Metrics
China Box Office for Thunderbolts* (雷霆特攻队*) (2025)
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| Theatrical Performance (US$) | ||
| China Box Office | $16,082,375 | Details |
| Worldwide Box Office | $382,436,365 | Details |
| Further financial details... | ||
Weekend predictions: Thunderbolts and Sinners fight for top billing
May 9th, 2025
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Thunderbolts (The New Avengers) will do battle at the top of the box office chart with Sinners this weekend. Thunderbolts* (is it still OK to call it that?) enters the weekend as favorite, with our model predicting a 59% decline from its opening, while Sinners is expected to fall just 18% in its fourth weekend. If those numbers hold up, the two films will both be hovering somewhere in the high 20s to low 30s over three days. With Thunderbolts holding on to PLF screens, it most likely has the edge.
While those two fight for the title this weekend, four new wide releases arrive in theaters.
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Weekend predictions: Thunderbolts* set for great* opening weekend
May 2nd, 2025
Thunderbolts* stacked up $11.5 million in preview grosses yesterday, and is set to post one of the biggest weekends of 2025. That’s objectively great news, coming off a fantastic April for the industry, courtesy of A Minecraft Movie and Sinners. The only asterisk against the performance of Thunderbolts is that it will post another sub-$100-million opening for the Marvel Cinematic Universe.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2025/05/02 | 5 | $5,024,069 | 0 | $9,307,072 | 1 | ||
| 2025/05/09 | 5 | $1,395,030 | -72% | 0 | $12,396,772 | 2 | |
| 2025/05/16 | 7 | $723,540 | -48% | 0 | $13,684,422 | 3 | |
| 2025/05/23 | 8 | $292,349 | -60% | 0 | $14,355,832 | 4 | |
| 2025/05/30 | 27 | $13,613 | -95% | 0 | $14,461,391 | 5 | |
| 2025/06/06 | 30 | $4,173 | -69% | 0 | $14,495,451 | 6 | |
| 2025/06/13 | 39 | $1,393 | -67% | 0 | $14,515,945 | 7 | |
| 2025/06/20 | 46 | $976 | -30% | 0 | $14,523,368 | 8 | |
| 2025/06/27 | - | $570 | -42% | 0 | $16,082,366 | 9 | |
| 2025/07/04 | - | $9 | -98% | 0 | $16,082,375 | 10 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 5/1/2025 | $1,234,075 | 0 | 0 | 0 | $2,705,932 | 6/23/2025 |
| Australia | 5/1/2025 | $3,015,522 | 0 | 0 | 0 | $9,177,406 | 7/16/2025 |
| Austria | 5/1/2025 | $384,703 | 0 | 0 | 0 | $1,161,168 | 7/16/2025 |
| Belgium | 4/30/2025 | $524,571 | 0 | 0 | 0 | $1,408,558 | 7/16/2025 |
| Brazil | 5/1/2025 | $3,935,574 | 0 | 0 | 0 | $8,070,993 | 7/7/2025 |
| Chile | 5/1/2025 | $870,367 | 0 | 0 | 0 | $1,899,299 | 6/17/2025 |
| China | 4/30/2025 | $5,024,069 | 0 | 0 | 0 | $16,082,375 | 7/7/2025 |
| Colombia | 5/1/2025 | $1,185,266 | 0 | 0 | 0 | $2,423,379 | 6/23/2025 |
| Croatia | 5/1/2025 | $64,142 | 75 | 75 | 282 | $207,616 | 7/11/2025 |
| Czech Republic | 5/1/2025 | $306,488 | 194 | 194 | 647 | $995,607 | 6/30/2025 |
| Denmark | 4/30/2025 | $325,870 | 0 | 0 | 0 | $1,060,424 | 7/7/2025 |
| Finland | 4/30/2025 | $203,098 | 93 | 93 | 391 | $857,564 | 7/21/2025 |
| France | 4/30/2025 | $3,894,211 | 0 | 0 | 0 | $11,314,653 | 7/21/2025 |
