Italy Box Office for Wonder Park (2019)

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Wonder Park
Theatrical Performance (US$)
Italy Box Office $2,201,609Details
Worldwide Box Office $115,103,325Details
Home Market Performance
North America DVD Sales $2,744,114 Details
North America Blu-ray Sales $3,580,707 Details
Total North America Video Sales $6,324,821
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The story of a magnificent amusement park where the imagination of a wildly creative girl named June comes alive. One magical day, June is running through the woods to find her way home where she discovers an old rollercoaster car and climbs inside. She suddenly finds herself in Wonderland, an amusement park she had created in her mind and put aside. All of her rides and characters are brought to life but are falling into disarray without her. Now, with the help of her fun and lovable park characters, June will have to put the wonder back in Wonderland before it is lost forever.

Metrics

Movie Details

Production Budget:$100,000,000
Italy Releases: April 11th, 2019 (Wide)
Video Release: June 4th, 2019 by Paramount Home Video
MPAA Rating: PG for some mild thematic elements and action.
(Rating bulletin 2531 (Cert #51605), 6/13/2018)
Running Time: 93 minutes
Keywords: Amusement Park, Animal Lead, Young Child Dealing with the Death of a Parent, Imaginary Friend, Talking Animals, 3-D, 3-D - Shot in 3-D, Development Hell, Family Adventure
Source:Original Screenplay
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Paramount Animation, Nickelodeon Films, Ilion Animation Studios, Midnight Radio Productions
Production Countries: Spain, United States
Languages: English

Home Market Releases for June 18th, 2019

June 19th, 2019

Us

It is a shallow week with a lot of films on the main list that would be secondary Blu-ray releases on a normal week. There are only two contenders for Pick of the Week: Us and Killing Eve: Season Two. The Us Blu-ray screener hasn’t arrived yet, but it is still Pick of the Week, even with an unknown quality of extras. More...

International Box Office: Endgame Laps the Competition

May 9th, 2019

Avengers: Endgame

Avengers: Endgame continued to dominate the international box office with $282.2 million in 55 markets for totals of $1.57 billion internationally and $2.19 billionh worldwide. Like last week, we’ve been tracking these numbers as they have been released on our page for the movie, so there’s no need to go into much more detail here. I would like to point out that the film earned more in several individual markets than the second place film earned in total. This includes China ($63.83 million over the weekend for a two-week total of $572.64 million); The U.K. ($18.83 million / $91.09 million); and South Korea ($17.93 million / $80.40 million). More...

International Box Office: Endgame isn’t the Only Game in Town

May 2nd, 2019

Avengers: Endgame

Avengers: Endgame absolutely destroyed the international record book earning $866.5 million internationally for a worldwide debut of $1.223 billion. However, as daily readers will know, we’ve been tracking these numbers as they have been released, so there’s no need to go into further detail here. You can see the most recent Daily Tracking here. More...

International Box Office: Curse is Blessed with a First Place Debut

April 24th, 2019

The Curse of La Llorona

The Curse of La Llorona earned first place on the international chart with $29 million on 13,155 screens in 71 markets. This is excellent for a film that cost $9 million to make. However, it is also playing in nearly every major market, so it doesn’t have a lot of room to grow. The film had a very strong opening in Mexico with $5.1 million on 2,432 screens, while it was equally strong in Colombia with $2.3 million on 421. It easily earned first place in both markets. On the other hand, the film struggled in France ($2.0 million on 254 screens); Spain ($1.8 million on 330 screens); and Russia ($1.1 million on 1,758). It failed to crack $1 million over the weekend in a number of major markets. It came the closest in South Korea with $905,000 on 620 screens over the weekend for a total opening of $1.25 million, while it was further behind in Italy ($852,000 on 314 screens) and Brazil ($775,000 on 561). The film opens in the U.K. and Japan in the next couple of weeks. More...

Weekend Predictions: Can Dumbo Soar Like the Original Did?

