Oman Box Office for A Dog’s Way Home (2019)

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A Dog’s Way Home
Theatrical Performance (US$)
Oman Box Office $19,722Details
Worldwide Box Office $81,152,505Details
Home Market Performance
North America DVD Sales $5,058,273 Details
North America Blu-ray Sales $3,485,167 Details
Total North America Video Sales $8,543,440
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

A Dog’s Way Home chronicles the heartwarming adventure of Bella, a dog who embarks on an epic 400-mile journey home after she is separated from her beloved human, Lucas, an aspiring med student and VA hospital volunteer. Bella touches the lives of many during her unwavering quest; from an orphaned mountain lion cub to a homeless veteran down on his luck, Bella brings joy and comfort to everyone she meets with her unique spirit and faith.

Metrics

Movie Details

Production Budget:$61,000,000
Oman Releases: January 31st, 2019 (Wide)
Video Release: March 26th, 2019 by Sony Pictures Home Entertainment
MPAA Rating: PG for thematic elements, some peril and language.
(Rating bulletin 2554 (Cert #51441), 11/21/2018)
Running Time: 102 minutes
Keywords: Talking Animals, Animal Lead, Missing Pet, Doctors, Road Trip, Family Drama
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Columbia Pictures, Bona Film Group, Pariah Productions
Production Countries: United States
Languages: English

Home Market Releases for April 9th, 2019

April 11th, 2019

Mirai

We’ve hit the summer doldrums on the home market, as there are no major winter releases that haven’t come out and none of 2019’s early releases were amazing, so there’s going to be a large gap between monster hits. One of the biggest hits is On the Basis of Sex, which is also one of the best. Another contender for Pick of the Week is Mirai while last week’s Archer: The Complete Season Nine: Danger Island would have been a contender last week, if the screener had arrived on time. In the end, it wasn’t a particularly close race and the Oscar-nominated movie won. More...

Home Market Releases for March 26th, 2019

March 27th, 2019

If Beale Street Could Talk

It is an amazing week for home releases. Not only do we have the biggest hit of last winter on this week’s list, but Aquaman is actually worth owning. That’s only the second time I can say that about the D.C.E.U. Additionally, there are a huge number of contenders for Pick of the Week, ranging from Oscar contenders (If Beale Street Could Talk on Blu-ray Combo Pack); limited releases (The Miseducation of Cameron Post: Special Edition Blu-ray); animated imports (My Hero Academia: Two Heroes on Blu-ray); TV movie aimed at teens (Kim Possible on DVD); and classics (For A Few Dollars More: Special Edition Blu-ray). It was an exceptionally close call, but in the end, I went with If Beale Street Could Talk. More...

Weekend Wrap-Up: Glass Wins, Dragon Ball was Super

January 22nd, 2019

Glass

It was a mixed weekend with Glass missing admittedly high expectations, but a lot of the rest of the top five thrived. This includes Dragon Ball Super: Broly, which wasn’t even expected to open in the top five. Overall, the box office rose 8.6% from last weekend to $130 million. This is 5.0% less than the same weekend last year, which means 2019’s losing streak continues. This is more disappointing, as the misalignment in holidays gave 2019 a huge advantage this weekend. Year-to-date, 2019 is below 2018 by $100 million. In fact, 2019 is off to the worst start since 2012 or 2011, depending on if you take ticket price inflation into account. That said, it is still very early in the year and there are several nearly guaranteed monster hits on the way. More...

Weekend Estimates: Glass Cracks, Still Tops Chart

January 20th, 2019

Glass

Glass’s box office potential has continued to drop and it is now estimated to earn $40.59 million over the three-day weekend and $47.06 million over four. The three-day opening is barely ahead of Split’s opening weekend and it is certainly lower in terms of tickets sold. Furthermore, Glass’s reviews and B-rating from CinemaScore are clearly already having a negative effect on the film’s legs. That said, the film only cost $20 million to make and while Universal is only handling the domestic run, it will break even just on its domestic numbers. The film’s international run is being handled by Disney, mostly, and they reported $48.5 million in 55 markets. The only market the film hasn’t opened in is China, which is the only international market Disney is not handling the distribution. According to Disney, the film is 13% ahead of Split internationally, but again, given its weaker reviews and its CinemaScore, its legs will likely be short enough that Glass will finish with less than its predecessor. Then again, it cost just $20 million to make and will likely hit $100 million worldwide on Monday, so everyone involved will be happy with this result. More...

