Synopsis
When middle-schooler Emily Elizabeth meets a magical animal rescuer who gifts her a little, red puppy, she never anticipates waking up to find a giant ten-foot hound in her small New York City apartment. While her single mom is away for business, Emily and her fun but impulsive uncle Casey set out on an adventure as our heroes take a bite out of the Big Apple. Clifford will teach the world how to love big!
Metrics
Movie Details
| Production Budget: | $64,000,000 |
| Portugal Releases: |
December 16th, 2021 (Wide), released as Clifford, o Cão Vermelho |
| Video Release: |
November 10th, 2021 by Paramount + |
| MPAA Rating: |
PG for impolite humor, thematic elements and mild action.
(Rating bulletin 2684 (cert #52592), 6/9/2021) |
| Running Time: |
97 minutes |
| Keywords: |
Family Adventure, Animal Lead, Corporate Malfeasance, Fugitive / On the Run, Disrupted by 2020 COVID-19 pandemic |
| Source: | Based on Fiction Book/Short Story |
| Genre: | Adventure |
| Production Method: | Animation/Live Action |
| Creative Type: | Kids Fiction |
| Production/Financing Companies: |
Entertainment One, New Republic Pictures, Kerner Entertainment Company, Scholastic Entertainment Inc., Paramount Pictures |
| Production Countries: |
United States |
| Languages: |
English |
February 20th, 2022
-2-News.jpg)
Uncharted and Dog are both posting very good numbers over the Presidents Day weekend, lifting the market as a whole over $90 million for the three-day part of the long weekend, and making this the best weekend at the box office so far this year. Uncharted is having the best weekend of 2022 for a single movie, with $44.155 million projected by Sony this morning for Friday–Sunday, and $51 million over the four-day weekend. That beats our Friday-morning prediction of $39.4 million, and Sony’s Friday-morning prediction of $40 million, suggesting that the film is building an audience based on word-of-mouth recommendations.
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November 21st, 2021
Ghostbusters: Afterlife is tearing into theaters this weekend with a strong $44-million opening, according to Sony’s Sunday-morning projection. That’s well ahead of our model’s pre-release prediction of $25 million, and comfortably exceeds the model’s prediction based on Thursday previews of $36.2 million. It’s also the studio’s second legitimate hit of the year after Venom: Let There Be Carnage and evidence that their theatrical-only strategy is paying off (even if the total dollars involved are modest compared to the pre-pandemic market).
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November 14th, 2021
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Eternals will, as expected, come out on top at the box office this weekend, but it’ll do so by a healthier margin than expected thanks to a decent hold, and a very slight under-performance by Clifford the Big Red Dog through the weekend. Eternals is set to earn $27.5 million, according to Disney’s Sunday-morning projection, which will take it to $118.8 million domestically. That makes it one of the top 10 films of 2021 already, with quite a way to run.
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November 12th, 2021
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Eternals should stay top at the box office this weekend, based on our model’s Friday-morning run. But Clifford the Big Red Dog has been putting in very respectable numbers so far and could be surprisingly close to the Marvel if it holds on well through the weekend. Here’s how things stack up this morning…
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November 7th, 2021
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The Marvel Cinematic Universe’s 26th outing is opening this weekend very much in line with similar releases in the franchise. Eternals will land with $71 million domestically, according to Disney’s Sunday-morning estimate. That’s about $4 million less than Shang-Chi earned in September, which was in turn about $5 million less than Black Widow’s $80-million opening in July. But it’s also very much in line with what Doctor Strange opened with before the pandemic. In short, the MCU looks to be doing fine.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2021/12/17 |
5 |
$39,272 |
|
62 |
$633 |
$39,531 |
1 |
| 2021/12/24 |
6 |
$31,346 |
-20% |
67 |
$468 |
$97,686 |
2 |
| 2021/12/31 |
- |
$9,356 |
-70% |
51 |
$183 |
$129,242 |
3 |
| 2022/01/07 |
8 |
$6,291 |
-33% |
35 |
$180 |
$143,008 |
4 |
| 2022/01/14 |
9 |
$14,535 |
+131% |
33 |
$440 |
$161,210 |
5 |
| 2022/01/21 |
9 |
$10,749 |
-26% |
32 |
$336 |
$172,752 |
6 |
| 2022/01/28 |
11 |
$7,384 |
-31% |
26 |
$284 |
$179,622 |
7 |
| 2022/02/04 |
12 |
$9,141 |
+24% |
26 |
$352 |
$195,152 |
8 |
| 2022/02/11 |
14 |
$10,058 |
+10% |
19 |
$529 |
$205,777 |
9 |
| 2022/02/18 |
11 |
$10,688 |
+6% |
20 |
$534 |
$216,308 |
10 |
| 2022/02/25 |
13 |
$4,979 |
-53% |
15 |
$332 |
$220,652 |
11 |
| 2022/03/04 |
14 |
$4,080 |
-18% |
11 |
$371 |
$222,132 |
12 |
| 2022/03/11 |
19 |
$4,079 |
n/c |
9 |
$453 |
$227,308 |
13 |
| 2022/03/18 |
20 |
$3,240 |
-21% |
10 |
$324 |
$233,197 |
14 |
| 2022/03/25 |
- |
$2,742 |
-15% |
11 |
$249 |
$234,826 |
15 |
| 2022/04/01 |
- |
$1,067 |
-61% |
7 |
$152 |
$237,276 |
16 |
| 2022/04/08 |
16 |
$2,607 |
+144% |
5 |
$521 |
$236,823 |
17 |
| 2022/04/15 |
- |
$555 |
-79% |
3 |
$185 |
$237,373 |
18 |
| 2022/04/22 |
- |
$164 |
-70% |
2 |
$82 |
$237,267 |
19 |
| 2022/04/29 |
- |
$376 |
+129% |
1 |
$376 |
$232,222 |
20 |
| 2022/06/03 |
- |
$992 |
|
4 |
$248 |
$243,210 |
25 |
| 2022/07/01 |
- |
$759 |
|
1 |
$759 |
$240,056 |
29 |
| 2022/12/16 |
14 |
$2,963 |
|
7 |
$423 |
$245,718 |
53 |
| 2022/12/23 |
- |
$274 |
-91% |
1 |
$274 |
$246,643 |
54 |
| 2024/03/22 |
- |
$1,864 |
|
2 |
$932 |
$254,347 |
119 |
| 2024/05/31 |
- |
$600 |
|
1 |
$600 |
$257,179 |
129 |
| 2024/06/21 |
- |
$467 |
|
1 |
$467 |
$254,043 |
132 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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