should have. More...

2019 Preview: May

May 1st, 2019

Detective Pikachu

April got off to a fast start with Shazam! opening the first weekend of the month. Meanwhile, Avengers: Endgame ended the month with a record-breaking debut. Unfortunately for 2019, last April had a very similar result leaving 2019 behind 2018’s pace by over $400 million. Will May be able to turn things around? Last May, there were only two films that reached $200 million, Deadpool 2 and Solo: A Star Wars Story. Meanwhile, this May there are three such films, Detective Pikachu, Aladdin, and Godzilla: King of the Monsters. There are two points we need to make. Firstly, the only reason there are more potential $200 million hits this year is because May has five Fridays this year. Secondly, this May also has a lot better depth with films like John Wick: Chapter 3 - Parabellum and Rocketman being potential $100 million hits. Even if we ignore the final weekend, May should do well enough to cut into 2018’s lead over 2019. It’s not going to be able to cut it in half, but it could do well enough to make box office analysts a little more positive about the year’s chances overall. More...

Brightburn Trailer

January 14th, 2019

Super hero horror movie starring Elizabeth Banks, David Denman, and Jackson Dunn opens on May 24 ... Full Movie Details.

What if a child from another world crash-landed on Earth, but instead of becoming a hero to mankind, he proved to be something far more sinister? More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/06/21 - $270,833   413 $656   $357,291 1
2019/06/28 - $82,822 -69% 376 $220   $492,832 2
2019/07/05 - $29,762 -64% 292 $102   $552,140 3
2019/07/12 - $19,137 -36% 141 $136   $578,138 4
2019/07/19 - $1,928 -90% 29 $66   $582,780 5
2019/07/26 - $1,255 -35% 17 $74   $584,306 6
2019/08/02 - $780 -38% 7 $111   $585,590 7

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/23/2019 $66,595 130 130 144 $95,059 6/12/2019
Aruba 5/23/2019 $0 0 1 1 $3,112 6/4/2019
Australia 5/24/2019 $521,957 247 247 633 $1,118,262 7/3/2019
Austria 6/21/2019 $50,112 60 60 210 $125,949 8/20/2019
Bahrain 5/9/2019 $0 0 2 2 $49,111 6/7/2019
Belgium 6/26/2019 $47,476 30 30 86 $104,217 7/24/2019
Bolivia 5/23/2019 $10,764 19 19 24 $23,465 6/4/2019
Brazil 5/23/2019 $174,043 300 300 407 $289,510 6/12/2019
Bulgaria 5/10/2019 $10,328 0 2 2 $27,705 6/4/2019
Cambodia 5/24/2019 $13,572 63 63 106 $21,812 6/12/2019
Central America 5/23/2019 $81,446 114 114 138 $124,707 6/12/2019
Chile 5/23/2019 $45,615 47 47 58 $66,578 6/12/2019
Colombia 5/16/2019 $0 0 15 15 $174,584 5/29/2019
Croatia 5/23/2019 $18,960 60 60 100 $35,971 6/18/2019
Curacao 5/23/2019 $1,967 3 3 7 $4,601 6/12/2019
Czech Republic 5/24/2019 $38,078 112 112 166 $72,001 10/19/2022
Denmark 5/23/2019 $26,565 45 45 80 $74,832 6/18/2019
East Africa 5/10/2019 $0 0 1 2 $1,374 6/4/2019
Ecuador 5/23/2019 $51,155 37 37 106 $138,148 6/18/2019
Egypt 6/12/2019 $17,461 1 5 6 $24,141 6/25/2019
Estonia 5/24/2019 $9,889 15 15 32 $23,225 6/18/2019
France 6/26/2019 $418,302 221 221 657 $1,054,761 7/24/2019
Germany 6/20/2019 $270,833 413 413 1275 $585,590 8/11/2019
Ghana 5/24/2019 $683 4 4 8 $1,187 6/4/2019
Greece 5/23/2019 $6,565 82 82 99 $66,827 6/7/2019
Hong Kong 5/23/2019 $12,099 105 105 133 $157,130 6/18/2019
Hungary 5/9/2019 $0 0 29 40 $110,520 6/7/2019
Iceland 5/22/2019 $7,583 7 7 17 $24,107 7/3/2019
India 5/24/2019 $85,778 266 266 277 $124,443 6/4/2019
Indonesia 5/10/2019 $0 0 76 76 $756,610 5/29/2019
Iraq 5/9/2019 $0 0 7 13 $19,671 6/7/2019
Israel 5/23/2019 $34,317 18 18 48 $81,363 7/3/2019
Italy 5/23/2019 $282,966 0 16 23 $502,399 7/3/2019
Jamaica 5/24/2019 $3,120 1 1 1 $3,120 5/29/2019
Japan 11/15/2019 $328,852 0 0 0 $454,661 11/24/2019
Jordan 5/9/2019 $0 0 3 3 $15,741 6/4/2019
Kenya 5/24/2019 $1,552 13 13 21 $2,838 6/12/2019
Kuwait 6/13/2019 $41,951 10 10 13 $70,581 6/25/2019
Latvia 5/24/2019 $6,264 9 9 23 $18,946 7/16/2019
Lebanon 5/9/2019 $0 0 5 8 $30,870 6/4/2019
Lithuania 5/24/2019 $9,709 80 80 96 $20,901 10/19/2022
Malaysia 5/9/2019 $0 0 140 145 $325,212 6/4/2019
Mexico 5/17/2019 $757,635 0 248 259 $1,606,989 6/12/2019
Middle East Region 6/13/2019 $101,538 6 6 7 $193,811 6/25/2019
Netherlands 5/24/2019 $125,197 62 62 175 $296,298 6/25/2019
New Zealand 5/23/2019 $44,945 41 41 91 $102,308 6/18/2019
Nigeria 5/24/2019 $4,412 40 40 77 $14,987 6/12/2019
North America 5/24/2019 $7,845,658 2,607 2,607 6,629 $17,259,427 5/12/2020
Norway 5/24/2019 $49,960 102 102 102 $49,960 5/29/2019
Oman 5/9/2019 $0 0 2 4 $21,053 6/4/2019
Pakistan 5/17/2019 $0 0 14 24 $11,048 6/12/2019
Paraguay 5/23/2019 $531 13 13 16 $10,044 10/19/2022
Peru 5/16/2019 $0 0 18 19 $209,625 6/7/2019
Philippines 5/29/2019 $84,693 146 146 150 $106,742 6/12/2019
Poland 5/24/2019 $50,944 105 105 271 $132,577 10/19/2022
Portugal 5/24/2019 $38,859 42 42 114 $97,401 10/19/2022
Qatar 6/13/2019 $22,025 12 12 13 $31,545 6/25/2019
Romania 5/10/2019 $0 0 42 93 $155,280 7/10/2019
Russia (CIS) 5/23/2019 $764,315 905 905 1877 $1,398,331 6/26/2019
Serbia and Montenegro 5/23/2019 $10,253 29 29 60 $22,293 7/10/2019
Singapore 5/9/2019 $0 0 5 6 $158,499 6/4/2019
Slovakia 5/17/2019 $20,939 64 64 113 $47,670 6/4/2019
Slovenia 5/23/2019 $7,676 13 13 29 $13,531 6/18/2019
South Africa 5/31/2019 $13,558 23 23 47 $34,525 6/25/2019
South Korea 5/23/2019 $406,768 509 509 546 $670,974 6/26/2019
Spain 5/24/2019 $398,937 290 318 948 $1,180,154 7/31/2019
Suriname 5/23/2019 $947 1 1 3 $2,889 6/12/2019
Sweden 5/24/2019 $61,003 115 115 202 $138,396 7/3/2019
Switzerland 6/20/2019 $27,036 25 27 79 $72,383 8/14/2019
Syria 5/9/2019 $0 0 1 2 $2,430 6/4/2019
Taiwan 8/7/2019 $58,858 67 67 115 $138,194 8/28/2019
Thailand 8/22/2019 $104,026 94 94 182 $361,753 10/19/2022
Trinidad 5/22/2019 $15,889 13 13 27 $31,535 6/12/2019
Ukraine 5/23/2019 $76,735 241 241 400 $129,270 6/12/2019
United Arab Emirates 5/9/2019 $0 0 9 12 $192,190 6/4/2019
United Kingdom 6/19/2019 $646,634 451 451 934 $1,156,178 7/24/2019
Uruguay 5/23/2019 $4,661 13 13 21 $8,244 7/16/2019
Venezuela 5/24/2019 $4,404 47 47 74 $10,904 6/18/2019
 