March 29th, 2019

Dumbo

Dumbo essentially has the weekend to itself and should earn first place with ease. Both The Beach Bum and Unplanned are opening in just over 1,000 theaters, but neither is expected to be a major player at the box office. Finally, Hotel Mumbai is expanding into nearly 1,000 theaters and could reach the top ten. At least one of these smaller films will reach the top ten; in fact, all three of them could reach the top ten. However, this is due to really weak competition, not any box office strength these films possess. This weekend last year, Ready Player One led the way with $41 million, while Acrimony earned second place with $17 million. There’s a chance Dumbo will earn more than those two films earned. There’s also a chance Us and Captain Marvel will match those two films at the box office. It should be a good weekend for 2019 in the year-over-year comparison. More...

Weekend Wrap-Up: Us vs. Them Wasn’t Even Close

March 26th, 2019

Us

Us topped the weekend chart and expectations with $71.12 million during its debut. This was more than double what Captain Marvel earned during this weekend and it helped the overall box office grow 6.8% from last weekend to $148 million. More importantly, this is 14% higher than the same weekend last year. Granted, 2019 is still way behind 2018, but it is chipping away at the deficit and is now behind by 17% or $450 million at $2.15 billion to $2.60 billion. Furthermore, 2019 is no longer an historically bad year at the box office. It used to be the worst year at box office in terms of dollars in over a decade. Now it’s the worst year since 2013 and if April is as good as March was, it could be in the top five best years in box office dollars by the beginning of May. More...

Weekend Estimates: Us Appeals to a lot of us with $70 Million Opening

March 24th, 2019

Us

Us made the most of its opening weekend with an estimated debut of $70.25 million, which is much higher than even the high end of expectations. If this opening holds, it would be the tenth-biggest March opening, but that’s a big if. It’s just behind 300 and just ahead of The Lorax, so I expect it to change a spot when Monday’s final numbers are released. The film should have reasonable legs going forward, as its reviews are a major asset, while it earned a B from CinemaScore, which is a good result for a horror film. Internationally, the film is opening ahead of Get Out, but far behind its domestic debut with an estimated $16.7 million in 47 markets. This includes the U.K., where it earned $3.7 million during its opening weekend. However, it only cracked $1 million in three other markets: France ($2 million); Germany ($1.4 million); and Spain ($1.2 million). More...

Friday Estimates: Us Ends Captain Marvel’s Run on Top with $29 million

March 23rd, 2019

Us

Us topped expectations, and even beat Friday’s revisions, with an opening day of $29.06 million on Friday. Universal is projecting an opening weekend of $67 million after this result; however, studios tend to lowball these projections, so there’s a good chance it’ll do even better. That said, it would be wise to treat the movie like a horror sequel when it comes to predicting its legs. Granted, its reviews are more than 90% positive, and it earned a B from CinemaScore. That might seem low, but it is actually quite strong for a horror film. More...

Weekend Predictions: Us will be Lonely at the Top

March 21st, 2019

Us

Us is the only wide release of the week and it should easily earn top spot on the box office chart. It won’t dominate the box office chart, as Captain Marvel should still be a powerful draw this weekend. Unfortunately, there will be a huge gap between those two films and the rest of the box office, as no other movie is expected to crack $10 million at the box office. Fortunately, this weekend last year wasn’t particularly strong. Granted, there were five films that earned more than $10 million over the weekend, but the best, Pacific Rim: Uprising, only managed $28.12 million. There’s a chance the top two films this year will earn more than the top five did last year, giving 2019 only its third win of the year so far. It would also be its third win in a row. More...

Weekend Estimates: Captain Marvel Continues to Fly High, Most New Releases Open Strong

March 17th, 2019

Captain Marvel

Captain Marvel will remain in top spot on the weekend chart with an estimated $69.32 million, giving it a two-week total of $266.21 million. This is higher than predicted and a 55% decline bodes well for its future. It is already ahead of the lifetime domestic totals of eight previous installments in the MCU and it will quickly rise into the top ten. Internationally, the film added $119.7 million to its running tally, which now sits at $494.0 million, while its worldwide total rose to $760.2 million. Yesterday, I said the film could be in the top ten for the MCU. If these estimates hold, it will miss that mark by about $10 million. In fact, given its holds this weekend, it has a pathway to enter the top five. The film’s only, and last, new international opening was Japan. There the film’s estimated weekend opening was $5.6 million, which was the highest opening for a standalone film in the MCU. Meanwhile, outside of China, the film held on even better than it did domestically. China tends to be a very front-loaded market, but the film held on well enough there to get to $132.0 million after just two weeks, making it the fourth highest grossing film in the MCU already. It is even better in Indonesia where its two week total of $16.1 million is the fourth highest total of all-time. We will have more details on the international numbers later in the week. More...

Friday Estimates: Captain Marvel Hits $200 million Domestically and $600 million Worldwide

March 16th, 2019

Captain Marvel

Captain Marvel held on a little better than expected to earn $19.05 million on Friday, which pushes it past the $200 million mark in just 8 days. This is 69% lower than its opening Friday, but is still a fantastic start to its sophomore weekend. In fact, it should top our prediction with $68 million over the full weekend for a two week total of nearly $265 million. Disney hasn’t released Friday’s international numbers, but it is widely expected to top $400 million internationally and $600 million worldwide. The film has already surpassed five previous installments in the MCU on the worldwide chart and did so in just eight days. By the end of the weekend, it could be in the top ten for the franchise. More...

Thursday Night Previews: Five Feet Barely Ahead of Wonder Park

March 15th, 2019

Five Feet Apart

As expected, Five Feet Apart led the way when it came to previews; however, Wonder Park made it a very close race. The young adult adaptation earned $715,000 during its previews, which isn’t a good start for a film like this. Then again, it has been a while since this genre had a good start. Unfortunately, the film’s reviews are not good enough to suggest things will turn around during the rest of the weekend. That said, it likely won’t miss our prediction by a huge margin either. More...

Weekend Predictions: Will Captain Marvel Give the New Releases Room to Breathe?

March 15th, 2019

Five Feet Apart

Captain Marvel will undoubetedly dominate the box office again this weekend with some thinking it will avoid a 50% drop-off. I think that is overly optimistic, but there are some good signs. This includes a lack of top-notch new releases. Wonder Park is the biggest new release, at least in terms of theater count, but it also has the worst reviews of the three wide releases. Five Feet Apart has better reviews, but they can best be described as mixed. Meanwhile, Captive State still has barely any reviews and its buzz is so quiet that it might not top the Mendoza Line. Finally, some sources have Nancy Drew and the Hidden Staircase opening wide, but that isn’t happening. That’s too bad, because if it were opening wide, it would have the best reviews of the weekend. This weekend last year, Black Panther completed its month at the top of the chart, while Tomb Raider was the best new releases. Those two films earned almost exactly $50 million combined, which Captain Marvel will top by itself, leading 2019 to the victory in the year-over-year comparison. More...

2019 Preview: March

March 1st, 2019

Captain Marvel

2019 has been terrible so far and by the end of February, will be about half a billion dollars behind 2018’s pace. March should be the first step in 2019’s attempt to recover from this hole it has dug for itself. Captain Marvel will be the biggest film of the year so far and tracking has it opening with more than $100 million during the second weekend of March. While that film is undoubtedly going to become the biggest hit of the month, it isn’t the only potential hit opening in March, as both Us and Dumbo are expected to earn $100 million domestically; Dumbo might even top $200 million domestically. As for last March, there were only two films that hit $100 million, A Wrinkle in Time and Ready Player One, and neither of them came close to $200 million. There’s a slim chance this March will be better than last year, even if we ignore Captain Marvel. We could cut the deficit in half by the end of the month, if everything goes well. Then again, if everything went well during the first two months of the year, we wouldn’t be in such a deep hole at this point. More...

Wonder Park Trailer

January 25th, 2019

Animated adventure opens on March 15 ... Full Movie Details.