Friday Estimates: Glass is Looking a Little More Fragile

January 19th, 2019

Glass

It looks like Glass will open on the low end of expectations with $16.0 million on Friday, putting it on pace for $50 million over the four-day weekend. Its reviews are clearly not helping, while the film only managed a B from CinemaScore, which is down from the B plus Split earned. That said, the film only cost $20 million to make and Universal’s share of the opening weekend will be more than that. Unless the film’s advertising budget is unreasonably large, then the movie will break even just on its domestic numbers. More...

Weekend Predictions: Will Glass Shatter Franchise Records?

January 17th, 2019

Glass

It is MLK day long weekend, the first long weekend of the year. On the one hand, there’s only one new release trying to take advantage of that. On the other hand, that one film is Glass, which is widely expected to be the biggest hit of the month. In fact, it could earn more over the next four days than any other January film earns in total. On a side note, Dragon Ball Super: Broly opened on Wednesday earning $7 million. It won’t earn that much over the weekend, but depending on how many screenings it has in how many theaters over the weekend, it could sneak into the top ten. That would be something amazing for Anime. This weekend last year was the weekend after MLK Day, so the misalignment in holidays should give 2019 its first win of the year. More...

Weekend Wrap-Up: Upside Surprises Landing on Top Earning STX its First First Place

January 15th, 2019

The Upside

The first major surprise of the year happened over the weekend, as The Upside beat expectations earning first place with $20.36 million. The overall box office fell 14% from last weekend dropping to $119 million. This is 25% lower than the same weekend last year, but that was MLK Day long weekend, so this kind of difference was expected. More...

Weekend Estimates: Upside Surprises as Box Office Slows

January 13th, 2019

The Upside

It wasn’t exactly a great weekend at the box office, but The Upside was the rare exception. The film is estimated to open with $19.59 million. The audiences clearly liked the film better than critics did, as its reviews are mixed, while it got an A from CinemaScore. This makes sense, as the most common complaint from critics were the clichés. The average moviegoer only sees one movie in a theater every other month, whereas the average critic will see two or more movies a week. Clichés are a lot less tolerable when you see them ten times as often as part of your job. The film’s estimates are much better than its predictions and great for a film that cost $37.5 million to make. Furthermore, the news is even better for STX Entertainment, as they didn’t spend nearly that much on the domestic rights, so they will be in the black very soon. More...

Friday Estimates: Box Office is Turned Upside Down

January 12th, 2019

The Upside

The Upside surprised box office analysts with $6.95 million on Friday, knocking Aquaman out of first place on the daily chart. This is very likely enough to knock it out of first place on the weekend chart as well, becoming STX’s first number one hit. Most critics didn’t like the movie, but few hated it. Audiences, on the other hand, loved the movie, giving it an A from CinemaScore. If this translates into long legs, then it could earn first place with as much as $20 million, but $19 million is more likely at this point. More...

Thursday Night Previews: Dog-gone-it

January 11th, 2019

The Upside

The Upside was the surprise winner of last night’s previews, as it earned $1.1 million. Its reviews are not going to help its legs, but perhaps its word-of-mouth will be better. We will have to wait for the CinemaScore for that, but I think it will top our $12 million prediction, which is good news for STX Entertainment. More...

Weekend Predictions: Is Dog’s Home at the Top of the Box Office?

January 10th, 2019

A Dog’s Way Home

There are three or four new releases that should reach the top ten, depending on how you look at things. A Dog’s Way Home is by far the biggest of these and has a not unreasonable shot at opening in first place. I think Aquaman will defend its crown, but it should at least be close. The Upside is the only other new release with a better than 50/50 shot of earning a spot in the top five. Replicas, on the other hand, is widely expected to bomb. The last “new” release is On the Basis of Sex, which is expanding nearly truly wide and it has an outside chance of earning a spot in the top five. This weekend last year was MLK Day long weekend. If 2019 doesn’t lose the year-over-year comparison by more than 20%, then it will be a reason to celebrate. More...

Preview: January

January 1st, 2019

Glass

December would have been an excellent month, except it had to be compared to Star Wars: The Last Jedi. The top four movies of this December might not finish with as much as that movie made. That said, the year ended on an overall positive note finishing with a lead of close to $800 million over 2017. Unfortunately, 2019 is going to get off to a slow start. Not only are there very few films opening wide this month, only one of them, Glass, is expected to be a midlevel hit or better. Granted, Glass is expected to earn more than $100 million domestically, which is something no film released last January could do. However, The Last Jedi and Jumanji: Welcome to the Jungle both had such incredible legs that 2019 will still get off to a slower start, even if it has stronger new releases. More...

A Dog’s Way Home Trailer

October 15th, 2018

Canine drama starring Barry Watson and Ashley Judd opens January 11, 2019 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/02/01 - $11,119   10 $1,112   $11,120 1
2019/02/08 - $3,086 -72% 5 $617   $19,722 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/21/2019 $193,620 141 204 782 $694,522 5/18/2019
Aruba 1/10/2019 $0 0 3 7 $13,598 2/8/2019
Australia 3/1/2019 $900,649 269 286 1449 $3,157,642 7/16/2019
Austria 1/25/2019 $94,412 50 61 338 $362,270 5/8/2019
Bahrain 1/31/2019 $19,092 8 8 14 $28,097 3/12/2019
Bolivia 1/24/2019 $41,948 20 20 76 $211,289 4/10/2019
Brazil 3/1/2019 $654,084 406 432 1518 $2,525,424 5/8/2019
Central America 2/21/2019 $220,696 185 185 543 $635,270 4/2/2019
Chile 2/21/2019 $272,436 94 95 409 $1,123,859 4/10/2019
China 1/18/2019 $2,940,000 40418 40418 40418 $5,364,516 2/22/2019
Colombia 1/31/2019 $292,382 212 212 737 $1,095,030 5/8/2019
Curacao 1/10/2019 $0 0 4 12 $7,535 2/12/2019
Czech Republic 1/18/2019 $18,826 28 127 489 $736,980 3/25/2019
Dominican Republic 1/24/2019 $3,742 11 11 17 $5,930 2/8/2019
Ecuador 3/1/2019 $112,429 64 64 256 $645,789 4/16/2019
Egypt 1/30/2019 $12,674 12 12 32 $34,321 3/19/2019
Estonia 1/25/2019 $15,968 14 14 48 $70,282 3/26/2019
France 4/10/2019 $76,832 97 97 126 $150,666 5/2/2019
Germany 1/24/2019 $302,628 202 234 1127 $791,431 5/8/2019
Hungary 1/10/2019 $0 0 59 391 $844,071 5/29/2019
India 5/3/2019 $68,908 165 165 170 $115,141 5/23/2019
Iraq 1/31/2019 $6,317 6 6 13 $16,260 3/12/2019
Italy 3/14/2019 $511,235 355 355 390 $911,605 5/23/2019
Jordan 1/31/2019 $8,625 5 5 9 $18,493 2/12/2019
Kuwait 1/31/2019 $50,642 12 12 21 $90,628 3/12/2019
Latvia 1/25/2019 $10,424 11 11 37 $46,614 3/26/2019
Lebanon 1/31/2019 $24,468 15 15 60 $84,237 5/23/2019
Lithuania 1/18/2019 $3,301 6 120 499 $191,076 12/19/2019
Malaysia 2/21/2019 $69,801 120 120 326 $183,434 4/2/2019
Mexico 1/18/2019 $1,506,276 0 105 159 $4,164,258 3/19/2019
Middle East Region 1/31/2019 $28,203 2 2 6 $75,383 2/20/2019
New Zealand 2/28/2019 $62,667 65 65 247 $233,542 3/26/2019
North America 1/11/2019 $11,251,263 3,090 3,090 16,257 $41,952,715
Norway 1/18/2019 $689 1 1 1 $689 1/23/2019
Oman 1/31/2019 $11,119 10 10 15 $19,722 2/12/2019
Paraguay 2/21/2019 $16,277 24 24 88 $62,110 4/10/2019
Peru 1/24/2019 $326,832 110 110 327 $1,153,981 3/12/2019
Philippines 2/6/2019 $171,141 148 148 155 $215,639 3/5/2019
Poland 1/25/2019 $649,218 140 143 1031 $3,285,465 5/8/2019
Qatar 1/31/2019 $28,098 11 11 27 $70,764 2/26/2019
Romania 1/25/2019 $117,602 90 90 428 $445,989 5/15/2019
Russia (CIS) 1/10/2019 $1,063,398 755 755 2527 $2,503,202 4/16/2019
Singapore 2/21/2019 $54,209 29 29 79 $137,834 4/10/2019
Slovakia 1/24/2019 $56,262 68 68 202 $186,726 5/29/2019
South Africa 4/12/2019 $0 0 34 50 $170,145 5/29/2019
Spain 1/18/2019 $330,394 189 203 981 $1,016,553 5/8/2019
Suriname 1/10/2019 $0 0 1 3 $1,330 2/8/2019
Switzerland 1/24/2019 $65,859 42 42 231 $255,145 5/29/2019
Syria 1/31/2019 $1,460 1 1 4 $4,085 2/26/2019
Thailand 4/4/2019 $87,535 81 81 181 $334,595 4/24/2019
Trinidad 1/9/2019 $0 0 10 24 $33,061 2/8/2019
Ukraine 1/10/2019 $0 0 249 470 $743,250 3/5/2019
United Arab Emirates 1/31/2019 $130,425 50 50 106 $319,081 3/26/2019
United Kingdom 1/25/2019 $930,007 443 445 2904 $2,834,384 6/4/2019
Uruguay 2/21/2019 $17,259 10 12 69 $71,692 4/24/2019
Venezuela 2/22/2019 $31,585 59 59 179 $97,378 4/24/2019
Vietnam 1/11/2019 $0 0 143 330 $607,777 2/5/2019
 
