Synopsis
Imogene is a failed New York playwright awkwardly navigating the transition from Next Big Thing to Last Year's News. After both her career and relationship hit the skids, she's forced to make the humiliating move back home to New Jersey with her eccentric mother and younger brother. Adding further insult to injury, there's a strange man sleeping in her old bedroom and an even stranger man sleeping in her mother's bed. Through it all, Imogene eventually realizes that as part of her rebuilding process she must finally come to love and accept both her family and her Jersey roots if she's ever going to be stable enough to get the hell away from them.
Metrics
Movie Details
| Brazil Releases: |
November 8th, 2013 (Wide) |
| Video Release: |
November 5th, 2013 by Lionsgate Home Entertainment |
| MPAA Rating: |
PG-13 for sexual content and language.
(Rating bulletin 2255, 1/16/2013) |
| Running Time: |
102 minutes |
| Keywords: |
Mental Illness, Dysfunctional Family, Relationships Gone Wrong, Fake Suicide Attempt |
| Source: | Original Screenplay |
| Genre: | Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: |
Maven Pictures, Anonymous Content, Ambush Entertainment, 10th Hole Productions, Gambit Films |
| Production Countries: |
United States |
| Languages: |
English |
November 7th, 2013
It's a big week with several first run releases, some big TV on DVD, releases, and more to deal with. The only one that truly rises to the level of Pick of the Week is Mad Men: Season Six, but the screener arrived late and I hate awarding Pick of the Week to a title when that happens. The only other release I really want to see is White House Down, but that's more guilty pleasure than Pick of the Week. I guess it goes to Mad Men: Season Six on DVD or Blu-ray.
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August 1st, 2013
Blue Jasmine earned top spot on the per theater chart, not just for the week, but for the year. Its per theater average was $102,011 in six theaters, topping the previous yearly best by Spring Breakers. Spring-Breakers finished its theatrical run with just over $14 million, which is a figure Blue Jasmine should top. The Act of Killing remained potent in second place with an average of $13,890 in three theaters. The overall box office leader, The Wolverine, was the final film in the $10,000 club with an average of $13,536.
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July 23rd, 2013
The Act of Killing had the best result on the per theater chart earning $27,450 in its lone theater. Fruitvale Station saw its theater count rise from 7 to 34, but its per theater average remained strong at $21,750. It has already cracked its first major milestone, and with room to expand, it will reach more. Blackfish debuted in five theaters with a per theater average of $15,192. That's very strong for a documentary. The overall box office leader, The Conjuring, was right behind with an average of $14,418.
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July 19th, 2013
Every week we try and find a limited release with potential to expand significantly. This week there are two such films that appeared to be contenders: Girl Most Likely and Only God Forgives. Then the reviews came in and the chances of limited release success became a lot more limited. There are a few films earning stunning reviews: The Act of Killing, Blackfish, and Ways to Live Forever. I'm not sure any will expand significantly. Grabbers' reviews are not quite as strong, but it is the film I'm looking forward to seeing the most.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2013/12/13 |
36 |
$204 |
|
1 |
$204 |
$30,790 |
6 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
