| Theatrical Performance (US$) | ||
| Sweden Box Office | $11,000,000 | Details |
| Worldwide Box Office | $1,055,083,596 | Details |
| Home Market Performance | ||
| North America DVD Sales | $18,611,389 | Details |
| North America Blu-ray Sales | $69,532,931 | Details |
| Total North America Video Sales | $88,144,320 | |
| Further financial details... | ||
In a time of conflict, a group of unlikely heroes band together on a mission to steal the plans to the Death Star, the Empire’s ultimate weapon of destruction. This key event in the Star Wars timeline brings together ordinary people who choose to do extraordinary things, and in doing so, become part of something greater than themselves.
May 29th, 2017
Last week was amazing for this time of year with three top-tier releases. This week, the best first-run release is Before I Fall, which deserves to be seen by more, but there are no extras, so it is not a Pick of the Week contender. The actual contenders are limited to The Blackcoat’s Daughter and Ghost World: The Criterion Collection. It isn’t close as to which one comes out on top.
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April 3rd, 2017
This is a terrible week on the home market, mostly. Rogue One: A Star Wars Story comes out on DVD or Blu-ray Combo Pack and the competition has clearly scared away any other top-level releases. The only other first-run release is Office Christmas Party, which is worth a rental, if you like anti-Christmas movies. As far as Pick of the Week contenders are concerned, there’s Rogue One... and really that’s it. There are a couple of other releases I highlighted, but they wouldn't be contenders during an average week. Don’t Kill It looks good for a low-budget horror movie, while Paterson is coming out on a featureless DVD / Blu-ray. They are worth picking up if you are a fan of their respective genres.
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March 29th, 2017
It’s a good week for Pick of the Week contenders, as there are seven such releases on this week’s list. Unfortunately, none of them really scream out as The Pick of the Week. Rogue One: A Star Wars Story is by far the biggest, but it is only out on Video on Demand right now, while Hidden Figures is the best, but again, it is only on VOD this week. There are also a couple of busted Oscar-bait films, Archer: Season Seven is only getting a DVD release, while the previous seasons came out on Blu-ray. In the end, I went with Mystery Science Theater 3000: Volume XXXVIII, partially to celebrate the return of the show.
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March 27th, 2017
Rogue One: A Star Wars Story is the first in a series of standalone movies movies Disney is planning for the Star Wars franchise. There were some who questioned whether or not audiences would show up to a Star Wars movie if it wasn’t directly part of the overall story. Turns out the answer to that question is yes, to the tune of over $1 billion worldwide. This was nearly 50% less than The Force Awakens earned, but is it also much weaker in terms of quality?
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March 21st, 2017
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It is an interesting week on the home market with Rogue One: A Star Wars Story dominating the competition. However, it is only coming out on Video on Demand and doesn’t come out till Friday. As for Tuesday releases, there are a few contenders, but no film that immediately jumps out as the Pick of the Week. If you go with quality, extras, and overall audience appeal, then Sing on Blu-ray Combo Pack comes out on top. I would also definitely checkout Insecure: Season One and Lifeboat, if you don’t already own the latter.
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February 26th, 2017
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It’s Oscar night and we were live blogging the show. Read on the the highlights of what turned out to be a crazy night.
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February 26th, 2017
It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between.
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February 5th, 2017
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Rings managed to win on Friday, but the weekend as a whole will belong to Split, which is expected to top the chart with $14.6 million, according to Universal’s Sunday morning projection. Rings will finish second with $13 million or so, and A Dog’s Purpose will win Sunday (making this a rare weekend where three different films will top the daily chart) to finish the weekend with $10.8 million, and $32.9 million to date.
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February 1st, 2017
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International movies dominated the international top five with international films earning the top three spots. This includes Journey to the West 2, which earned first place with $86 million in seven markets. It dominated China with $84.09 million during its opening weekend, including a record opening day for a Chinese film, $52.3 million. The original film made just over $200 million worldwide, so this is a great start, but its mixed reviews are miles behind the original’s reviews, so that will likely hurt its legs.
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January 25th, 2017
xXx: Return of Xander Cage easily took first place on the international chart with $50.5 million in 53 markets. The film’s biggest market was India, where it pulled in $7.4 million. Russia was second best with $5.39 million on 1,191 screens. The film had similar debuts in France ($3.1 million); Germany ($2.8 million); Mexico ($2.62 million); and Australia ($2.24 million on 331 screens). This film is clearly doing better internationally than it is domestically, but it will need about $200 million worldwide to have any chance of breaking even any time soon.
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January 24th, 2017
The Oscar nominations were announced starting at 5:18 am Pacific time. Nothing is good that early in the morning. Worse still, it’s a boring year for nominations with very few surprises worth talking about, especially in the biggest categories. Leading the way was La La Land with 14 nominations, tying the record.
