Netherlands Box Office for My Cousin Rachel (2017)

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My Cousin Rachel
Theatrical Performance (US$)
Netherlands Box Office $321,878Details
Worldwide Box Office $9,833,292Details
Home Market Performance
North America DVD Sales $163,097 Details
North America Blu-ray Sales $92,144 Details
Total North America Video Sales $255,241
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The story of a young Englishman who plots revenge against his mysterious, beautiful cousin, believing that she murdered his guardian. But his feelings become complicated as he finds himself falling under the beguiling spell of her charms.

Metrics

Movie Details

Netherlands Releases: June 23rd, 2017 (Wide)
Video Release: August 29th, 2017 by Fox Home Entertainment
MPAA Rating: PG-13 for some sexuality and brief strong language.
(Rating bulletin 2461 (Cert #50809), 2/1/2017)
Running Time: 106 minutes
Keywords: Revenge, Romance, Incest, Love Triangle, Remake, Terminal Illness, Romantic Drama, Relationships Gone Wrong, 1800s
Source:Remake
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Fox Searchlight Pictures, TSG Entertainment, Free Range Film
Production Countries: United States
Languages: English

Home Market Releases for August 29th, 2017

August 29th, 2017

My Cousin Rachel

It’s one of those weeks that are deceptively busy. The biggest new release of the week is Wonder Woman, but it is only coming out on Video on Demand. The biggest overall release is the The Lion King franchise on separate Blu-ray releases, but it’s at least a double-dip on Blu-ray. I think a triple-dip on Blu-ray. If it weren’t for these circumstances, they would be clear Pick of the Week contenders. Without those two movies, the next best is... My Cousin Rachel on Blu-ray. Its reviews are not quite Pick of the Week level, but it is the best of what we've got. More...

Theater Averages: Big Sick has a Very Healthy $84,315 Opening

June 28th, 2017

The Big Sick

Two limited releases that came out this past weekend topped the previous theater average record for 2017. The Big Sick earned an average of $84,315 in five theaters, which bodes well for its planned wide expansion in a couple of weeks. The Beguiled was next with an average of $57,323 in four theaters. Both of these are well ahead of the $41,508 average Beauty and the Beast earned during its opening weekend. The only other film in the $10,000 club was the overall number one film, Transformers: The Last Knight, which earned an average of $10,981. More...

Theater Averages: Beatriz Fills Up with Average of $28,392

June 13th, 2017

Beatriz-at-Dinner

Beatriz at Dinner led the way on the theater average chart with an average of $28,392 in five theaters. Last week’s winner, Wonder Woman, was pushed into second place with a still impressive average of $14,050. The final film in the $10,000 club was The Hero with an average of $11,329 in four theaters. More...

Weekend Estimates: Mummy’s $32 Million Debut No Match for Wonder Woman

June 11th, 2017

The Mummy

There are precious few crumbs of comfort to be found from Universal’s launch of The Mummy this weekend. The studio is projecting a $32.2 million opening this weekend from 4,035 theaters. That will be a fairly distant second to Wonder Woman, which is expected to earn about $57.1 million. Even the bright news—that this is Tom Cruise’s biggest global opening weekend—comes with an asterisk. More...

Limited and VOD Releases: Dinner and a Movie

June 9th, 2017

My Cousin Rachel

It is not a particularly busy week as far as limited releases are concerned. However, there are a few that have a shot at earning some mainstream success: Beatriz at Dinner, I, Daniel Blake, and My Cousin Rachel. There’s a chance none of them will do well this weekend, but hopefully they can all find an audience. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2017/06/23 10 $56,773   35 $1,622   $61,235 1
2017/06/30 11 $62,278 +10% 35 $1,779   $154,613 2
2017/07/07 14 $25,883 -58% 35 $740   $200,948 3
2017/07/14 17 $28,115 +9% 35 $803   $253,471 4
2017/07/21 23 $14,865 -47% 33 $450   $278,668 5
2017/07/28 29 $13,865 -7% 30 $462   $306,890 6
2017/08/04 30 $7,330 -47% 37 $198   $321,878 7

