This graph shows Matthew McConaughey’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
As the Christmas holiday approaches, there are plenty of options for movie-goers. The only question is what to watch? Spider-Man: No Way Home opened last Friday and took nearly everyone by surprise as it posted an opening domestic weekend of $260 million, placing itself between 2019’s Avengers: Endgame and 2018’s Avengers: Infinity War as the second-biggest opening of all time. The film is currently showing in 4,336 locations, which makes it the 30th-widest opening of all time, just behind Guardians of the Galaxy Vol 2. Spider-Man: No Way Home might not be challenged at the box office, but there are still a wide array of films for every interest.
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It’s the year 2020, the year where we find out how many times you can say, “Well, hindsight is 20/20.” before you get punched. On the positive side, while December wasn’t a great month, it was good enough to help 2019 end on a positive note, a positive note that should continue into January. There are no real potential monster hits coming out this month, but there are three films that have a real shot at $100 million domestically. These are, in alphabetical order, 1917, which will rely on Awards Season to get to the century mark. Bad Boys for Life will have a much, much easier time getting to $100 million, assuming people still care about the franchise 17 years later. Finally, Dolittle is looking like a disaster with a really troubled production; however, a $100 million run isn’t out of the question and if it can get there, it will at least save face. As for last January, Glass was the biggest hit of the month in terms of raw dollars, but The Upside was more impressive, as it is one the biggest hits in STX Entertainment’s history. We need two of the three potential $100 million hits to reach that mark to keep pace with last year, but we also have one more weekend to get there.
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Dumbo essentially has the weekend to itself and should earn first place with ease. Both The Beach Bum and Unplanned are opening in just over 1,000 theaters, but neither is expected to be a major player at the box office. Finally, Hotel Mumbai is expanding into nearly 1,000 theaters and could reach the top ten. At least one of these smaller films will reach the top ten; in fact, all three of them could reach the top ten. However, this is due to really weak competition, not any box office strength these films possess. This weekend last year, Ready Player One led the way with $41 million, while Acrimony earned second place with $17 million. There’s a chance Dumbo will earn more than those two films earned. There’s also a chance Us and Captain Marvel will match those two films at the box office. It should be a good weekend for 2019 in the year-over-year comparison.
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December would have been an excellent month, except it had to be compared to Star Wars: The Last Jedi. The top four movies of this December might not finish with as much as that movie made. That said, the year ended on an overall positive note finishing with a lead of close to $800 million over 2017. Unfortunately, 2019 is going to get off to a slow start. Not only are there very few films opening wide this month, only one of them, Glass, is expected to be a midlevel hit or better. Granted, Glass is expected to earn more than $100 million domestically, which is something no film released last January could do. However, The Last Jedi and Jumanji: Welcome to the Jungle both had such incredible legs that 2019 will still get off to a slower start, even if it has stronger new releases.
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There are four films opening wide or semi-wide this weekend, which is one more than expected. Of these, only one movie, The Predator, has a real shot at top spot. Meanwhile, A Simple Favor is the only one of the four that is earning good reviews. White Boy Rick is opening truly wide, which is a bit of a surprise. Unbroken: Path to Redemption is the sequel to Unbroken, which earned over $100 million. No one is talking about this movie earning $100 million. This weekend last year, It remained on top with just a hair over $60 million. However, last year’s depth was really bad, so while I expect 2018 to lose in the year-over-year comparison, I don’t think it will be a major loss.
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A fishing boat captain’s mysterious past, in the form of a glamorous woman, crashes up against his simple life on a small island in the Caribbean and ensnares him in a new reality that might not be all it seems.
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July is over and we should all be happy about that. Granted, there were some positive results we can talk about. Spider-Man: Homecoming is a huge hit and Despicable Me 3 will pull in a sizable profit before it reaches the home market. There were also a couple of other $100 million hits and a midlevel hit or two; however, overall, 2017 wasn’t able to compete with 2016 and the box office finally lost its lead over last year. 2017 started the summer about $200 million ahead of 2016, but will finish July about $100 million behind last year’s pace. August doesn’t look any better. There are a couple of films that have a reasonable shot at $100 million, The Dark Tower and Annabelle: Creation, as well as a few that should be solid midlevel hits. However, last year we had Sausage Party and Don’t Breathe, both of which nearly hit $100 million, then we had midlevel hits like Pete’s Dragon, Kubo and the Two Strings, and War Dogs. I don’t know if 2017 will be able to compete with that. ... Now some of you are thinking I forgot about Suicide Squad. Trust me, I will never forget that movie. I ignored it to make a point. Even without Suicide Squad, I don’t think 2017 will make up the deficit it has with 2016. With Suicide Squad, it is going to be a disaster. I want to be optimistic, but there’s no evidence to suggest I should be.