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January 24th, 2017
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Split dominated the weekend box office earning $40.01 million, which is nearly double predictions and nearly double its nearest competition, xXx: Return of Xander Cage. The overall box office still shrunk from last weekend, but it was down just 3.2%, which is excellent for a post-holiday weekend. Compared to this weekend last year, 2017 was 27% stronger. Year-to-date, 2017 is still behind 2016, but that gap has closed to 9.4% at $736 million to $812 million.
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January 19th, 2017
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It is a deceptively busy week with five films opening or expanding wide. At least that’s what the dsitributors are saying. In reality, there are only two truly wide releases, xXx: Return of Xander Cage and Split. There is also one semi-wide release, The Resurrection of Gavin Stone, as well as two semi-wide expansions, The Founder and 20th Century Women. Return of Xander Cage and Split are the only two of the films that have a shot at the top ten and they could be in a close race for first place. This weekend last year, there were three wide releases, but none of them made significantly more than $10 million at the box office. The biggest film of the weekend, The Revenant, earned just $16.01 million. 2017 could finally win in the year-over-year comparison.
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January 19th, 2017
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For the first time in its run, Passengers earned first place with $30.59 million on 17,000 screens in 78 markets for totals of $136.34 million internationally and $226.07 million worldwide. At this point, the studio has either earned back the $110 million production budget, or has come close. If it can find an audience on the home market, then it could break even, eventually. This weekend, the film’s biggest opening was in China where it earned first place with $17.45 million on an estimated 10,000 screens over the weekend for a total of $17.52 million including previews. China is already the film’s biggest market overtaking Russia, where it has $16.25 million after four weeks of release, including $618,000 on 528 screens this past weekend.
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January 18th, 2017
As expected, Hidden Figures remained in first place as the box office was dominated by holdovers. The best of the new releases / wide expansions was The Bye Bye Man, which earned fifth place with $15.20 million. On the positive side, while there was only one film to earn more than $20 million over the weekend, there were seven that earned $10 million or more. That’s really good depth. It’s good enough for an 8.5% increase from last weekend reaching $149 million. However, this is still 10% lower than the same weekend last year. Year-to-date, 2017 is behind 2016 by 15% at $562 million to $659 million, but again, it is way too soon to make any predictions.
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January 15th, 2017
A pile-up at the box office this weekend will leave a crush of new releases behind Hidden Figures and La La Land, which remain the top two films at the box office. Hidden Figures will be down just 10% (in part thanks to expanded distribution) to $20.45 million, for $54.8 million in total, as of Sunday evening. Fox is projecting a $25.3 million 4-day weekend for the film. La La Land is even more impressive, growing its box office by 43% and moving from fifth to second on the chart with $14.5 million, and $74.1 million to date. It’s record-breaking performance at the Golden Globes has clearly lifted it to another level with audiences.
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January 14th, 2017
Hidden Figures unexpectedly led the way on Friday with $5.53 million. This is 28% lower than last Friday, but that was the film’s first weekend wide and this is a holiday weekend, so it should bounce back a lot over the rest of the weekend. Award-worthy reviews and continued Awards Season presence will also help the film earn about $23 million over the four-day weekend. Its running tally will be about $57 million on Monday, putting it on pace for $100 million domestically.
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January 12th, 2017
Six films are opening or expanding this weekend, which have a shot at the top ten. However, only one of them, Patriots Day, has a real shot at first place. In fact, it might be the only “new” film in the top five. The biggest wide release of the week is Monster Trucks, which is opening in 2,800 theaters. I didn’t see that coming. [Ed.: The final announced theater count for Monster Trucks is an even more impressive 3,119] Meanwhile, Sleepless is only opening in 1,800 theaters, while Silence is expanding into 750 theaters. We still haven’t mentioned all of the new films. As for holdovers, Hidden Figures has a real shot at first place, while La La Land should get a boost from its Awards Season success. This weekend last year, Ride Along 2 opened with just over $35 million over the three-day weekend. There’s no film that will match that figure during the four-day weekend. On the positive side, there were only four films that earned more than $10 million during the three-day weekend and this year we should have five. That’s not enough to win in the year-over-year competition. It likely won’t even be close.
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January 12th, 2017
Rogue One: A Star Wars Story remained in first place with $56.6 million in 57 markets for totals of $437.1 million internationally and $914.5 million worldwide. It is now in fifth place on the 2016 worldwide chart. ... The entire top five worldwide is from Disney. This is unprecedented. As for this past weekend, Rogue One earned first place in China with $30.11 million over the weekend and $30.65 million including previews. This is on par with expectations, although some were worried it would struggle due to... I was going to say weather, but is smog weather? China is currently dealing with a smog crisis and has been issuing warnings to stay inside. This is the last market for the film, but it should cruise to $1 billion on holdovers. It will likely reach second place on the 2016 worldwide chart, but I think Captain America: Civil War is safe on the top of the chart.