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 6/9/2017 $312,446 74 116 683 $1,642,237 8/14/2017
France 7/28/2017 $233,659 0 0 0 $418,608 6/27/2018
Italy 3/15/2018 00$0
Netherlands 6/23/2017 $56,773 35 37 240 $321,878 8/10/2017
New Zealand 6/23/2017 $68,109 43 49 323 $370,728 8/21/2017
North America 6/9/2017 $969,941 523 531 1,374 $2,716,368 7/27/2020
United Kingdom 6/9/2017 $812,258 467 501 1604 $3,448,593 9/28/2017
 
Rest of World $914,880
 
Worldwide Total$9,833,292 7/27/2020

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Rachel Weisz    Rachel
Sam Claflin    Philip

Supporting Cast

Holliday Grainger    Louise
Iain Glen    Kendall
Pierfrancesco Favino    Rainaldi
Simon Russell Beale    Couch
Vicki Pepperdine    Mrs. Pascoe
Tim Barlow    Seecombe
Bobby Scott Freeman    John
Tristram Davies    Wellington
Andrew Havill    Parson Pascoe
Poppy Lee Friar    Mary Pascoe
Katherine Pearce    Belinda Pascoe
Roy Sampson    Doctor
Adam Loxley    Adam
Andrew Knott    Joshua
Alexander Arnold    Young Lad
Cal McCrystal    Geoffrey
Dorian Lough    Gabriel
Tobias Beer    William
Harrie Hayes    Tess
Chris Gallarus    Timothy
Neill Maccoll    Singer
Wilf Walters    Pig Farmer
Margaret Michell    Market Girl
Corin Chatwin    Philip at 2
Sparrow Michell    Philip at 4
Austin Taylor    Philip at 6
Louis Suc    Philip at 10

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Roger Michell    Director
Roger Michell    Screenwriter
Daphne du Maurier    Based on the novel by
Kevin Loader    Producer
Roger Michell    Executive Producer
Mike Eley    Director of Photography
Alice Normington    Production Designer
Kristina Hetherington    Editor
Anita Overland    Co-Producer
Rael Jones    Composer
Dinah Collin    Costume Designer
Fiona Weir    Casting Director
Lee Sheward    Stunt Coordinator
Nicola Morrow    Unit Production Manager
Barrie McCulloch    First Assistant Director
Tom Rye    Second Assistant Director
Charmian Adams    Supervising Art Director
Andrea Matheson    Art Director
Barbara Herman-Skelding    Set Decorator
Nicola Dove    Stills Photographer
Danny Hambrook    Sound Mixer
Louise Seymour    Post-Production Supervisor
Joanne Dixon    First Assistant Editor
Charlie Thorne    Second Assistant Editor
Danny Sheehan    Supervising Sound Editor
Jenna McGranaghan    Costume Supervisor
Barrie Gower    Prosthetics Designer
Harriet Lawrence    Location Manager
Sarah Wilson    Casting Associate
Chris Reynolds    Special Effects Supervisor
Adam Gascoyne    Visual Effects Supervisor
Tim Caplan    Visual Effects Producer
Noga Alon Stein    Visual Effects Producer
Paul Carter    Sound Designer
Matt Davies    Dialogue/ADR Editor
Keith Partridge    Foley Recordist
Paul Cotterell    Re-recording Mixer
Paul Carter    Re-recording Mixer
Danny Sheehan    Re-recording Mixer
Rachel Park    Sound Mixer
Jeremy Sams    Additional Music
Jake Jackson    Score Recordist
Laurence Anslow    Score Recordist
Jake Jackson    Score Mixer
Al Green    Music Editor
Kevin Loader    Second Unit Director
Enrico Ballarin    Line Producer
Maurizio Corridori    Special Effects
Franco Ragusa    Special Effects

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.