Worldwide Total$81,152,505 12/19/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Bryce Dallas Howard    Voice of Bella

Supporting Cast

Ashley Judd    Terri
Jonah Hauer-King    Lucas
Edward James Olmos    Axel
Alexandra Shipp    Olivia
Wes Studi    Captain Mica
Chris Bauer    Kurch
Barry Watson    Gavin
Motell Foster    Taylor
John Cassini    Chuck
Brian Markinson    Gunter
Patrick Gallagher    Teo
Broadus Mattison    Mack
Rolando Boyce    Drew
Cesar de Leon    Steve
Arielle Tuliao    VA Receptionist
Benjamin Ratner    Dr. Gann
Evan Gillmore    Jordan
Jennifer Marshall    Female Veteran
Darcy Laurie    Jose
Lucia Walters    Aunt Loretta
Christine Willes    Leslie
Camille Sullivan    Glynnis at Kennel
Leo Chiang    Crew Foreman
Veenu Sandhu    Officer Reece
Tammy Gillis    Officer Leon
Rob LaBelle    Hiker
David Lewis    Hiker
Damonde Tschritter    Hiker
Everick Golding    Grocer
Kimi Alexander    Grocery Store Woman
Troy Rudolph    Poacher
Gregory A. Turner    Poacher
Spencer Drever    Boy at River
Sean Quan    Boy at River
Javier Lacroix    Cook
Jackie Minns    Motel Lady
John Wardlow    Fisherman
Jennifer Gibson    Female EMT
Camille Atebe    Female Cop

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Charles Martin Smith    Director
Gavin Polone    Producer
Bruce Cameron    Screenwriter
Cathryn Michon    Screenwriter
Bruce Cameron    Story based on the book “A Dog’s Way Home” by
Robert J. Dohrmann    Executive Producer
T.D. James    Executive Producer
Derrick Williams    Executive Producer
Yu Dong    Executive Producer
Jeffrey Chan    Executive Producer
Peter Menzies    Director of Photography
Eric Fraser    Production Designer
Debra Neil-Fisher    Editor
David Clark    Editor
Sabrina Plisco    Editor
John Papsidera    Casting Director
Mychael Danna    Composer
Monique Prudhomme    Costume Designer
Matthew Welford    Visual Effects Supervisor
Bruce Cameron    Co-Producer
Scott Ateah    Stunt Coordinator
Robert J. Dohrmann    Unit Production Manager
Drew Locke    Production Manager
Jim Brebner    First Assistant Director
Victor Landrie    Second Assistant Director
Emily Mizer    Associate Producer
Racquel Roper    Art Director
Zoe Jirik    Set Decorator
Jessica Clothier    Script Supervisor
J. Paul Lavigne    Costume Supervisor
Lisa Love    Make up
Danna Rutherford    Hairstylist
Chris Duesterdiek    Sound Mixer
Paul Benjamin    Special Effects Coordinator
Kirk Johns    Location Manager
Cecilia Hyoun Borolla    First Assistant Editor
Tyler Ruocco    Assistant Editor
Deb Adair    Re-recording Mixer
Julian Slater    Re-recording Mixer
Kelly Cabral    Supervising Sound Editor
Becky Sullivan    Supervising Sound Editor
Jussi Tegelman    Sound Designer
Ryan Collins    Sound Designer
Ken McGill    Sound Designer
Jamie Hardt    Sound Effects Editor
Martin J. Lopez*    Sound Effects Editor
Kerry Ann Carmean-Williams    Sound Effects Editor
Brad Sokol    Sound Effects Editor
Robert Troy    Dialogue Editor
Lauren Price    Dialogue Editor
Bernard Weiser    Dialogue Editor
Shawn Kennelly    Foley Mixer
Kevin Froines    Re-recording Mixer
Nicholas Cochran    Re-recording Mixer
Erich Stratmann    Music Editor
Jay Richardson    Music Editor
Brad Haehnel    Score Recordist
Brad Haehnel    Score Mixer
Nicholas Skalba    Additional Music
Jessica Weiss    Additional Music
Amritha Vaz    Additional Music
Chris B. Schnitzer    Visual Effects Producer
Dione Wood    Visual Effects Producer
Henrik Fett    Visual Effects Executive Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.