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January 11th, 2017
The BAFTA nominations were announced and it should come as no surprise what film lead the way... La La Land with 11 nominations, Nocturnal Animals and Arrival are tied for second with nine nominations a piece.
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January 10th, 2017
The first weekend of the year wasn’t as potent as anticipated, as none of the holdovers held on as well as expected. This helped Hidden Figures earn first place with $22.80 million, putting it just ahead of Rogue One: A Star Wars Story, which pulled in $22.06 million. The box office was down 26% from last weekend to $137 million, but this is a post-holiday weekend, so this decline was expected. The box office was also down 14% from this weekend last year. It is still way too soon to compare the box office year-over-year. In fact, we should wait till The Force Awakens faded out of the top five before we can really get a picture of how 2017 will do. That was President’s Day long weekend. So once we get past President’s Day long weekend, the year-over-year comparison will begin it have some real value.
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January 8th, 2017
With one day left in a topsy-turvy weekend, we have a virtual tie at the top of the box office chart, with both studios claiming a narrow win. Disney posted the highest projection this morning, saying they are expecting Rogue One to earn $21.972 million this weekend. Fox, meanwhile, is projecting $21.8 million for Hidden Figures, and thinks that the film’s lead of about $900,000 coming out of Saturday will be enough to hold on for a win. Sunday’s performance will be key, and there are a couple of factors that make the outcome genuinely uncertain…
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January 7th, 2017
It’s looking like a surprisingly close weekend at the box office. The Friday results show three films with a real shot at top spot: Hidden Figures, Rogue One: A Star Wars Story, and Sing. Hidden Figures led the way on Friday with $7.6 million, putting it on pace for between $21 million and $23 million for the weekend. There’s a wide range here, because the studio has made a push to go after African-American churchgoers, so this could really boost the film’s Sunday box office. The film’s legs will be helped by its amazing reviews, as well as its A+ rating from CinemaScore. If it does land on the high end of expectations, then it has a real shot at top spot for the weekend. It does have a lot of competition, on the other hand.
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January 5th, 2017
It’s the first weekend of the year and there’s only one wide release, Underworld: Blood Wars, plus one wide expansion, Hidden Figures. (As expected, A Monster Calls is not expanding truly wide and it won’t grow enough to make the top ten. I don’t think it will top $3 million over the weekend.) None of these films are really going to challenge the top two holdovers, Rogue One: A Star Wars Story and Sing, although that pair should be in a close race for first place. This weekend last year was very similar to this weekend, with one new release, one wide expansion, and a Star Wars holdover on top. Unfortunately, this year is much weaker. 2017 is going to get off on a losing note.
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January 5th, 2017
Rogue One: A Star Wars Story added $45.8 million in 55 markets to its running tally, which now sits at $350.0 million internationally and $775.0 million worldwide. By the end of Sunday, the film was already in tenth place for the year and while it is not doing as well internationally as it is domestically, it is still on pace to hit fifth place by as early as this weekend. Its biggest market is the U.K., where it has pulled in $64.4 million, but the U.K. might not stay on top for long, because the film opens in China this weekend.
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January 4th, 2017
The winners of our Rogue Pets contest contest were determined and the entrants with the closest predictions for Rogue One: A Star Wars Story’s third weekend were...
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January 4th, 2017
Hidden Figures rose to first place during its first full weekend of release with an average of $34,329 in 25 theaters. It already has more than $2 million and it expands wide on Friday. 20th Century Women was next with an average of $27,800 in four theaters. It isn’t a major player during Awards Season, but it is picking up enough nominations to help it stick around in theaters. Patriots Day was down just 8% earning an average of $21,117 in seven theaters. Last week’s winner, Silence, fell to an average of $20,827 in four theaters. If it has a similar drop next week, it will put its wide release in jeopardy. The best limited release of the week was Paterson, which earned an average of $17,334 in four theaters. Toni Erdmann earned an average of $14,000 in three theaters during its first full week of release. La La Land continues to expand, but remained in the $10,000 club with an average of $12,738. The overall number one film, Rogue One: A Star Wars Story, was next with an average of $11,934, while the second place film, Sing, was right behind with an average of $10,647.
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January 4th, 2017
The final weekend of the year wasn’t as potent as we had predicted, but there were still a number of reasons to celebrate. Rogue One: A Star Wars Story won the weekend and is on its way to becoming the biggest hit of the year. Sing was relatively close behind and will get to $200 million this upcoming weekend. Overall, the box office rose by 2.9% from last weekend hitting $186 million. This is 15% lower than the same weekend last year, which again was actually the first weekend of 2016. We need to switch to the Strowbrinian Calendar. I’m not kidding about this. As for the year-over-year comparison, that’s a little confusing. If you just look at the calender years, then 2016 broke the record earning $11.4 billion. However, the movie year actually begins the first Monday of the year and ends the final Sunday before the first Monday of the next year. Going by this definition of the year, 2016 actually just failed to overtake 2015, because we lost a few days of The Force Awakens and only got one extra day of Rogue One.