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Sing was the last big animated film released in 2016 and it was a good year for animated films. Both Zootopia and Finding Dory earned stunnign reviews and more than $1 billion worldwide. Sing couldn’t compete with those box office numbers, but is it at least close in terms of quality?
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December box office numbers helped 2016 end on ... a note. The good news and the bad news almost exactly balance out. On the one hand, Rogue One: A Star Wars Story will finish the year with more than $400 million after just 16 days of release. That’s a stunning amount of money that helped 2016 earn a record box office at the domestic market. However, Star Wars: The Force Awakens earned $650 million during December of 2015, so the month lost a lot of its lead over 2015, so much so that ticket sales fell behind last year’s total. The weakness at the end of the year will spill over into 2017, which is terrible news. A slow start could result in the dominant box office story being 2017 struggles compared to 2016. Bad news like this can sometimes become a self-fulfilling prophecy. Sadly, 2017 is also going to get off to a slow start when it comes to wide releases / expansions. There are 16 films scheduled to open or expand wide this month and none of them are expected to get to $100 million. It is likely none of them will even get very close. xXx: Return of Xander Cage is expected to be the best of a weak bunch, but I could see it getting beat by one of the five Oscar contenders opening wide this month, if it gets off to a slow start and one of the Oscar contenders starts picking up steam. Hidden Figures got off to a great start on Christmas Day and should it continue to earn Awards Season recognition, including some Oscar nominations, it could be in wide release well into February. Last January wasn’t as busy with 13 films opening or expanding wide over five weeks. Of these, two of them, The Revenant and Kung Fu Panda 3, topped $100 million domestically, while another, Ride Along 2, came close. 2017 is going to get destroyed in the year-over-year comparison.
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November was good, but not great. Fortunately, 2016 had a large enough lead going into November that the month only needed to be good. In fact, it could have been mediocre and 2016 would have still had an excellent shot to end the year above 2015. As for December, it’s a race between Star Wars and Star Wars. Almost no one thinks Rogue One is going to match The Force Awakens, but if Rogue One earns just half of what The Force Awakens managed, then 2016 will come out on top in the year-over-year comparison. There are only two other films with a better than 50/50 chance of hitting $100 million, Passengers and Sing. Either one could earn second place for the month, but Passengers will likely start faster. Last December, the only other film to earn more than $100 million was Daddy’s Home, which earned just a hair over $150 million. There’s a chance both Passengers and Sing will earn more than $150 million, which would be a boon to the box office. However, Star Wars: The Force Awakens was just too strong last year and it would take a miracle for 2016 to have a stronger December. That said, it would take a complete collapse for 2016 not to top 2015 in raw dollars. The growth might not be enough to keep pace with ticket price inflation, on the other hand.
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May was great, as long as you don't compare it to last May. Captain America: Civil War was a monster hit and is closing in on $400 million, while both X-Men: Apocalypse and The Angry Birds Movie will earn over $100 million. Looking ahead, every week in June, there is one movie that should top $100 million; however, only Finding Dory is expected to make more than $200 million. In fact, that film is expected to make close to $400 million domestically and over $1 billion worldwide. Last June, there were two monster hits, Inside Out and Jurassic World, plus one $100 million hit, Spy. I don't see how 2016 will top that. Even if every film with a shot at $100 million gets to that milestone, 2016 still might not top last year's pace. Fortunately, 2016 does have a large lead and that could be enough to keep 2016 ahead of 2015's pace in the year-over-year competition. It could be really close at the end of the month, on the other hand.
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Interstellar is the latest film from Christopher Nolan, a director who has performed amazingly well at the box office. He's also never directed a film that earned bad reviews. Is this film as good as his past record? Or are there flaws starting to show in his directing style?
