This graph shows Idris Elba’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
After trailing Bullet Train in last week’s list of widest releases and Dragon Ball Super: Super Hero at the box office, Beast can claim the prior accolade as it adds 11 locations this week for a theater count of 3,754. The Idris Elba survival thriller has collected $14.54 million in its first six days—$11.57 million coming from its opening weekend.
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Dragon Ball Super: Super Hero is cruising to a solid win at the box office this weekend, with Crunchyroll projecting it will end the weekend with $20.1 million. That’s a shade lower than our prediction on Friday morning, but not by enough to be of particular concern. Likewise, Beast’s $11.57 million weekend will be close enough to Friday’s prediction to call it a win.
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Dragon Ball Super: Super Hero looks like it will come out an easy winner at the box office this weekend, based on a good track record for Anime titles in recent years and an excellent $4 million in previews on Thursday evening. The Idris Elba-led thriller Beast looks as though it’ll slot into second place.
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For the third consecutive week Bullet Train sits atop this weeks theater count list, despite the arrival of Idris Elba’s Beast, as the former comes in this week with 3,781 locations. After 13-days, the assassin film starring Brad Pitt has earned nearly $60 million in North American box office. After two weeks on top, the movie will likely have its hands full with the debut of both Beast and the latest from the popular Dragon Ball Z franchise, with Dragon Ball Super: Super Hero opening in about 3,100 theaters according to the latest from Deadline. Dragon Ball Super: Super Hero is on a 90-day theatrical window.
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After a solid opening at the box office, Bullet Train is once again the widest release heading into its second week. The film’s freshman effort yielded just over $30 million in its first three days and currently clocks in with a six-day total of $38.9 million. The Brad Pitt action-thriller clings to its opening theater count of 4,357 locations and it is poised to spend another week at the top of the box office charts. While no contenders are expected to knock Bullet Train off of its tracks, a slew of new moderate to wide releases hit cinemas this week as Mack & Rita, Laal Singh Chaddha, Fall, and Emily the Criminal debut, while Bodies Bodies Bodies expands nationwide.
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Walt Disney’s release of Jungle Cruise breaks a pandemic-era record for widest release, arriving in 4,310 theaters this weekend. The number matches that of another Disney feature, Onward, which debuted just before theaters began shutting down back in March, 2020. The new film, which is based on the popular theme park attraction, follows Dwayne Johnson and Emily Blunt as Amazon riverboat captain Frank Wolff and Dr. Lily Houghton as they encounter innumerable dangers while they travel through the Amazon rain forest. Jungle Cruise will be available to stream simultaneously on the Disney+ platform.
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Frozen II wasn’t the only box office hit to debut in November, but it was by far the largest. It helped save November and kept 2019 from turning completely sour at the last minute. As for December, we have several potential $100 million hits, plus a couple of monster hits. There are some who think Star Wars: The Rise of Skywalker will be the biggest domestic hit released in 2019, but most think it will have to settle for second place. Jumanji: The Next Level should also be a monster hit, even if it doesn’t come really close to its predecessor. As for last December, Aquaman was the undisputed champion, earning almost as much as the next twofilms combined. Jumanji could top Aquaman at the box office, while we could also have more $100 million films than we had last year. Add in Star Wars and the year should end on a really positive note, making up for the extended slumps we had to deal with through a lot of the year. 2019 won’t be able to close the gap entirely, but it will do enough that we will be able to celebrate.
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Fast and the Furious is one of the largest franchises around with the nine installments so far earning nearly $6 billion worldwide. However, it appears to be off its peak as far as ticket sales are concerned with Hobbs & Shaw having the lowest box office haul since Fast Five exploded the franchise into the top-tier. Is the franchise off its peak in terms of quality as well? If so, is Hobbs & Shaw still worth checking out? Or is it time for fans to move on?
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Avengers: Infinity War and its still unnamed sequel are the culmination of ten years of the MCU. This is a massive undertaking, even more so than the first Avengers movie, and with the MCU’s outstanding track record with critics and moviegoers alike, expectations couldn’t be higher. Can the movie possibly live up to expectations? Or was it destined to disappoint?
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Jessica Chastain started her acting career in Jolene, a movie that is not good. She was the best part of the movie and it was clear she had movie star potential. The next year she got an Oscar nomination for The Help and the year after that she got her second Oscar nod for Zero Dark Thirty. Nearly every year since, she’s made at least one film that has earned some Award season buzz, but hasn’t been able to climb back to Oscar contender. Molly’s Game was the latest to get some Awards Season buzz for the actress and she even got a Golden Globe Nomination, but no Oscar recognition. Is the movie good, but not Awards Season good? Or did it deserve better?
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October wasn’t a good month; then again, outside of a few bright spots, the overall box office has been a disaster since early summer. I would love to say November will turn things around, but, while it should be better, in this case “better” is a relative term. There are two films on this list with a chance at $300 million, Thor: Ragnarok and Justice League, while Coco is nearly a guarantee for $200 million. By comparison, last November had a similar result with three films earning between $200 million and $300 million, but none topping that figure. This means, if Thor: Ragnarok and Justice League both get to that milestone, then 2017 could cut into 2016’s lead during the month. It will still take a minor miracle for 2017 to catch up in the end, but just cutting the lead in half by the end of December would be a reason to celebrate at this point.