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January 1st, 2017
With most studios closed for New Year’s Day, the weekend estimates have a rather piecemeal look as of this morning. We do have an official weekend estimate for Sing, which Universal projects will make $41.5 million over the three-day weekend and $53.4 million over four, for a total coming out of the holidays at an impressive $177.3 million. That will put it in second place, not far behind Rogue One: A Star Wars Story. Disney won’t be releasing numbers until tomorrow, but we should see a three-day weekend around $50 million, $65 million over four days, and a total of about $440 million by Tuesday morning.
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December 31st, 2016
Rogue One: A Star Wars Story and Sing continue to dominate the box office, which is great news for us, as Disney and Universal are practically the only major studios releasing numbers this weekend. The holidays are incredibly important at the box office, but they also make our job harder to do. As for the actual box office numbers, Rogue One led the way with $18.18 million on Friday for an 15-day total of $393.55 million. This is lower than expected and it will fall week-to-week; however, it will finish the three-day weekend with just over $50 million becoming the third film released in 2016 to get to $400 million domestically in the process. It also remained on pace for $500 million domestically and $1 billion worldwide.
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December 29th, 2016
The weekend after Christmas Day is usually a boring weekend with no wide releases to speak of. On the other hand, we do have a monster hit to keep track of, as well as some Awards Season hopefuls that are expanding significantly and could make the top ten. Of course, Rogue One: A Star Wars Story will win this weekend and it should in fact grow from last weekend, because Christmas Eve is a dead zone at the box office. Likewise, Sing should grow even better, as it is the last weekend for families to hit theaters before school starts. Some of the other films that debuted last week are not looking so good. This weekend last year was actually the first weekend of 2016, which makes it harder to compare the two weekends. Again, we need to switch to the Strowbrinian Calendar that I mentioned at the end of the December Preview. The Force Awakens earned just over $90 million and while Rogue One won’t match that, it should be closer than most were expecting.
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December 29th, 2016
Rogue One: A Star Wars Story remained in first place with $47.1 million in 54 markets for totals of $237.4 million internationally and $523.4 million worldwide. The film “struggled” over the weekend, but mainly due to the holidays. Christmas Eve is as big of a dead zone in most of Europe as it is here; in fact, a lot of theaters close on Christmas Eve. Likewise, a lot of theaters in the U.K. and Australia are closed on Christmas day. Even so, the film has already cracked $10 million in a number of major markets, starting with the the U.K., where it has $42.1 million. Germany and France are neck-and-neck with $21.8 million and $19.6 million respectively. The film has pulled in $17.84 million in Australia and $16.7 million in Japan. Next week we will have a better picture where the film is heading, as the holidays will be over in most places. I think $1 billion worldwide is a safe bet.
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December 28th, 2016
The winners of our Why Me? contest were determined and the entrants with the closest predictions for Why Him? opening weekend were...
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December 28th, 2016
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Silence scored first place on the theater average chart earning an average of $32,720 in four theaters. Patriots Day was next with an average of $23,044 in seven theaters. Most impressively, Hidden Figures earned an average of $20,620 in 25 theaters, in just one day. The final film in the $10,000 club was the overall number one film, Rogue One: A Star Wars Story with an average of $15,404.
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December 24th, 2016
Rogue One: A Star Wars Story grew by 36% on Friday, earning $22.78 million for a running tally of $244.77 million. It has now overtaken Doctor Strange for ninth place on the yearly chart. By comparison, The Force Awakens rose by 80% on this day in its run, but this day in its run was Christmas Day. As I said before, we won’t be able to really compare numbers until after Boxing Day.
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December 23rd, 2016
Rogue One: A Star Wars Story grew by 12% to $16.77 million on Thursday for a first-week total of $222.00 million. This shows that it was hit by new releases on Wednesday, at least a little bit. It is impossible to compare this day to The Force Awakens, because this day in its run was Christmas Eve. For the record though, The Force Awakens fell by 28% to $27.40 million on that day and had pulled in $390.86 million during the same time period.
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December 22nd, 2016
Normally, we don’t have a Box Office Prediction Contest for the final week of the year, because there are no new releases that week. However, due to a shipping error, we got two extra copies of The Secret Life of Pets on Blu-ray Combo Pack, so we should really give those away A.S.A.P. The target film will be Rogue One: A Star Wars Story, which will be in its third weekend of release, so there will be plenty of information to judge your prediction on. In order to win, one must simply predict the third weekend box office number for Rogue One: A Star Wars Story
Also... it’s Christmas time. And that means we have lumps of coal to give out, although not literally. Two of the three winners will receive The Secret Life of Pets on Blu-ray Combo Pack. The third will receive a lump of coal, a movie / TV show on HD-DVD.