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October was a better than expected month with the overall box office keeping pace with October of 2013, for the most part. (The last weekend will be terrible, but that's because of Halloween.) We were able to close the gap somewhat in the year-over-year comparison, at least by a little bit. So how will November do compared to October. Let's put it this way. There are only seven films opening wide this month. Of those, Beyond the Lights will likely not make an impact at the box office. Every other film has at least a reasonable shot at $100 million. More than half the of the films opening this month could hit $200 million. Leading the way will be The Hunger Games: Mockingjay, Part 1, which could hit $400 million. The only problem is when book franchises split the final installment into two parts, the first part tends to be weaker at the box office. Interstellar is a big question mark. On the low end, it could make just over $100 million, while on the high end, just over $300 million is within reach. That's a wide range of expectations. On the downside, last November, there were two movies to reach $400 million: Catching Fire and Frozen. On the other hand, there was only one other movie to make more than $100 million, Thor: The Dark World, so perhaps the depth this year will help 2014 come out ahead in the year-over-year comparison.
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True Detective earned a lot of pre-release buzz and opened with great reviews. The series debut earned more than 2 million viewers and by the end of its 8-episode run, its ratings grew by more than 50%. On the other hand, there were many people who were let down by the ending. Did I get drawn into the show like most critics were? And did the ending let me down?
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I don't think it is unfair to call Amistad Oscar-bait. It is a film based on a powerful real life story that came out in theaters in December, right in the heart of Oscar season. However, it didn't live up to expectations, either with critics or at the box office. It did pick up four Oscar nominations, but it failed to convert any of those into wins. Then again, "Not quite good enough for Oscars." is hardly a damning statement. Was the movie hurt by unrealistic expectations? Has it aged well in the years since it came out? And is the Blu-ray worth picking up?
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The Wolf of Wall Street is the latest film from Martin Scorsese and stars Leonardo DiCaprio. Not surprisingly, it was considered an Awards Season favorite from the time it was announced. The last time Martin Scorsese directed a movie that didn't earn at least overall positive reviews was Boxcar Bertha back in 1972, which is so long ago that we don't even have it in our database. That's a winning streak that is probably second to none. Since the year 2000, he has released six movies (not counting documentaries) and five of those six have earned multiple Oscar nominations. Combined, they have earned 14 Oscar wins. On the other hand, this film earned weaker reviews than expected and was shut out on Oscar night. So is this film weaker than than average for his recent work? Or has he simply made so many great movies that the expectations are just too high?
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The Oscars are being handed out this evening and as usual, we will be live-blogging the event. Here's the last look at the nominations with those chosen by our contest entrants as the likely winners in Bold. If I disagree with the consensus, they are in italics, and sharp-eyed readers will note there are no categories where that's true. Finally, if I am rooting for an underdog, they are underlined. There are only two categories where that is true. I want Chiwetel Ejiofor to win Best Lead Actor for his performance in 12 Years a Slave. I also want Jackass Presents: Bad Grandpa to win for Best Hair and Make-up, because Dallas Buyers Club had a hair and make-up budget of $250. Yes it was effective, but the special effects make-up used in Bad Grandpa was just more difficult to pull off, even if the movie wasn't Oscar-bait. Regardless, I don't expect there to be many surprises at this year's awards.
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With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. We wrap up our look at the prestigious categories with the most prestigious of them all: Best Picture. Like last year, there were nine nominees. Unlike last year, none of them were completely out of left field. That's not to say they all have a legitimate shot at winning; there's definitely a favorite. However, politics could become an issue. I don't mean politics as in Democrat vs. Republican. I mean behind-the-scenes issues might play a bigger role than what is on the screen.
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With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. This week we will look at the four acting categories, continuing with Best Lead Actor. Like last year, this category is not truly competitive with one nominee way out ahead according to experts. And also like last year, I'm supporting an underdog. (In fact, I'm cheering for two underdogs.)
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Dallas Buyers Club is widely considered a favorite to win at least one Oscar and it has a shot at becoming the big winner come Oscar night. Needless to say, my expectations for the film are really high. I'm hoping they are not unrealistically high. Is this the case? Or is the movie as good as its critically acclaim?
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SAG handed out their awards last night, and while there were not many surprises, there was one major upset, at least in my mind. Dallas Buyers Club led the way with two wins, making it the new Oscar favorite.
