Synopsis
The life and music of Elvis Presley, seen through the prism of his complicated relationship with his enigmatic manager, Colonel Tom Parker spanning over 20 years, from Presley’s rise to fame to his unprecedented stardom, against the backdrop of the evolving cultural landscape and loss of innocence in America. Central to that journey is one of the most significant and influential people in Elvis’s life, Priscilla Presley.
Metrics
Movie Details
| Production Budget: | $85,000,000 |
| Netherlands Releases: |
June 23rd, 2022 (Wide) |
| Video Release: |
August 8th, 2022 by Warner Home Video |
| MPAA Rating: |
PG-13 for substance abuse, strong language, suggestive material and smoking.
(Rating bulletin 2731 (cert #53746), 5/11/2022) |
| Running Time: |
159 minutes |
| Keywords: |
Rock 'n' Roll, 1950s, Set in Mississippi, Set in Memphis, Rhythm and Blues, Biographical Drama, Same Role, Multiple Actors, 2023 Oscars Best Picture Nominee |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: |
Warner Bros., Bazmark, The Jackal Group |
| Production Countries: |
Australia, United States |
| Languages: |
English |
January 27th, 2023
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The box office performance of Avatar: The Way of Water certainly won’t be harmed this weekend by its 4 Oscar nominations (including Best Picture). How much it will help is the pertinent question for our weekend predictions. It’s the only film from last weekend’s top 10 that looks likely to get a bump from the nominations. One film that wasn’t in the top 10 last weekend could be revived by its Oscar noms: The Fabelmans will add a thousand theaters and try to ride its seven nominations to the best weekend of its run so far. Other Oscar hopefuls expanding this weekend include The Banshees of Inisherin (back in 1,205 theaters), Women Talking (adding 553 locations to play in 707 theaters), Elvis (rereleased in 841 theaters), and Tár, which expands from 106 to 537 movie theaters. Going up against all that are three new releases: Infinity Pool, Left Behind: Rise of the Antichrist, and Fear. That’s a lot of competition in the lower reaches of the top 10, but Avatar is in little danger of losing its top spot.
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July 15th, 2022
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This is another busy week at the box office, with four new movies opening nationwide and two films that each topped $100 million on opening weekend going into their second and third weeks in theaters. There’s not much doubt which film will top the chart (spoiler alert: it’s Thor: Love and Thunder), but our model has been working overtime to compile a predicted top ten.
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June 24th, 2022
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A remarkable pile-up of films will top the box office chart this weekend, with five of them likely to earn more than $20 million over three days, and three in with a shot at coming out top. If it does happen, this would be the seventh time five films have earned over $20 million in a weekend. Life of Pi holds the record for the high-grossing fifth-placed film with $22.45 million over the weekend of November 23, 2012. That record looks in danger this weekend. But which of Elvis, Jurassic World: Dominion and Top Gun: Maverick does our model think will win the weekend? Read on to find out.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|
| 2022/06/24 |
1 |
$853,234 |
|
194 |
$4,398 |
$853,234 |
1 |
| 2022/07/01 |
4 |
$550,909 |
-35% |
204 |
$2,701 |
$1,721,454 |
2 |
| 2022/07/08 |
5 |
$405,419 |
-26% |
175 |
$2,317 |
$2,328,208 |
3 |
| 2022/07/15 |
5 |
$263,990 |
-35% |
172 |
$1,535 |
$2,755,237 |
4 |
| 2022/07/22 |
5 |
$270,555 |
+2% |
178 |
$1,520 |
$3,162,413 |
5 |
| 2022/07/29 |
4 |
$273,483 |
+1% |
168 |
$1,628 |
$3,663,177 |
6 |
| 2022/08/05 |
6 |
$198,821 |
-27% |
172 |
$1,156 |
$3,987,137 |
7 |
| 2022/08/12 |
7 |
$139,837 |
-30% |
176 |
$795 |
$4,225,890 |
8 |
| 2022/08/19 |
5 |
$218,541 |
+56% |
162 |
$1,349 |
$4,530,217 |
9 |
| 2022/08/26 |
7 |
$146,930 |
-33% |
158 |
$930 |
$4,749,416 |
10 |
| 2022/09/02 |
7 |
$88,596 |
-40% |
147 |
$603 |
$4,932,333 |
11 |
| 2022/09/09 |
9 |
$92,046 |
+4% |
140 |
$657 |
$5,079,414 |
12 |
| 2022/09/16 |
10 |
$82,297 |
-11% |
127 |
$648 |
$5,178,314 |
13 |
| 2022/09/23 |
- |
$41,946 |
-49% |
109 |
$385 |
$5,097,768 |
14 |
| 2022/09/30 |
18 |
$32,140 |
-23% |
96 |
$335 |
$5,186,040 |
15 |
| 2022/10/07 |
- |
$19,602 |
-39% |
93 |
$211 |
$5,219,568 |
16 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue
are available through our research services. For more information, please contact us at research@the-numbers.com.
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.
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