Whoever comes the closest to predicting the film's 3-day weekend box office (Friday to Sunday), without going over, will be one of the potential winners of The Secret Life of Pets on Blu-ray Combo Pack, or could win a lump of coal. Whoever comes the closest to predicting the film's 3-day weekend box office (Friday to Sunday), without going under, will also be one of the potential winners of The Secret Life of Pets on Blu-ray Combo Pack, or they might be the recipient of the lump of coal. Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will be the final potential winner of The Secret Life of Pets on Blu-ray Combo Pack or they might be stuck with the lump of coal.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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December 22nd, 2016
As expected, Rogue One: A Star Wars Story led the way on Wednesday. It fell 15% to $14.97 million on Wednesday for a 6-day total of $204.23 million. By comparison, The Force Awakens rose 2% to $38.02 million on Wednesday for a six-day total of $363.46 million; however, it didn’t have to deal with three wide releases. In fact, it’s only “new” competition was the semi-wide expansion of The Big Short. Comparing the two movies’ daily numbers will get less illuminating until we get past Boxing Day, because the misalignment in the holidays will be playing a major role in the day-to-day changes.
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December 21st, 2016
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This week is an utter mess when it comes to new releases. There are five films opening or expanding wide this week, three of them opening on Wednesday. Assassin’s Creed, Passengers, and Sing are all trying to get a head start on the weekend, while Why Him? debuts on Friday. Finally, Fences is expected to expand wide on Sunday, Christmas Day, but we’ve seen recently that “wide expansion” isn’t a meaningful term when studios use it. None of these films are expected to top Rogue One: A Star Wars Story, or even come close. Comparing this weekend to the same weekend last year is nearly impossible, because Christmas Eve lands on Saturday this year and Christmas Eve is a dead zone at the box office, while last year it landed on the Thursday, which is the best day of the week for optimal box office numbers. On the other hand, Monday is Boxing Day, which is a holiday for some. It doesn’t balance out, but fortunately 2016 still has a substantial lead over 2015, so even a really bad weekend won’t put 2016 behind.
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December 21st, 2016
More schools closed on Tuesday and that allowed Rogue One: A Star Wars Story to hold strong with $17.6 million, which is almost exactly as much as it earned on Monday. Furthermore, The Force Awakens fell 7% on its first Tuesday earning $37.36 million, so Rogue One gained ground, as far as its legs are concerned. It is still way behind in raw box office dollars, while its running tally is now $190.28 million vs. $325.44 million for The Force Awakens. There are three films opening wide on Wednesday, so it will be an important day for the film’s long-term success. If it holds well today, it will remain in top spot till the end of the year.
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December 20th, 2016
Rogue One: A Star Wars Story started its international run where everyone expected it to start, in first place. It earned $135.5 million in 54 markets during its opening weekend, which is a mixed result. Hear me out, the film did manage the best opening of 2016 in a dozen markets, including a quartet of major markets: France ($10.0 million); Germany ($12.5 million); Spain ($4.5 million); and the U.K. ($21.59 million). However, it also missed expectations in the same number of major markets: Brazil ($5.3 million); Italy ($3.22 million); Mexico ($5.1 million); and Russia ($5.76 million). Other major market openings for the film include Australia ($10.77 million) and Japan ($7.9 million). So “mixed” in this case means “one of the biggest releases of the year, but not a The Force Awakens-level phenomenon". In a more direct comparison, the film earned just over half of what The Force Awakens opened with in these markets. If the film has the same legs, then it will finish with close to $600 million internationally and over $1 billion worldwide.
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December 20th, 2016
The winners of our Going Rouge contest were determined and the entrants with the closest predictions for Rogue One: A Star Wars Story opening weekend were...
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December 20th, 2016
Rogue One: A Star Wars Story led the way on the theater average chart with an average of $37,306. This wasn’t that far above the second place film, Fences, which earned an average of $32,366. Meanwhile, last week’s winner, La La Land, was pushed into third place with an average of $20,510.
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December 19th, 2016
As expected, Rogue One: A Star Wars Story dominated the weekend box office chart with $155.08 million. This is well over twice as much as every other release combined. It is nearly twice as much as last weekend’s total box office. This helped the box office grow by 154%, reaching $211 million. Sadly, this was over $100 million or 32% lower than the same weekend last year when The Force Awakens dominated the chart. The year-over-year decline can be best summed up as within expectations. 2016 is still ahead of 2015 by a massive amount at $10.47 billion to $9.96 billion, but that will change as we see more numbers for Rogue One come in. On a more big picture look, Disney became the first studio ever to hit $7 billion worldwide in one year. They now have the record for biggest yearly domestic box office and biggest yearly worldwide box office, while it is just $160 million away from the international record as well.