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The Oscar nominations were announced this morning and there are some surprises mixed in with the predictable results. Gravity and American Hustle led the way with ten nominations each while 12 Years a Slave was right behind with nine. The fact that 12 Years a Slave wasn't the leader is the first of the surprises.
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Hollywood Foreign Press Association handed out the Golden Globe awards last night, and there were a few surprises in the mix. American Hustle led the way with three wins, which isn't a real surprise, but I think many thought another film would lead with three or more wins. The only other film to earn more than one award was Dallas Buyers Club at just two. That might give you a hint at what the big surprise was.
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Hollywood Foreign Press Association announced their Golden Globe nominations this week, and a clear picture is forming. 12 Years a Slave was again the recipient of the most nominations, but this time it was a tie, as it and American Hustle both grabbed seven nominations. If you look down the list of other multi-nominated films, you will find a number of familiar faces.
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We had some good news and some bad news in November. The bad news is the overall weakness at the box office continued and 2013 lost its lead over 2012. Strong runs by The Hunger Games: Catching Fire and Frozen did help it bounce back in the end, but 2013 is still going to have a tough time topping 2012. Looking forward to December, we find about a dozen wide releases, sort of. There are several films that are opening in limited release that are expected to expand wide by the end of the month, but I'm not sure that will be the case for all of them. The Hobbit: The Desolation of Smaug should be the easy winner this month and if it is a little lucky, it might even top its predecessor at the box office. There is a huge amount of hype surrounding Anchorman 2: The Legend Continues and it could double the first film's box office numbers. On the other hand, those two films might be the only two December wide releases to reach $100 million. There are a few that have the potential to get to the century mark, if they are big players during Awards Season. Obviously some of the films coming out this month will win awards, but there's already a lot of competition in theaters before the month begins. There were three $100 million movies last December, led by The Hobbit: An Unexpected Journey, so while it could be close, it looks like December will lose in the year-over-year comparison. This is really bad news, as 2013 can't afford to go out on a losing streak if it wants to top 2012.
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Independent Spirit Award started the Awards Season this week, handing out its nominations. 12 Years a Slave led the way with seven nominations, but it wasn't the only film to pick up multiple nominations.
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After last week's short list, there are nearly 20 films on this week's list. Because of this, each entry will be shorter than usual. There are a few films on this week's list that seem destined for mainstream success, including Dallas Buyers Club, which could net Matthew McConaughey some Awards Season hardware.
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There are not a huge number of limited releases opening this weekend, but there are a few that might thrive in limited release. This includes Mud, the widest limited release of the week, and also the best-reviewed. Add in a great cast, and the film might not collapse under the weight of its theater count.
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Independent Spirit Award were handed out yesterday and while the average moviegoer will be more focused on the Oscars tonight, a lot of great films were honored yesterday. This includes Silver Linings Playbook, which took home numerous awards, including the top prizes.
This week on the home market is actually worse than last week, by a considerable degree. There are no first-run releases, and only two releases are in the top 2000 on the Amazon sales chart. Ouch. Furthermore, those two releases are Cosmopolis and Being Human: Season Two and I'm still waiting for the screeners for both films. Being Human: Season Two is easily the best pick coming out this week and since the Blu-ray is the same price as the DVD, it is the Pick of the Week.
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Killer Joe came out in limited release in July. It earned good buzz initially and it started really well, but as it expanded, it struggled. Granted, it still managed to hit $1 million, but it didn't come close to expanding wide. Was it as good as its opening couple weekends? Or was there a reason it only thrived in very limited release?
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The Hollywood Foreign Press Association announced their nominations and the same list of films that have been mentioned since the beginning of Awards Season were rewarded today. Lincoln led the way with seven nods, while Argo and Django Unchained were close behind with five.
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The Independent Spirit Awards has a special place in the Awards Season. The nominations are the unoffficial start of Awards Season, but the actual awards aren't given out until Oscar weekend, so they are the beginning at the end of Awards Season. They also help out a lot of limited releases that would otherwise not get enough buzz, although they are not so good at predicting Oscar wins. This year, two films tied for most nominations, Moonrise Kingdom and The Silver Linings Playbook, both of which earned five nominations. They weren't the only films to earn multiple nominations though.
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