Synopsis
The story of Austrian writer Stefan Zweig and his life in exile between 1936-42. Having been driven into emigration at the peak of his worldwide fame, Stefan Zweig falls into despair at the sight of Europe’s downfall, which he had anticipated early on. It’s the story of a refugee, a tale of losing one’s homeland, and of the search for a new on. Rio de Janeiro, Buenos Aires, New York, Petropolis are four stations of an expatriate unable to find peace. Despite the generous welcome and the overwhelming opulence of tropical vegetation he encounters, nothing can replace his homeland.
Metrics
Movie Details
| Portugal Releases: |
February 24th, 2017 (Wide), released as Stefan Zweig: Adeus Europa |
| MPAA Rating: |
Not Rated |
| Running Time: |
106 minutes |
| Keywords: |
Jewish, Writing and Writers, War, 1930s, Set in Germany, Set in Austria, Set in Brazil, Nazis |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: |
Dor Film, X Filme Creative Pool, Ideale Audience, MAHA |
| Production Countries: |
Austria, France, Germany |
| Languages: |
English, French, German, Portuguese, Spanish |
May 16th, 2017
Paris Can Wait topped the theater average chart earning nearly $100,000 in just 4 theaters for an average of $24,713. The overall number one film, Guardians of the Galaxy Vol 2, landed in second place with $15,013. The only other film in the $10,000 club was Stefan Zweig: Farewell to Europe, which earned $11,729 in its lone theater. Manifesto just missed the mark with $9,628 also in one theaters. However, it was a Wednesday release and managed $11,824 during its five-day opening.
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May 12th, 2017
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It is a busy week for limited releases. Not only are there are lot of films coming out, but most of them have a sizable number of reviews on Rotten Tomatoes, suggesting there is at least some buzz. Unfortunately, a number of these movies are earning reviews that are mixed, or worse. Furthermore, there are many that are playing in too many theaters for limited release or playing on VOD, neither of which will help their box office chances. As for top picks, I would see Stefan Zweig: Farewell to Europe in theaters or Hounds of Love on Video on Demand.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2017/02/10 |
- |
$848 |
|
1 |
$848 |
$848 |
1 |
| 2017/02/17 |
- |
$2,164 |
+155% |
1 |
$2,164 |
$3,009 |
1 |
| 2017/02/24 |
20 |
$8,189 |
+278% |
5 |
$1,638 |
$11,491 |
1 |
| 2017/03/03 |
20 |
$5,470 |
-33% |
4 |
$1,368 |
$23,555 |
2 |
| 2017/03/10 |
27 |
$1,911 |
-65% |
3 |
$637 |
$27,499 |
3 |
| 2017/03/17 |
- |
$392 |
-79% |
1 |
$392 |
$29,083 |
4 |
| 2017/03/24 |
- |
$419 |
+7% |
3 |
$140 |
$29,800 |
5 |
| 2017/03/31 |
- |
$279 |
-33% |
2 |
$140 |
$30,285 |
6 |
| 2017/08/11 |
- |
$325 |
|
1 |
$325 |
$35,005 |
25 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
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