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December 18th, 2016
Rogue One: A Star Wars Story is set for the second-biggest weekend in December, third-biggest weekend of 2016, and twelfth-biggest weekend of all time, with Disney predicting a weekend of $155 million, as of Sunday morning. Needless to say, that’s a great result for the Star Wars spin-off, beating the studio’s pre-release guidance, and hitting or exceeding the numbers that most in the industry were expecting. Our model predicted $151 million as of yesterday morning, so the film is maintaining its momentum through the weekend, and there are some reasons to believe that Rogue One may beat Disney’s Sunday projection.
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December 17th, 2016
There’s a lot of great news coming out of Friday. For starters, Rogue One: A Star Wars Story earned $70.07 million. This means its previews were 41% of its opening day figure, compared to 48% for The Force Awakens. I was expecting Rogue One to bounce back a little bit from its previews, but not this much. If Rogue One merely maintains The Force Awakens’ internal multiplier, it will earn $148 million over the weekend. There are some positive factors and some negative factors. For example, not all schools are closed on Monday, so it won’t be able to hold onto its box office numbers on Sunday, at least not as well as The Force Awakens did. However, its prospects improved from the afternoon shows to the evening shows and that shows word-of-mouth is strong. This makes sense, as its reviews have settled at 84% positive and it scored an A from CinemaScore. An opening weekend of $150 million is certainly within reach; our model is predicting $151 million. Disney is predicting a more cautious $145 million to $150 million.
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December 16th, 2016
Rogue One: A Star Wars Story earning just over 50% of what The Force Awakens earned could be a trend for Rogue One, as the film earned the tenth biggest opening day in Australia with $4.78 million, or 50.5% of The Force Awakens’ record. Both of those figures are in Australian dollars. Its Australian opening day was $3.55 million in American dollars. The film also opened in the U.K. with $5.0 million, compared to the $14.3 million The Force Awakens earned during its opening day in the U.K. This is quite a bit lower, but The Force Awakens was an absolute monster hit in the U.K. The film earned $3.1 million in France, compared to $5.2 million for The Force Awakens. Rogue One also earned $3.1 million in Germany, compared to $7.1 million for The Force Awakens.
December 16th, 2016
Rogue One: A Star Wars Story scared away most wide releases and limited releases. That’s not to say there is nothing on this week’s list worth checking out. In fact, Fences was bumped up a week before its wide expansion on Christmas day. That is the only film on this list likely to have any presence at the box office.
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December 16th, 2016
Rogue One: A Star Wars Story earned a massive $29 million in previews on Thursday, easily topping the $25 million Civil War made earlier this year. It also topped Batman v Superman, which earned $27.7 million, which was the previous yearly record for preview. However, while it topped the yearly chart in that regard, it was barely more than half of the $57 million The Force Awakens managed this time last year. The film’s slightly weaker reviews could lead to shorter legs. However, I think the massive hype surrounding The Force Awakens made it more front-loaded than Rogue One will be, at least during its opening weekend. I’m still going with just over $140 million during its opening weekend, but maybe $141 million is more likely now. I am a little less bullish than most and an opening north of $150 million would not be shocking.
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December 15th, 2016
It is a deceptively busy weekend, as there are two wide releases, Rogue One: A Star Wars Story and Collateral Beauty, and two films that are “expanding wide”, Manchester by the Sea and La La Land. However, while that looks like a lot, in reality Rogue One: A Star Wars Story is the only film most people are talking about. In fact, it is going to dominate the box office to such a degree that its only real competition is The Force Awakens, which opened this weekend last year. Unfortunately for Rogue One, there’s almost no chance it will match The Force Awakens. In fact, there’s almost no chance the entire box office will match the $247.97 million The Force Awakens opened with. 2016 is going to get crushed in the year-over-year comparison. That said, 2016 has a nearly $460 million lead over 2015, so has long as Rogue One tops $100 million over the weekend, it should be enough to keep 2016 ahead in terms of raw box office numbers.
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December 13th, 2016
The winners of our Christmas Time contest were determined and the entrants with the closest predictions for Office Christmas Party opening weekend were...
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December 13th, 2016
As predicted, Moana was able to grab first place on the weekend box office chart. On the downside, it slipped a little faster than expected. Additionally, Office Christmas Party missed expectations and this led to the overall box office falling 13% from last weekend to $83 million. That said, this is still 7.0% higher than the same weekend last year and that’s more important. Year-to-date, 2016 maintained its $460 million / 4.7% lead over 2015 at $10.23 billion to $9.77 billion. This lead will take a serious hit this coming weekend when Rogue One goes against The Force Awakens. That said, unless Rogue One opens with less than $100 million during its weekend, 2016 should still come out ahead at the end of the year.
