Synopsis
Tells the true story of the unlikely friendship between a young homeless busker, James Bowen, and the stray ginger cat named Bob who changed his life.
Metrics
Movie Details
| Production Budget: | $8,000,000 |
| Australia Releases: |
February 10th, 2017 (Wide)
August 4th, 2022 (Limited) |
| Video Release: |
January 17th, 2017 by The Orchard |
| MPAA Rating: |
Not Rated |
| Running Time: |
103 minutes |
| Keywords: |
Addiction, Homeless, Animal Lead |
| Source: | Based on Factual Book/Article |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: |
Stage 6 Films, Prescience, Shooting Script Films, Altus Media, The Exchange |
| Production Countries: |
United Kingdom |
| Languages: |
English |
January 17th, 2017
The are not many major releases on this week’s home market release list. The Girl on the Train is the biggest, but it is not the best. It is not even close to being the best. The race for best was mostly a two-way race between Long Way North and Ouija: Origin of Evil, with Ixcanul and Train to Busan being close behind. In the end, I went with Long Way North on Blu-ray Combo Pack as the Pick of the Week, but all four are worth owning.
More...
November 23rd, 2016
Manchester by the Sea led the way on the theater average chart with an average of $64,125 in four theaters. That isn’t the best average we’ve seen this year, but it is fourth place for a 2016 release. Fantastic Beasts and Where to Find Them earned first place on the overall chart and second place with $17,954 on this chart. Nocturnal Animals earned an average of $13,315 in 37 theaters. That’s an impressive average considering how wide it was playing. Best Worst Thing That Ever Could Have Happened earned an average of $11,745 in two theaters. Meanwhile, the re-release of Daughters of the Dust was the final film in the $10,000 club earning $10,842 in its lone theater.
More...
November 18th, 2016
-1-News.jpg)
There are few films on this week’s list, but most of them are earning good reviews. Two of them, Manchester by the Sea and Nocturnal Animals, are also earning Oscar buzz and I wouldn’t be surprised of both did very well on the per theater average chart. On the other hand, I’m interested in seeing Girls und Panzer The FILM.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2017/02/10 |
24 |
$54,598 |
|
15 |
$3,640 |
$54,598 |
1 |
| 2017/02/17 |
23 |
$46,890 |
-14% |
16 |
$2,931 |
$126,650 |
2 |
| 2017/02/24 |
21 |
$44,378 |
-5% |
19 |
$2,336 |
$190,111 |
3 |
| 2017/03/03 |
23 |
$30,087 |
-32% |
19 |
$1,584 |
$234,545 |
4 |
| 2017/03/10 |
- |
$28,301 |
-6% |
29 |
$976 |
$276,713 |
5 |
| 2017/03/17 |
28 |
$25,351 |
-10% |
35 |
$724 |
$323,031 |
6 |
| 2017/03/24 |
- |
$10,171 |
-60% |
24 |
$424 |
$343,629 |
7 |
| 2017/03/31 |
- |
$10,742 |
+6% |
12 |
$895 |
$363,283 |
8 |
| 2017/04/07 |
- |
$7,995 |
-26% |
8 |
$999 |
$377,163 |
9 |
| 2017/04/14 |
- |
$9,068 |
+13% |
7 |
$1,295 |
$392,486 |
10 |
| 2017/04/21 |
- |
$3,710 |
-59% |
7 |
$530 |
$403,601 |
11 |
| 2017/04/28 |
- |
$4,515 |
+22% |
10 |
$452 |
$410,386 |
12 |
| 2017/05/05 |
- |
$5,754 |
+27% |
7 |
$822 |
$421,515 |
13 |
| 2017/05/12 |
- |
$1,429 |
-75% |
4 |
$357 |
$423,629 |
14 |
| 2017/05/19 |
- |
$314 |
-78% |
1 |
$314 |
$424,289 |
15 |
| 2017/05/26 |
- |
$140 |
-55% |
1 |
$140 |
$424,671 |
16 |
| 2017/06/02 |
- |
$2,500 |
+1,686% |
3 |
$833 |
$427,567 |
17 |
| 2017/06/09 |
- |
$1,995 |
-20% |
1 |
$1,995 |
$430,790 |
18 |
| 2022/08/05 |
- |
$1,383 |
|
1 |
$1,383 |
$416,617 |
287 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