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After It smashed the September weekend record a month ago, further proving that films can open huge at any time of the year, prospects looked great for the long-awaited sequel to Blade Runner. Its trailers had created positive buzz, the early reviews were very favorable, and there was little by way of competition. The bar it needed to cross to break the record, Gravity’s $55.8 million wasn’t even all that high. But something went wrong on the way to the multiplex.
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September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic.
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July is over and we should all be happy about that. Granted, there were some positive results we can talk about. Spider-Man: Homecoming is a huge hit and Despicable Me 3 will pull in a sizable profit before it reaches the home market. There were also a couple of other $100 million hits and a midlevel hit or two; however, overall, 2017 wasn’t able to compete with 2016 and the box office finally lost its lead over last year. 2017 started the summer about $200 million ahead of 2016, but will finish July about $100 million behind last year’s pace. August doesn’t look any better. There are a couple of films that have a reasonable shot at $100 million, The Dark Tower and Annabelle: Creation, as well as a few that should be solid midlevel hits. However, last year we had Sausage Party and Don’t Breathe, both of which nearly hit $100 million, then we had midlevel hits like Pete’s Dragon, Kubo and the Two Strings, and War Dogs. I don’t know if 2017 will be able to compete with that. ... Now some of you are thinking I forgot about Suicide Squad. Trust me, I will never forget that movie. I ignored it to make a point. Even without Suicide Squad, I don’t think 2017 will make up the deficit it has with 2016. With Suicide Squad, it is going to be a disaster. I want to be optimistic, but there’s no evidence to suggest I should be.
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There are few films on this week’s list, but most of them are earning good reviews. Two of them, Manchester by the Sea and Nocturnal Animals, are also earning Oscar buzz and I wouldn’t be surprised of both did very well on the per theater average chart. On the other hand, I’m interested in seeing Girls und Panzer The FILM.
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Long time readers don’t need me to explain how much I love Star Trek in all of its incarnations. ... Okay, most of its incarnations. I haven’t been a fan of the firsttwo installments in the reboot franchise. The third film, Star Trek Beyond, was the weakest of them at the box office. Is it also the weakest of the three in quality? Or was the third the charmed?
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The Jungle Book is the latest live-action remake of a classic Disney cartoon. The film is the third biggest domestic release of the year so far. (It just topped Deadpool this weekend.) It also earned 95% positive reviews. Is it truly one of the best films of 2016? Or am I going to be in the minority when it comes to this movie?
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It’s not a grand week for limited releases. Café Society is the only big release of the week and while its reviews and its pedigree suggest it should be a hit, it might be the only hit of the week.
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Zootopia is slowly making its way to $1 billion worldwide [Copy Ed: It passed $1 billion this weekend], but in the meantime, it arrives on the home market this week. It is one of the biggest hits of the year so far and earned Oscar-worthy reviews. Will my voice be added to choir of praise? Or will I be part of the dissenting minority?
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March was a really good month, for the most part. There were a few bombs, but the two biggest films, Zootopia and Batman v Superman: Dawn of Justice, both beat expectations by significant margins, so overall the box office was better than expected. Unfortunately, April is a mess, which makes prognosticating really tough. Every single week has at least one film that either moved, switched from wide to limited release, or disappeared entirely. The Jungle Book appears to be the biggest film of the year, but The Huntsman: Winter's War could also be a $100 million hit. Sadly, last April was led by Furious 7, which earned more than $350 million at the box office. That's very likely more than both The Jungle Book and The Huntsman: Winter's War will make combined. Worse still, there were only four weekends in April last year, meaning the month ends by going head-to-head with The Avengers: Age of Ultron. By the time the month ends, 2016's lead over 2015 might be gone. Let's hope it is not that bad.
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Awards Season begins with the Independent Spirit Awardsnominations, but they don't hand the awards out until the day before the Oscars. Spotlight was the big winner tonight, but it wasn’t the only one.
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Like the Best Supporting Actress, Best Supporting Actor is a two-horse race, making it one of the more competitive categories of the ones we are going to look at.
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The Screen Actors Guild winners were handed out last night and for the most part the winners here will likely walk away with an Oscar. There is one major exception.
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The Oscar nominations were announced at 5:30 am Pacific time. Nothing is good that early in the morning. Worse still, this was a terrible year for snubs, especially when it comes to diversity of the nominees. The voters for the Oscars are 94% white and 77% male... but that's still more diverse than the list of nominees. The Revenant led the way with 12 nominations and it is expected to win a few of those, while it is a serious contender in most of the categories it was nominated in.
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The BAFTA nominations were announced and you can read them on their site... in alphabetical order. Alphabetical order is very useful in most circumstances, but not here. On the other hand, the nominees within each category are not presented in alphabetical order. ... Are the BAFTAs trolling us? As for the actual nominees, the big winners here are Bridge of Spies and Carol, both of which earned nine nominations. For Carol, this is just another impressive score, but this was a pleasant surprise for Bridge of Spies.