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December 10th, 2016
As expected, Office Christmas Party earned first place on Friday with $6.6 million. Its reviews have settled at 44% positive, which is lower than you would like, but fine for this type of release. Likewise, it earned a B from CinemaScore. Neither figure will help its legs, but neither will really hurt them either. By comparison, The Night Before earned $3.56 million during its opening day on its way to a $9.88 million opening weekend. If Office Christmas Party has the same internal multiplier, then it will earn $18.3 million this weekend. However, The Night Before earned 66% positive reviews and an A- from CinemaScore. Office Christmas Party’s weaker performances with critics and audiences will likely result in a lower legs and an opening weekend of just over $17 million.
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December 8th, 2016
Before anyone asks, no, that’s not a mistake in the name of the contest. Rogue One: A Star Wars Story is our target film in this week’s Box Office Prediction contest, but the name of the contest is Going Rouge, because red is a Christmas color. It’s a pun. Deal with it. ... Moving on. In order to win, one must simply predict the opening weekend box office number for Rogue One: A Star Wars Story
Also... it’s Christmas time. And that means we have lumps to coal to give out, although not literally. Two of the three winners will receive either two previously reviewed movies or one TV on DVD release pulled randomly from the prize pool. The third will receive a lump of coal, a movie / TV show on HD-DVD. I doubt anyone reading this still has a working HD-DVD player hooked up, although two of The Numbers team do....
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will be one of the potential winners. Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also be one of the potential winners Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will be the final potential winner.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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December 1st, 2016
November was good, but not great. Fortunately, 2016 had a large enough lead going into November that the month only needed to be good. In fact, it could have been mediocre and 2016 would have still had an excellent shot to end the year above 2015. As for December, it’s a race between Star Wars and Star Wars. Almost no one thinks Rogue One is going to match The Force Awakens, but if Rogue One earns just half of what The Force Awakens managed, then 2016 will come out on top in the year-over-year comparison. There are only two other films with a better than 50/50 chance of hitting $100 million, Passengers and Sing. Either one could earn second place for the month, but Passengers will likely start faster. Last December, the only other film to earn more than $100 million was Daddy’s Home, which earned just a hair over $150 million. There’s a chance both Passengers and Sing will earn more than $150 million, which would be a boon to the box office. However, Star Wars: The Force Awakens was just too strong last year and it would take a miracle for 2016 to have a stronger December. That said, it would take a complete collapse for 2016 not to top 2015 in raw dollars. The growth might not be enough to keep pace with ticket price inflation, on the other hand.
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October 13th, 2016
Sci-fi adventure starring Felicity Jones opens December 16 ... Full Movie Details.
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August 12th, 2016
Sci-fi adventure starring Felicity Jones and Diego Luna, directed by Gareth Edwards opens December 16 ... Full Movie Details.
A rogue band of resistance fighters unite for a daring mission to steal the Death Star plans.
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April 7th, 2016
Sci-fi adventure starring Felicity Jones, directed by Gareth Edwards, opens December 16 ... Full Movie Details.
A rogue band of resistance fighters unite for a daring mission to steal the Death Star plans.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/12/16 | - | $3,500,000 | 0 | $3,500,000 | 1 |
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 12/16/2016 | $1,028,267 | 354 | 354 | 951 | $3,695,360 | 1/1/2019 |
| Australia | 12/15/2016 | $10,770,469 | 932 | 932 | 3815 | $35,630,651 | 9/5/2022 |
