November 1st, 2016
October turned out to be a mixed month. On the one hand, not one movie earned $100 million, or even came close. However, it was also a more steady month than last October and the last two weeks really helped 2016 in the year-over-year comparisons. In November, we have five films with at least a shot at $100 million, three of which should have no trouble getting to at least $200 million. A little while ago, I thought Fantastic Beasts and Where to Find Them would be the biggest hit of the month, but the buzz took a hit recently. More on that below. Meanwhile, Doctor Strange’s reviews are currently 90% positive and that should help it out at the box office. The third very likely $200 million hit is Moana. There is certainly precedent for an animated movie to be a monster hit at this time of year, but there is also a lot of competition. Last November was similar in strength, with five films that earned more than $100 million and two films that earned more than $200 million. None earned more than $300 million, so that’s the goal for this November. If we can get one $300 million and / or three $200 million movies over the month, then it will be seen as a victory.
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August 1st, 2015
It is still a little too soon to tell how July will finish, as we don't have any numbers for the final weekend at the time of writing. We know Minions was a monster hit and that Ant-man will be a financial success. However, until we see how Mission: Impossible - Rogue Nation does, it will be impossible to call the month a true success. If Rogue Nation bombed this weekend, then the month is only a partial success. It would also mean the summer of 2015 could be coming to an abrupt end. As for August, only Fantastic Four has a better than 50/50 chance of reaching $100 million; although some people think Straight Outta Compton also has a shot at that milestone. Besides those two, only a couple of other films even have a realistic shot at becoming midlevel hits. Worse still, last August was amazing with Guardians of the Galaxy breaking records. Teenage Mutant Ninja Turtles also did better than expected with a domestic haul of nearly $200 million. No release this August is going to match that figure. There's a good chance the top two releases combined won't do so. Fortunately, 2015 has a sizable lead over 2014, so even a soft month will keep 2015 ahead in the year-over-year comparison.
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February 19th, 2013
Sinister is a horror film that opened early in October. Its early reviews were incredible, but by the time it opened its Tomatometer Score fell to just over the overall positive level. This suggests the studio was able to show the film to genre critics, who were more likely to give the film a positive review, before the overall community saw it. I don't begrudge them for doing this. After all, it makes total sense for the studio to want the early good reviews and the genre critics are the ones mostly likely to jump at the chance to review a horror film. And in the end, it still earned good reviews. But does this mean it will be seen as a classic by fans of the genre and only okay by others? And is an okay horror film still worth picking up for casual fans of the genre.
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All Technical Credits
Announced (Undated)
Room 428
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The Gorge
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Producer Credits
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Writer Credits
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Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
Top Grossing Producer at the Domestic Box Office (Rank 1,201-1,300) |
1,256 |
$90,123,230 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 301-400) |
306 |
$398,593,008 |
Top Grossing Story Creator at the Domestic Box Office (Rank 201-300) |
243 |
$232,641,920 |
Top Grossing Producer at the International Box Office (Rank 1,501-1,600) |
1,563 |
$71,318,684 |
Top Grossing Screenwriter at the International Box Office (Rank 201-300) |
290 |
$581,212,871 |
Top Grossing Story Creator at the International Box Office (Rank 101-200) |
188 |
$443,701,254 |
Top Grossing Producer at the Worldwide Box Office (Rank 1,301-1,400) |
1,396 |
$161,441,914 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 201-300) |
277 |
$979,805,879 |
Top Grossing Story Creator at the Worldwide Box Office (Rank 201-300) |
209 |
$676,343,174 |