Australia Box Office for A Fantastic Woman (2017)

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Una mujer fantástica
Theatrical Performance (US$)
Australia Box Office $132,547Details
Worldwide Box Office $3,803,097Details
Home Market Performance
North America Blu-ray Sales $116,066 Details
Total North America Video Sales $116,066
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

The story of Marina, a waitress and singer, and Orlando, an older man, who are in love and planning for the future. After Orlando suddenly falls ill and dies, Marina is forced to confront his family and society, and to fight again to show them who she is: complex, strong, forthright, fantastic.

Metrics

Movie Details

Australia Releases: February 23rd, 2018 (Wide), released as A Fantastic Woman
Video Release: May 22nd, 2018 by Sony Pictures Home Entertainment
MPAA Rating: R for language, sexual content, nudity and a disturbing assault.
(Rating bulletin 2483 (Cert #51130), 7/5/2017)
Running Time: 104 minutes
Keywords: Singers, Romance, Sudden Illness, Medical and Hospitals, Terminal Illness, LGBTQ+, Bigotry, Death of a Girlfriend / Boyfriend
Source:Original Screenplay
Genre:Drama
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Participant Media, Fabula, Komplizen, Muchas Gracias, Setembro Cine
Production Countries: Chile, Germany, Spain, United States
Languages: Spanish

Home Market Releases for May 22nd, 2018

May 23rd, 2018

Early Man

Black Panther came out on DVD, Blu-ray Combo Pack, or 4K Ultra HD Combo Pack last weekend and it is still scaring away a lot of the competition. That’s not to say there are no new releases that are worth picking up. In fact, A Fantastic Woman, I Kill Giants, and Early Man are all contenders for Pick of the Week. In the end, that title went to Early Man on Blu-ray. More...

Theater Averages: Death Has Lively Opening with $46,201 Average

March 14th, 2018

The Death of Stalin

The Death of Stalin earned first place on the theater average chart with an average of $46,201 in four theaters. Claire’s Camera was well back with $11,489 in its lone theater. Black Panther remained in the $10,000 club for the fourth weekend in a row with $10,354. More...

2017 Awards Season: Oscars: And the Winner is... The Shape of Water for Best Picture

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. We will announce the winners and have our reactions as they happen, while keeping track of how our readers did in predicting the outcomes. More...

2017 Awards Season: Oscars Nominations: Final Look

March 4th, 2018

The Shape of Water

It’s Oscar night and we will be live blogging the show. Before that, let’s take a last look at the nominations with a few annotations. Nominees in Italics are those that have received the most votes from our readers so far in our Oscar contest (which is open to new entries until noon, Pacific, today—enter now!). Bold films are those films I think will win. Meanwhile, those that are Underlined are those I want to win. Not all categories have underlined nominees, because not all categories have someone I’m cheering for, or because there are two nominees I couldn’t pick between. For example, I will be happy no matter who wins Best Supporting Actress. One last note: The contest is still going and the leading for Best Picture Switched from The Shape of Water to Three Billboards Outside Ebbing, Missouri to tied over the time I was writing this story. This is the closest I’ve ever seen it. Guessing the best picture correctly will go a long way to winning. More...

2017 Awards Season: Independent Spirit Awards Winners

March 3rd, 2018

Get Out

The Independent Spirit Awards were handed out tonight, and Get Out was the big winner, sort of. It earned two Awards, including the two most prestigious, awards. However, it wasn’t the only film to pick up two awards tonight. More...

Limited and VOD Releases: A Fantastic Limited Release or Two

February 2nd, 2018

A Fantastic Woman

It’s a terrible weekend to release a movie. Not only is the Super Bowl taking up most people’s attention, but fans of limited releases are too busy catching up on Oscar contenders to deal with new releases. There are not a lot of films on this week’s list, but 24 Frames and A Fantastic Woman could do well in the art house circuit. More...

2017 Awards Season: Oscars Nominations

January 23rd, 2018

The Shape of Water

The Oscar nominations were announced starting at just after 5 am Pacific time. They do this every year and no one has been able to adequately explain why to me. At least there were some interesting results this year. The Shape of Water led the way with 13 nominations, which is one below the current record and nearly as many as the next two films combined. Overall, there were seventeen films that earned two or more nominations. More...

2017 - Awards Season: Golden Globes - Nominations

December 11th, 2017

The Shape of Water

The Golden Globes nominations are the second major Awards Season set to come out. Sort of. (WGA announced the nominations for TV, radio, etc., but not their theatrical nods.) It is still very early in the year, so it is hard to say if there are any real snubs, or if there are any real favorites. The Shape of Water led the way with seven nominations, while The Post and Three Billboards Outside Ebbing, Missouri were right behind with six a piece. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/02/23 - $22,756   17 $1,339   $22,756 1
2018/03/02 - $9,348 -59% 17 $550   $43,708 2
2018/03/09 - $13,176 +41% 17 $775   $65,682 3
2018/05/18 - $1,464   2 $732   $13,667 13
2020/10/16 - $302   3 $101   $132,547 139

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 2/23/2018 $0 0 0 0 $87,145 1/1/2019
Australia 2/23/2018 $22,756 17 17 56 $132,547 10/20/2020
France 7/14/2017 $194,018 0 0 0 $553,250 6/27/2018
Italy 10/13/2017 $0 0 0 0 $284,653 11/1/2017
Lithuania 2/16/2018 $2,023 24 24 39 $4,968 8/15/2018
Netherlands 9/1/2017 $44,718 25 26 101 $216,984 10/2/2017
New Zealand 3/2/2018 $2,090 4 5 21 $33,057 4/30/2018
North America 2/2/2018 $64,241 5 190 766 $2,019,554
Portugal 12/22/2017 $520 4 5 17 $12,065 3/14/2018
South Korea 4/19/2018 $5,965 0 43 61 $54,082 10/12/2018
Spain 10/13/2017 $45,431 42 46 211 $258,301 6/24/2021
Turkey 4/13/2018 $4,888 30 30 31 $10,948 2/26/2019
United Kingdom 3/2/2018 $135,543 38 38 38 $135,543 3/7/2018
 
Worldwide Total$3,803,097 6/24/2021

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Daniela Vega    Marina

Supporting Cast

Francisco Reyes    Orlando
Luis Gnecco    Gabo
Aline Kuppenheim    Sonia
Nicolas Saavedra    Bruno
Amparo Noguera    Adriana
Nestor Cantillana    Gastón
Alejandro Goic    Doctor
Antonia Zegers    Alessandra
Sergio Hernandez    Singing Teacher

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Sebastian Lelio    Director
Juan De Dios Larrain    Producer
Pablo Larrain    Producer
Janine Jackowski    Co-Producer
Jonas Dornbach    Co-Producer
Maren Ade    Co-Producer
Fernanda Del Nido    Co-Producer
Sebastian Lelio    Screenwriter
Gonzalo Maza    Screenwriter
Jeff Skoll    Executive Producer
Jonathan King    Executive Producer
Rocio Jadue    Executive Producer
Mariane Hartard    Executive Producer
Ben Von Dobeneck    Executive Producer
Tina Laschke    Sound Designer
Benjamin Echazarreta    Director of Photography
Soledad Salfate    Editor
Eduardo Castro    Line Producer
Estefania Larrain    Production Designer
Muriel Parra    Costume Designer
Matthew Herbert    Composer