| Brazil | 12/16/2016 | $5,300,000 | 0 | 227 | 227 | $14,600,000 | 1/31/2017 |
| Bulgaria | 12/15/2016 | $245,315 | 0 | 0 | 0 | $980,409 | 2/26/2019 |
| China | 1/5/2017 | $30,220,000 | 90517 | 90517 | 153506 | $69,484,896 | 8/13/2018 |
| Czech Republic | 12/16/2016 | $550,355 | 144 | 144 | 432 | $1,583,853 | 1/1/2019 |
| Denmark | 12/15/2016 | $0 | 0 | 0 | 0 | $6,100,000 | 1/8/2017 |
| France | 12/15/2016 | $10,000,000 | 0 | 0 | 0 | $39,366,912 | 6/27/2018 |
| Germany | 12/15/2016 | $12,500,000 | 0 | 0 | 0 | $46,603,040 | 6/29/2018 |
| Hong Kong | 12/23/2016 | $0 | 0 | 0 | 0 | $5,000,000 | 1/2/2017 |
| Indonesia | 12/16/2016 | $0 | 0 | 0 | 0 | $3,200,000 | 12/31/2018 |
| Italy | 12/16/2016 | $3,218,518 | 0 | 0 | 0 | $10,866,280 | 10/22/2018 |
| Japan | 12/16/2016 | $7,900,000 | 0 | 0 | 0 | $39,164,664 | 6/30/2018 |
| Lithuania | 12/16/2016 | $60,270 | 168 | 168 | 344 | $216,524 | 2/21/2017 |
| Mexico | 12/16/2016 | $3,645,002 | 0 | 0 | 0 | $11,409,999 | 10/12/2018 |
| Netherlands | 12/14/2016 | $1,470,019 | 126 | 128 | 954 | $7,888,694 | 11/1/2018 |
| New Zealand | 12/16/2016 | $1,543,605 | 171 | 171 | 1055 | $4,895,564 | 10/19/2022 |
| North America | 12/16/2016 | $155,081,681 | 4,157 | 4,157 | 29,371 | $533,539,991 | |
| Philippines | 12/16/2016 | $0 | 0 | 0 | 0 | $2,700,000 | 12/31/2018 |
| Poland | 12/16/2016 | $2,729,934 | 0 | 0 | 0 | $8,159,017 | 1/1/2019 |
| Portugal | 12/16/2016 | $444,753 | 128 | 128 | 501 | $1,681,718 | 2/16/2017 |
| Russia (CIS) | 12/16/2016 | $5,646,439 | 1283 | 1283 | 4169 | $11,409,243 | 1/1/2019 |
| Slovakia | 12/15/2016 | $188,622 | 70 | 70 | 159 | $484,299 | 2/3/2017 |
| Slovenia | 12/16/2016 | $70,317 | 29 | 29 | 109 | $244,190 | 2/17/2017 |
| South Korea | 12/21/2016 | $0 | 0 | 858 | 1359 | $7,512,870 | 10/10/2018 |
| Spain | 12/16/2016 | $4,091,634 | 1153 | 1153 | 3987 | $16,685,342 | 10/29/2018 |
| Sweden | 12/16/2016 | $3,500,000 | 0 | 0 | 0 | $11,000,000 | 1/31/2017 |
| Turkey | 12/14/2016 | $736,456 | 492 | 492 | 1112 | $1,748,618 | 2/26/2019 |
| United Kingdom | 12/15/2016 | $21,593,475 | 698 | 698 | 4385 | $88,550,950 | 10/2/2024 |
| Rest of World | $70,680,512 | ||||||
| Worldwide Total | $1,055,083,596 | 10/2/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
| Felicity Jones | Jyn Erso | |
| Diego Luna | Captain Cassian Andor | |
| Ben Mendelsohn | Director Orson Krennic | |
| Donnie Yen | Chirrut Imwe | |
| Mads Mikkelsen | Galen Erso | |
| Alan Tudyk | K-2SO | |
| Riz Ahmed | Bodhi Rook |
| Jiang Wen | Baze Malbus | |
| Forest Whitaker | Saw Gerrera | |
| Jimmy Smits | Bail Organa | |
| James Earl Jones | Darth Vader | |
| Genevieve O'Reilly | Mon Mothma | |
| Valene Kane | Lyra Erso | |
| Alistair Petrie | General Draven | |
| Ben Daniels | General Merrick | |
| Stephen Stanton | General Raddus | |
| Ian McElhinney | General Dodonna | |
| Fares Fares | Senator Vaspar | |
| Jonathan Aris | Senator Jebel | |
| Beau Gadsdon | Young Jyn | |
| Dolly Gadsdon | Younger Jyn | |
| Sharon Duncan-Brewster | Senator Pamlo | |
| Warwick Davis | Weeteef Cyubee | |
| Aidan Cook | Edrio Two Tubes | |
| Derek Arnold | Pao | |
| Nick Kellington | Bistan | |
| Richard Cunningham | General Ramda | |
| Jack Roth | Lieutenant Adema | |
| Michael Gould | Admiral Gorin | |
| Michael Shaeffer | General Corssin | |
| Daniel Mays | Tivik | |
| Andy de la Tour | General Hurst Romodi | |
| Tony Pitts | Captain Pterro |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
| Gareth Edwards | Director | |
| Chris Weitz | Screenwriter | |
| Tony Gilroy | Screenwriter | |
| John Knoll | Story by | |
| Gary Whitta | Story by | |
| Kathleen Kennedy | Producer | |
| Allison Shearmur | Producer | |
| Simon Emanuel | Producer | |
| John Knoll | Executive Producer | |
| Jason McGatlin | Executive Producer | |
| Greig Fraser | Director of Photography | |
| Doug Chiang | Production Designer | |
| Neil Lamont | Production Designer | |
| Glyn Dillon | Costume Designer | |
| Davie Crossman* | Costume Designer | |
| Michael Giacchino | Composer | |
| John Knoll | Visual Effects Supervisor | |
| Mohen Leo | Visual Effects Supervisor | |
| Hal Hickel | Animation Supervisor: ILM | |
| Matthew Wood | Supervising Sound Editor | |
| Neil Corbould | Special Effects Supervisor | |
| Josh Gold | Sound Effects Editor | |
| Gary Tomkins | Senior Art Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