Rest of World $88,360
 
Worldwide Total$33,183,640 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Jackson Dunn    Brandon Breyer/Brightburn

Supporting Cast

Elizabeth Banks    Mrs. Breyer
David Denman    Mr. Breyer
Matt Jones    Noah McNichol
Meredith Hagner    Merilee McNichol
Becky Wahlstrom    Erica
Emmie Hunter    Caitlyn
Gregory Alan Williams    Chief Deputy Deever
Annie Humphrey    Deputy Ayres
Jennifer Abu Hollander    Ms. Espenschied
Terence Rosemore    P.E. Teacher
Elizabeth Becka    Principal
Steve Agee    EJ
Stephen Blackehart    Travis
Michael Dunston    Reporter
Christian Finlayson    Fauxhawk
Michael Rooker    The Mr T
Gwen Parrish    Middle School Kid

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

David Yarovesky    Director
Brian Gunn    Screenwriter
Mark Gunn    Screenwriter
James Gunn    Producer
Kenneth Huang    Producer
Brian Gunn    Executive Producer
Mark Gunn    Executive Producer
Dan Clifton    Executive Producer
Nic Crawley    Executive Producer
Simon Hatt    Executive Producer
Kenneth Huang    Executive Producer
Matthew Medlin    Co-Producer
Michael Dallatorre    Director of Photography
Patrick M. Sullivan, Jr.    Production Designer
Andrew S. Eisen    Editor
Peter Gvozdas    Editor
Rich Delia    Casting Director
Tim Williams    Composer
Trygge Toven    Music Supervisor
Shannon Murphy    Music Supervisor
Autumn Steed    Costume Designer
Dan Clifton    Unit Production Manager
Jacques Terblanche    First Assistant Director
Gene M. Smith    Second Assistant Director
Ali Jazayeri    Executive Producer
David Gendron    Executive Producer
Tessie Groff    Associate Producer
Lonnie R. Smith    Stunt Coordinator
Christian Snell    Art Director
Kassandra Deangelis    Set Decorator
Erik H. Magnus    Sound Mixer
Won Chung    Production Supervisor
Jana Davis    Script Supervisor
Michael Woodruff    Location Manager
Melanie DeForrest    Key Make Up Artist
Briky Stone    Make up
Jack Lazzaro    Make up
Anna Quinn    Hairstylist
Heather M. Morris    Hairstylist
Renee Minasian    Post-Production Supervisor
Robert Lee    First Assistant Editor
Yu Jung Hou    First Assistant Editor
P.K. Hooker    Supervising Sound Editor
P.K. Hooker    Sound Designer
Ken McGill    Sound Effects Editor
Andrew Twite    Sound Effects Editor
Trevor Gates    Sound Effects Editor
Diego Perez    Sound Editor
Rustam Gimadiev    Foley Mixer
Sergey Timoschuk    Foley Editor
Andrey Medvedkov    Foley Editor
Tom Myers    Re-recording Mixer
Nicholas Cochran    Re-recording Mixer
Nate Hill    Music Editor
Dietrich Hasse    Visual Effects Supervisor
Christine Resch    Visual Effects Producer
Franzisca Puppe    Visual Effects Producer
Claudius Urban    Animation Supervisor
Marc Steinberg    Visual Effects Producer
Alan Meyerson    Score Mixer
Gordon Davidson    Recordist

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.