Spain Box Office for Caras y lugares (2017)

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Visages villages
Theatrical Performance (US$)
Spain Box Office $89,398Details
Worldwide Box Office $4,013,278Details
Home Market Performance
North America DVD Sales $186,222 Details
North America Blu-ray Sales $86,785 Details
Total North America Video Sales $273,007
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

89-year old Agnes Varda, one of the leading figures of the French New Wave, and acclaimed 33 year old French photographer and muralist JR teamed up to co-direct this documentary/road movie. Kindred spirits, Varda and JR share a lifelong passion for images and how they are created, displayed and shared. Together they travel around the villages of France in JR’s photo truck meeting locals, learning their stories and producing epic-size portraits of them. The photos are prominently displayed on houses, barns, storefronts and trains revealing the humanity in their subjects, and themselves.

Metrics

Movie Details

Production Budget:$1,000,000
Spain Releases: May 25th, 2018 (Wide), released as Caras y lugares
Video Release: March 6th, 2018 by Cohen Media Group
MPAA Rating: PG for brief nude images and thematic elements.
(Rating bulletin 2493 (Cert #51230), 9/13/2017)
Running Time: 89 minutes
Keywords: Autumn Years, Set in France, Road Trip, Movie Director, Travelogue Documentary
Source:Original Screenplay
Genre:Documentary
Production Method:Live Action
Creative Type:Factual
Production/Financing Companies: Cine Tamaris, Social Animals, Rouge International, Arte France Cinema, Arches Films, Canal Plus, ARTE France, Le Pacte, Cohen Media Group
Production Countries: France
Languages: French

Home Market Releases for March 6th, 2018

March 6th, 2018

Lady Bird

Thor: Ragnarok is by far the biggest Blu-ray release of the week and one of the best blockbusters of 2017. However, it was already named Pick of the Week last week, so we will have to pick a different film this week. There are a few contenders: The Breadwinner, Faces Places, and Lady Bird. All three of them are Oscars nominated films, none of them won. It was a close call, but in the end, Lady Bird won. More...

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

2017 Awards Season: Independent Spirit Awards Winners

March 3rd, 2018

Get Out

The Independent Spirit Awards were handed out tonight, and Get Out was the big winner, sort of. It earned two Awards, including the two most prestigious, awards. However, it wasn’t the only film to pick up two awards tonight. More...

2017 Awards Season: Oscar Highlight: Best Feature-Length Documentary

February 15th, 2018

Faces Places

With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try to figure out who the favorites are and which films should just feel honored to be nominated. Today we look at Best Feature-Length Documentary. This category had an overwhelming favorite, Jane, but then it wasn’t even nominated. This left the category wide open. Has a new favorite emerged? Or is it still a tossup? More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...

Theater Averages: Something Good Comes out of Florida

October 11th, 2017

The Florida Project

The Florida Project dominated the theater average chart earning over $150,000 in four theaters for an average of $39,208. This is easily the best new release of the week. More...

Limited and VOD Releases: Better Watch these Limited Releases

October 6th, 2017

Better Watch Out

It is a very busy week for limited releases with over 30 films coming out this week. Needless to say we’ve had to be a little callous, culling the list to a more manageable number. We are still left with a number of films that have a shot at finding a receptive audience. Some of these are like Better Watch Out, which will struggle in theaters, but very likely do well on Video on Demand. Others, like The Florida Project, could see its strong reviews turn to Awards Season success and that will be a boon to its financial success. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/05/25 16 $27,326   30 $911   $27,326 1
2018/06/01 23 $17,421 -36% 25 $697   $64,599 2
2018/06/08 24 $11,669 -33% 21 $556   $89,398 3

Box Office Summary Per Territory

$00
Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/9/2018 $79 0 0 0 $33,434 1/14/2019
Australia 1/26/2018 $9,235 5 7 42 $110,982 5/29/2023
France 6/30/2017 $464,071 0 0 0 $2,146,155 6/27/2018
Italy 3/15/2018 00$0
Lithuania 12/1/2017 $0 0 3 5 $4,772 2/13/2018
Netherlands 12/8/2017 $29,807 26 27 96 $266,228 9/12/2018
New Zealand 4/13/2018 $3,623 2 7 40 $55,423 10/19/2022
North America 10/6/2017 $31,006 5 42 415 $952,432 11/20/2018
Portugal 2/9/2018 $4,521 3 3 13 $27,743 3/14/2018
South Korea 6/14/2018 $33,801 53 53 194 $213,638 6/7/2019
Spain 5/25/2018 $27,326 30 30 76 $89,398 6/14/2018
Turkey 3/9/2018 $2,558 0 1 1 $8,921 5/30/2019
United Kingdom 9/21/2018 $64,718 34 34 34 $64,718 9/27/2018
 
Rest of World $39,434
 
Worldwide Total$4,013,278 5/29/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Narrator(s)

Agnès Varda    Narrator
J.R.    Narrator

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Agnès Varda    Director
J.R.    Director
Agnès Varda    Screenwriter
J.R.    Screenwriter
Matthieu Chedid    Composer
Rosalie Varda    Executive Producer
Emile Abinal    Associate Producer
Charles S. Cohen    Co-Producer
Julie Gayet    Co-Producer
Nadia Turincev    Co-Producer
Nichole Fu    Co-Producer
Etienne Comar    Co-Producer
Agnès Varda    Editor
Maxime Pozzi Garcia    Editor
Olivier Goinard    Sound Mixer
Cecilia Rose    Production Manager