| Germany | 5/1/2025 | $3,404,233 | 0 | 0 | 0 | $9,312,024 | 7/21/2025 |
| Hong Kong | 4/30/2025 | $1,587,435 | 0 | 0 | 0 | $3,381,013 | 6/30/2025 |
| India | 5/1/2025 | $1,795,148 | 0 | 0 | 0 | $3,267,926 | 6/17/2025 |
| Indonesia | 4/30/2025 | $2,365,918 | 0 | 0 | 0 | $4,523,967 | 6/9/2025 |
| Italy | 4/30/2025 | $2,066,853 | 0 | 0 | 0 | $5,477,072 | 7/21/2025 |
| Japan | 5/2/2025 | $3,226,787 | 0 | 0 | 0 | $7,747,687 | 7/21/2025 |
| Malaysia | 5/1/2025 | $1,690,591 | 0 | 0 | 0 | $3,360,450 | 6/23/2025 |
| Mexico | 5/1/2025 | $7,377,278 | 0 | 0 | 0 | $14,890,776 | 7/21/2025 |
| Netherlands | 4/30/2025 | $881,268 | 113 | 113 | 763 | $3,085,458 | 7/21/2025 |
| New Zealand | 5/1/2025 | $446,958 | 0 | 0 | 0 | $1,298,673 | 6/23/2025 |
| North America | 5/2/2025 | $74,300,608 | 4,330 | 4,330 | 21,930 | $190,274,328 | 7/21/2025 |
| Norway | 4/30/2025 | $379,757 | 0 | 0 | 0 | $884,852 | 7/7/2025 |
| Philippines | 4/30/2025 | $1,500,156 | 0 | 0 | 0 | $3,163,582 | 6/30/2025 |
| Poland | 5/1/2025 | $831,178 | 0 | 0 | 0 | $2,290,113 | 7/16/2025 |
| Portugal | 5/1/2025 | $347,920 | 101 | 107 | 413 | $955,587 | 6/17/2025 |
| Romania | 5/2/2025 | $187,436 | 0 | 0 | 0 | $584,755 | 6/25/2025 |
| Russia (CIS) | 5/1/2025 | $576,959 | 142 | 265 | 798 | $2,431,579 | 5/28/2025 |
| Singapore | 5/1/2025 | $1,014,637 | 0 | 0 | 0 | $2,462,427 | 7/7/2025 |
| Slovakia | 5/1/2025 | $115,135 | 83 | 83 | 248 | $372,265 | 6/17/2025 |
| South Africa | 5/2/2025 | $0 | 0 | 0 | 0 | $0 | |
| South Korea | 4/30/2025 | $2,019,409 | 0 | 0 | 0 | $6,620,653 | 6/23/2025 |
| Spain | 4/30/2025 | $1,536,706 | 319 | 319 | 1561 | $5,946,465 | 6/30/2025 |
| Sweden | 4/30/2025 | $523,554 | 0 | 0 | 0 | $1,230,183 | 7/21/2025 |
| Switzerland | 4/30/2025 | $510,364 | 0 | 0 | 0 | $1,220,923 | 7/21/2025 |
| Taiwan | 4/30/2025 | $1,695,643 | 0 | 0 | 0 | $3,387,323 | 6/23/2025 |
| Thailand | 5/1/2025 | $1,474,800 | 0 | 0 | 0 | $2,880,884 | 6/23/2025 |
| Turkey | 5/2/2025 | $319,627 | 464 | 464 | 1304 | $939,635 | 6/12/2025 |
| United Arab Emirates | 5/1/2025 | $0 | 0 | 0 | 0 | $0 | |
| United Kingdom | 5/1/2025 | $7,942,670 | 669 | 675 | 2885 | $21,595,872 | 7/21/2025 |
| Rest of World | $21,484,919 | ||||||
| Worldwide Total | $382,436,365 | 7/21/2025 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services at a cost. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
| Florence Pugh | Yelena Belova | |
| Sebastian Stan | Bucky Barnes | |
| David Harbour | Alexei Shostakov | |
| Olga Kurylenko | Antonia Dreykov | |
| Wyatt Russell | John Walker | |
| Hannah John-Kamen | Ava Starr | |
| Lewis James Pullman | Bob |
Supporting Cast
| Julia Louis-Dreyfus | Valentina Allegra de Fontaine | |
| Geraldine Viswanathan | Mel |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Jake Schreier | Director | |
| Eric Pearson | Screenwriter | |
| Joanna Calo | Screenwriter | |
| Sung-Jin Lee | Screenwriter | |
| Kevin Feige | Producer | |
| Andrew Droz Palermo | Director of Photography | |
| Angela Catanzaro | Editor | |
| Harry Yoon | Editor | |
| Son Lux | Composer | |
| Dave Jordan | Music Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.