The story of a magnificent amusement park where the imagination of a wildly creative girl named June comes alive. One magical day, June is running through the woods to find her way home where she discovers an old rollercoaster car and climbs inside. She suddenly finds herself in Wonderland, an amusement park she had created in her mind and put aside. All of her rides and characters are brought to life but are falling into disarray without her. Now, with the help of her fun and lovable park characters, June will have to put the wonder back in Wonderland before it is lost forever. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/04/12 5 $807,410   0     $815,045 1
2019/04/19 8 $199,992 -75% 0     $1,114,159 2
2019/04/26 6 $310,527 +55% 0     $1,768,996 3
2019/05/03 7 $182,578 -41% 0     $2,008,511 4
2019/05/10 13 $70,192 -62% 0     $2,102,763 5
2019/05/17 15 $66,014 -6% 0     $2,186,070 6

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 4/12/2019 $207,883 283 283 797 $618,566 8/11/2019
Australia 4/5/2019 $190,187 149 314 1512 $4,391,045 5/30/2019
Brazil 3/15/2019 $1,700,000 556 556 1116 $3,005,409 8/7/2020
Bulgaria 4/19/2019 $67,232 0 0 0 $241,494 6/18/2019
Chile 3/15/2019 $173,000 0 0 0 $173,000 3/24/2019
China 4/19/2019 $24,733 0 33789 52774 $6,779,030 6/8/2019
Czech Republic 3/15/2019 $159,728 133 133 392 $337,316 6/4/2019
France 4/5/2019 $2,200,000 0 699 2647 $11,429,081 6/29/2019
Germany 4/12/2019 $960,000 0 83 83 $3,447,049 5/24/2019
Hong Kong 4/19/2019 $328,000 0 0 0 $328,000 4/23/2019
Indonesia 3/15/2019 $276,000 0 0 0 $276,000 3/24/2019
Italy 4/11/2019 $807,410 0 56 57 $2,201,609 8/31/2019
Lithuania 4/12/2019 $35,252 143 143 642 $103,799 6/4/2019
Mexico 4/12/2019 $1,043,332 0 0 0 $3,904,807 5/6/2019
Middle East Region 3/15/2019 $704,000 0 0 0 $704,000 3/24/2019
Netherlands 4/18/2019 $92,796 137 137 1072 $2,462,258 6/18/2019
North America 3/15/2019 $15,853,646 3,838 3,838 15,582 $45,216,793
Poland 5/10/2019 $361,903 212 212 848 $1,203,458 6/8/2019
Portugal 4/12/2019 $142,253 96 96 429 $606,699 10/19/2022
Romania 6/7/2019 $0 0 7 18 $416,662 5/25/2022
Russia (CIS) 3/22/2019 $1,746,191 1739 1822 5156 $3,958,047 8/20/2019
Slovakia 3/15/2019 $101,588 74 74 311 $257,531 6/13/2019
South Africa 3/15/2019 $155,000 0 0 0 $155,000 3/24/2019
South Korea 8/16/2019 $208,324 384 384 512 $634,278 9/5/2019
Spain 4/12/2019 $524,604 346 360 1827 $3,110,959 6/7/2019
Taiwan 4/5/2019 $200,000 0 0 0 $200,000 4/12/2019
Turkey 3/15/2019 $251,123 307 307 1216 $751,007 5/9/2019
United Kingdom 4/12/2019 $2,075,377 538 557 2870 $5,705,840 5/23/2019
Vietnam 3/15/2019 $181,000 0 0 0 $181,000 3/24/2019
 
Rest of World $12,303,588
 
Worldwide Total$115,103,325 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

John Oliver    Steve
Ken Hudson Campbell    Boomer
Brianna Denski    June
Norbert Leo Butz    Peanut
Ken Jeong    Cooper
Kenan Thompson    Gus
Mila Kunis    Greta

Supporting Cast

Sofia Mali    Young June
Matthew Broderick    Dad
Jennifer Garner    Mom
Kath Soucie    Bus Counselor Shannon
Kevin Chamberlin    Uncle Tony
Kate McGregor-Stewart    Aunt Albertine
Oev Michael Urbas    Banky
Daran Norris    Principal Peters

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Uncredited*    Director
Josh Appelbaum    Screenwriter
Andre Nemec    Screenwriter
Robert Gordon    Story by
Josh Appelbaum    Story by
Andre Nemec    Story by
Andre Nemec    Producer
Josh Appelbaum    Producer
Kendra Haaland    Producer
Karen Rosenfelt    Executive Producer
Don Hahn    Executive Producer
Edie Ichioka    Editor
Steven Price    Composer
Juan García Gonzalez    Director of Photography