Australia Box Office for The Reports On Sarah And Saleem (2018)
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Synopsis
Sarah, an Israeli café owner living in West Jerusalem, has a clandestine relationship with Saleem, her Palestinian bread vendor, who lives in East Jerusalem. When their spouses discover the affair, two lives—already divided by politics, culture, class, and marital commitments – are made infinitely more complicated. A not uncommon betrayal takes on an entirely sinister new twist as Israeli and Palestinian authorities misread the writing on the wall.
Metrics
Movie Details
| Australia Releases: |
October 26th, 2018 (Wide), released as The Reports On Sarah And Saleem |
| MPAA Rating: |
Not Rated |
| Running Time: |
127 minutes |
| Keywords: |
Set in Israel, Infidelity, Romance, Relationships Gone Wrong, War |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: |
Film Lab Palestine, The Arab Fund, The Netherlands Film Fund, Hubert Bals Fund, PalCine, Keyfilm, Monofilms, Manderley Films |
| Production Countries: |
Germany, Mexico, Netherlands, Occupied Palestinian Territory |
| Languages: |
Arabic, English, Hebrew |
June 14th, 2019
-1-News.jpg)
It’s a terrible week for limited releases. Half the films on this week’s list are playing on VOD, while most of the rest have very limited box office chances either due to weak reviews, or because they are foreign-language films. Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese and Plus One are among the two biggest / best releases of the week, but both are playing on VOD, so I don’t think either will find an audience in theaters. In fact, I suspect none of the films on this week’s list will find an audience in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2018/10/26 |
- |
$2,147 |
|
2 |
$1,074 |
$2,147 |
1 |
| 2018/11/23 |
- |
$1,893 |
|
1 |
$1,893 |
$11,806 |
5 |
| 2019/05/17 |
- |
$1,657 |
|
8 |
$207 |
$13,220 |
30 |
| 2019/05/24 |
27 |
$11,312 |
+583% |
14 |
$808 |
$11,312 |
31 |
| 2019/05/31 |
30 |
$5,233 |
-54% |
12 |
$436 |
$21,243 |
32 |
| 2019/06/07 |
- |
$1,897 |
-64% |
3 |
$632 |
$26,045 |
33 |
| 2019/06/14 |
- |
$1,373 |
-28% |
4 |
$343 |
$28,019 |
34 |
| 2019/06/21 |
- |
$1,844 |
+34% |
5 |
$369 |
$31,333 |
35 |
| 2019/08/23 |
- |
$608 |
|
1 |
$608 |
$35,085 |
44 |
Box Office Summary Per Territory
| Territory |
Release
Date |
Opening
Weekend |
Opening
Weekend
Screens |
Maximum
Screens |
Theatrical
Engagements |
Total
Box Office |
Report
Date |
| Argentina |
11/23/2018 |
$7,195 |
14 |
14 |
14 |
$30,151 |
1/21/2019 |
| Australia |
10/26/2018 |
$2,147 |
2 |
14 |
50 |
$35,085 |
8/27/2019 |
| Germany |
4/26/2019 |
$0 |
0 |
33 |
33 |
$333,645 |
5/24/2019 |
| Italy |
4/24/2019 |
$86,374 |
0 |
33 |
62 |
$378,272 |
8/11/2019 |
| Netherlands |
9/7/2018 |
$9,301 |
24 |
24 |
24 |
$10,248 |
9/11/2018 |
| North America |
6/12/2019 |
$0 |
3 |
8 |
8 |
$99,958 |
|
| Portugal |
12/4/2020 |
$531 |
5 |
5 |
12 |
$1,922 |
12/22/2020 |
| |
| Worldwide Total | $889,281 |
12/22/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
(2018).jpg)