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The Golden Globes nominations were announced this morning and we are already beginning to see a trend for this year's Awards Season. For the most part, the same films are coming up over and over again. Carol led the way with five awards, while there was a three-way tie for second place with The Big Short, The Revenant and Steve Jobs each picking up four.
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The Screen Actors Guild nominations were announced today and there are at least a few surprises to talk about. Trumbo led the way with three nominations, but there were six films with two nods apiece. Six!
Awards Season begins with the Independent Spirit Awards nominations. There were definitely some surprise nominees this year, but that also meant there were some unfortunate snubs as well. The overall leader was Carol, which just opened this past weekend. This is great timing and should help its box office numbers, as well as its chances throughout Awards Season. Its six nominations were one ahead of Beasts of No Nation and Spotlight. (One of Spotlight's was the Robert Altman Award, which has no nominations, just one winner.)
February was strong thanks to The SpongeBob Movie: Sponge Out of Water and Fifty Shades of Grey, both of which beat expectations. This March could actually be even better, as there are three or four films that have a decent shot at earning $100 million or more. The top film will likely be Cinderella, which has a real shot at $200 million. Insurgent will almost assuredly get beyond the $100 million mark, while Get Hard, Home, and perhaps Chappie will also get to the century mark. Last March, there were four $100 million hits, led by Divergent, which pulled in $150 million. While this March should be better than February, I'm not sure it will be better than last March. I don't think March 2015 will be much worse than last year, but I think its percentage lead will be chipped away at by the end of the month.
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Movie fans are ignoring the critics this weekend and turning out in big numbers to see No Good Deed. The thriller, starring Idris Elba and Taraji P. Henson will easily win the weekend with an estimated $24.5 million, in spite of earning only 17% positive reviews from critics. Audiences are giving the film a 71% positive score so far, which represents a huge difference of opinion. Dolphin Tale 2, which was considered the more likely weekend winner, and is enjoying excellent reviews from critics and moviegoers alike, is under-performing at the box office and should make about $16.5 million according to Warner Bros., down from the $19.2 million opening for the first film in the franchise.
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August was a great month, it is as simple as that. Not only did Guardians of the Galaxy break records, but Teenage Mutant Ninja Turtles was a surprise hit as well. These early gains led to an extended winning streak in the year-over-year comparison. Granted, 2014 is still more than $300 million behind 2013, but this is substantially less than the gap was before the month. Can September maintain this run? I'm not sure. Last September was strong compared to most Septembers with Cloudy with a Chance of Meatballs 2 earning more than $100 million while Insidious Chapter 2 came relatively close. This year, there likely won't be any $100 million hits, but I think The Equalizer should at least come close. Meanwhile, there are some who think The Maze Runner will be the biggest hit of the month, but I'm not among them. There have been too many similar releases that have struggled to think this one will be a hit. I think September will get off to a terrible start, but overall I think it will be close to last year.
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Thor came out in 2011 and cost $150 million to make. However, it barely made a profit. In fact, had it been a stand-alone movie, it would have very likely lost money. Had it not been for The Avengers boosting the home market numbers, it might have lost money. On the other hand, Thor: The Dark World cost $170 million to make and pulled in 40% more at the worldwide box office. Is it also 40% better? Or did it benefit from the big picture The Avengers movie universe has pulled together?
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Hollywood Foreign Press Association announced their Golden Globe nominations this week, and a clear picture is forming. 12 Years a Slave was again the recipient of the most nominations, but this time it was a tie, as it and American Hustle both grabbed seven nominations. If you look down the list of other multi-nominated films, you will find a number of familiar faces.
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It's not a good week on the limited release front. There's only a couple of films earning overwhelmingly positive reviews: Cousin Jules and The Punk Singer. The former just screams art house and has little hope of finding mainstream audiences. The latter might do better, but it still will be limited to the art house circuit. Mandela: Long Walk to Freedom has the most mainstream appeal, but its reviews are only good and not great.
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For the most part, June was a really strong month at the box office with nearly every film either matching expectations, or at least coming close enough to call it a victory. Looking forward, there are a dozen films opening wide in July, more or less. One of them, The Smurfs 2, is opening on a Wednesday, so I'm going to hold off talking about that movie till the August preview. Kevin Hart: Let Me Explain is opening in less than 1000 theaters, but it has a shot at reaching the top ten during its opening weekend. If we include both of them, there are twelve films, but I think it is better to stick with the ten truly wide, truly July openings. Of these, Despicable Me 2 is clearly going to be the biggest hit at the box office. It could become the second biggest hit of the year so far. It is not the only film that could be a $100 million hit. In fact, there are six films opening in July that I think have a better than 50% chance of reaching that level. There is currently only one film that I think won't at least become a midlevel hit. By comparison in 2012, there were three $100 million movies, led by The Dark Knight Rises, but the rest of the new releases struggled. There's no chance any movie opening this month will top $400 million, in fact, it is quite possible no film will get to $300 million. That said, 2013 has a lot better depth, so it might come out on top in the end.
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