United Kingdom Box Office for Maze (2017)
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Synopsis
The film charts how inmate Larry Marley becomes chief architect of the largest prison escape in Europe since World War II—an escape which he plans but does not go on himself. Up against him is the most state-of-the-art and secure prison in the whole of Europe – a prison within a prison. While scheming his way towards pulling off this feat, Larry comes into close contact with prison warder Gordon Close. Larry and Gordon’s complex journey begins with cautious, chess-like moves. Initially, Gordon holds all the power in their relationship and rejects all of Larry’s attempts at establishing a friendship between them. Bit by bit, Larry wears down Gordon’s defenses, maneuvering himself into a position of trust. As each man begins to engage with the other as an equal, the barrier between prisoner and warder has been broken. During all this time, however, Larry has been scheming behind Gordon’s back, gleaning as much information as he can and working with other prisoners in a separate block, trying to engineer their escape. When the escape finally takes place, thirty-eight prisoners reach the main gate and nineteen get away. Gordon is stunned by Larry’s betrayal and his own foolishness.
Metrics
Movie Details
United Kingdom Releases: |
September 22nd, 2017 (Wide) |
Video Release: |
June 25th, 2019 by Lightyear Video |
MPAA Rating: |
Not Rated |
Running Time: |
92 minutes |
Keywords: |
1980s, Set in Ireland, Prison Break, Prison, Terrorism, Prison Riot |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: |
Mammoth Films, Cyprus Avenue Films, RTE, Broadcasting Association of Ireland, Windmill Lane Pictures, Filmgate Films, Film i Vast, Bord Scannan na hEireann, Irish Film Board |
Production Countries: |
Ireland |
Languages: |
English |
June 26th, 2019
It is an absolute nightmare on the home market. There’s no monster hit to talk about, but there are a mountain of new releases that are selling well enough that they could have been featured in the main list and about twice as many that could have been included in the Secondary Blu-ray release. I had to trim some of them to keep the list manageable. Unfortunately, the list of Pick of the Week contenders is rather short with just Megalobox: Season One and Frankie Drake Mysteries: Season Two, both of which are worth owning. However, the biggest and best release of the week is Captain Marvel. The screener arrived late, but I finally got the review of the Blu-ray online. That said, I’m going to award Frankie Drake Mysteries with Puck of the Week for best Canadian release.
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March 22nd, 2019
I missed last week. Last week there were a number of films that earned great reviews. This week, none of the films with more than a handful of reviews are doing well enough to be optimistic about their box office chances. Both Buddy and Maze are earning 100% positive reviews, so maybe one of them will beat the odds.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
2017/09/22 |
11 |
$167,774 |
|
65 |
$2,581 |
$167,774 |
1 |
2017/09/29 |
13 |
$180,224 |
+7% |
81 |
$2,225 |
$466,805 |
2 |
2017/10/06 |
13 |
$115,957 |
-36% |
89 |
$1,303 |
$680,840 |
3 |
Box Office Summary Per Territory
Territory |
Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
North America |
3/22/2019 |
$0 |
0 |
0 |
0 |
$0 |
|
United Kingdom |
9/22/2017 |
$167,774 |
65 |
89 |
235 |
$1,010,935 |
10/3/2018 |
|
Worldwide Total | $1,010,935 |
10/3/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits