Austria Box Office for I Still Believe (2020)

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I Still Believe
Theatrical Performance (US$)
Austria Box Office $415,666Details
Worldwide Box Office $16,703,751Details
Home Market Performance
North America DVD Sales $5,126,581 Details
North America Blu-ray Sales $3,295,165 Details
Total North America Video Sales $8,421,746
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

One love can change your life. One life can change the world. From the creators of I Can Only Imagine comes an inspiring love story for the ages.

Metrics

Movie Details

Production Budget:$12,000,000
Austria Releases: August 14th, 2020 (Limited)
Video Release: March 27th, 2020 by Lionsgate Home Entertainment
MPAA Rating: PG for thematic material.
(Rating bulletin 2610 (Cert #52526), 12/25/2019)
Running Time: 115 minutes
Franchise: I Can Only Imagine
Keywords: Christian Contemporary Music, Romance, Terminal Illness, Cancer, Death of a Spouse or Fiancée / Fiancé, Widow/Widower, College, Biography, Faith-Based Film, Autobiographical, Faith-Based Drama
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Lionsgate, Erwin Brothers Entertainment, Kingdom Story Company
Production Countries: United States
Languages: English

International Round Up: Harry Potter Puts a Spell on China, Crosses $1 Billion Worldwide

August 20th, 2020

Harry Potter and the Sorcerer’s Stone

The slow march to recovery at the box office continued in international markets at the weekend as theaters opened up and moviegoers continued to return. Progress is being slowed by the lack of new films, particularly from US studios, but catalog titles are filling the void. China took advantage of an opportunity to release a movie from the Harry Potter archive for the first time in the territory, and Australian film fans got a chance to enjoy some original Star Wars. Some local films are also doing well, partly thanks to the lack of competition.

Here’s a round-up of what’s playing around the world, and how markets are recovering. More...

DEG Watched At Home Chart: Invisible Man Outruns Sonic The Hedgehog

June 25th, 2020

The Invisible Man

We have a new champ on the DEG Watched at Home chart, as The Invisible Man finally pushed Sonic the Hedgehog out of first place. That wasn’t the only change in the top five. More...

DVD and Blu-ray Releases for May 5th, 2020

May 6th, 2020

Elvira: Mistress of the Dark

It’s a sad week for DVDs / Blu-rays as there are no top-notch first-run releases. Gretel and Hansel is the biggest and the best first-run release on this week’s list, but its DVD / Blu-ray don’t have enough extras to be a Pick of the Week contender. Likewise, The Lodge is amazing, but its DVD / Blu-ray have no extras… Is Elvira: Mistress of the Dark really the Pick of the Week? It came out last week, but the screener was late, so it is the best release on this week’s list. More...

VOD Releases: Will these VOD Releases Rescue the Movie Industry?

March 26th, 2020

Banana Split

With the COVID-19 outbreak causing mass shutdowns of non-essential businesses in a lot of places, theatrical releases are, for the most part, non-existent. However, the movie industry is trying to rapidly adapt to this and so are we. They are fast-tracking lots of theatrical releases to VOD and we will be expanding our coverage of VOD releases. Like last week, there are a lot of fast-tracked theatrical releases coming out this week, but we also have the more typical VOD premieres to talk about. Of the former category, Bad Boys for Life is clearly leading the way, although Birds of Prey is coming out on Friday rather than Tuesday, so it gets a jump on the action. Of the latter category, Banana Split is the film that I’m most interested in seeing. Sadly, there are so many major VOD releases this week that I fear it will slip between the cracks. More...

Home Market Releases for March 24th, 2020

March 23rd, 2020

Leave Her to Heaven

The COVID-19 outbreak had basically ended the theatrical market with most theaters closed. Only drive-ins are showing any signs of life. Unfortunately, this is having an effect on the home market as well, some of it positive, some of it very negative. There is a rush to get movies from theaters to the home market and that’s helping improve the list this week. On the other hand, uncertainty with supply chains and stores being open means we could have a very short list next weekend, and next month. There are some big releases this week, including 1917, while Birds of Prey leads the VOD list. However, for Pick of the Week, I went with a much older film, Leave Her to Heaven, which is getting a Criterion Collection release this week. More...

Weekend Wrap-Up: COVID-19 Scare Results in Worst Weekend in Decades

March 16th, 2020

Onward

The weekend broke a record, one that I thought would never be broken. Ticket price inflation means the smallest overall weekend record looked unbreakable, but this weekend only managed $53.50 million, although that number should be adjusted up as some indie films report numbers later in the week. This is down 47% from last weekend and down 61% from the same weekend last year. Only one film managed to top $10 million, Onward, while the total box office was less than what Captain Marvel earned this weekend last year. This is easily the worst weekend since I’ve been in the business, but I fear it will get worse before it gets better. Year-to-date is, to be blunt, a disaster. 2020 is already $100 million behind 2019’s pace and 2019 was not a good year at the box office. Furthermore, the $1.76 billion box office is only 195 million tickets sold, meaning we are on pace for the lowest ticket sales since the turn of the century. More...

Weekend Estimates: Onward Hit by Box Office Shutdown

March 15th, 2020

Onward

People are clearly taking the concept of social distancing seriously and this is causing a massive drop at the box office. Onward is going to lead the way at the box office this weekend, but with just $10.53 million. This is down 73% from its opening weekend, which is the worst in the top ten. Granted, it is a family film during its sophomore stint, so it would naturally be affected the most by social distancing. Internationally, things were much worse as some markets were shutting down theaters entirely. The film is only earning $6.8 million in 47 markets for totals of $41.4 million internationally and $101.7 million worldwide. On the positive side, its reviews are really strong, so it should find a second life on the home market. More...

Friday Estimates: COVID-19 Outbreak Takes Out Box Office

March 14th, 2020

I Still Believe

I Still Believe debuted in first place with $4.0 million on Friday, putting it on pace for close to $11 million over the full weekend. On the positive side, this is what was predicted, so at least it is matching lowered expectations. On the negative side, it won’t be enough to remain in first place for long. Its reviews are mixed, but it did earn an A-rating from CinemaScore, which is easily the best of the three new releases that came out this week. More...

Thursday Night Previews: Bloodshot Draws First Blood

March 13th, 2020

Bloodshot

Bloodshot opened with $1.2 million during Thursday previews, which is almost as much as the other two wide releases earned combined. Granted, its reviews are the weakest of the three new releases, but this start should still be enough to top our $8 million prediction. The demographics are extremely male and young and young men are the ones least likely to take precautions during something like the COVID-19 outbreak, so perhaps this is not a surprise. More...

Weekend Predictions: Trio of Films Opening Wide could be Last Wide Releases for Weeks

March 12th, 2020

I Still Believe

Wash your hands. This could be the worst weekend of the year at the box office, perhaps even the worst weekend of the past several years. COVID-19 has caused the suspension of the NBA and NHL seasons, while practically every wide release for the next several weeks has been pushed back indefinitely. This news is very likely going to hurt ticket sales as people are taking the concept of “self isolation” seriously. Last weekend, Onward and Sonic the Hedgehog were hit the hardest, which makes sense, as families would be the first to avoid going out because of a pandemic, but now I think general audiences will also avoid crowds. Worse still, none of the three wide releases were expected to be anything more than midlevel hits at the best of times. Now, I wouldn’t be surprised if none of Bloodshot, The Hunt, and I Still Believe hit $10 million over the weekend. This weekend last year, Captain Marvel earned $67.99 million during its second weekend of release. That will be more than the three new releases will open with combined. It could be more than their combined domestic totals. More...

2020 Preview: March

March 1st, 2020

Mulan

The box office had mixed results during February with Birds of Prey missing expectations by a huge margin, but Sonic the Hedgehog did well enough to almost make up the difference. This March, there are three films that will almost certainly reach $100 million domestically: Onward, A Quiet Place: Part II, and Mulan. In fact, all three at least have a slim shot at $200 million domestically. By comparison, last March Captain Marvel was released, which earned more than $400 million, while Us and Dumbo earned close to $300 million combined. I don’t think the top three films this year will match last year’s top three, or even come particularly close, and I fear 2020 will fall behind 2019 in the year-over-year comparison. So much for that lead 2020 built up in January. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2020/08/14 - $103,000   61 $1,689   $103,000 1
2020/09/25 - $3,995   29 $138   $411,717 7
2020/10/02 - $2,078 -48% 22 $94   $414,974 8
2020/10/09 - $68 -97% 2 $34   $415,233 9
2020/10/16 - $184 +171% 3 $61   $415,474 10
2020/10/30 - $149   2 $75   $415,666 12

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Aruba 3/12/2020 $200 0 0 0 $200 3/20/2020
Australia 3/13/2020 $127,513 121 137 351 $315,735 10/20/2022
Austria 8/14/2020 $103,000 61 61 119 $415,666 11/5/2020
Bahrain 3/12/2020 $872 7 7 7 $872 3/20/2020
Bolivia 10/8/2020 $2,710 8 8 17 $7,620 11/5/2020
Brazil 11/20/2020 $78,874 0 0 0 $211,421 12/18/2020
Cambodia 9/2/2020 $0 0 0 0 $2,849 10/2/2020
Costa Rica 9/10/2020 $0 0 7 15 $6,897 10/22/2020
Croatia 8/20/2020 $0 0 2 2 $23,335 10/2/2020
Curacao 3/12/2020 $200 0 0 0 $200 3/20/2020
Denmark 7/16/2020 $0 0 0 0 $455,111 10/2/2020
Dominican Republic 10/8/2020 $2,563 0 0 0 $4,614 10/22/2020
Ecuador 10/9/2020 $20,678 43 43 102 $61,741 11/5/2020
Egypt 3/11/2020 $8,835 15 15 15 $8,835 3/20/2020
El Salvador 9/24/2020 $390 5 5 11 $1,610 10/22/2020
Germany 8/21/2020 $336,816 400 514 3028 $2,018,908 12/4/2020
Guatemala 10/29/2020 $648 3 3 3 $648 11/5/2020
Honduras 10/22/2020 $0 0 4 4 $1,038 11/5/2020
Hong Kong 10/29/2020 $18,180 35 35 35 $18,180 11/5/2020
Jordan 3/12/2020 $2,420 5 5 5 $2,420 3/20/2020
Latvia 3/13/2020 $1,089 0 0 0 $1,089 3/20/2020
Lithuania 6/26/2020 $2,484 10 10 29 $19,764 7/22/2020
Mexico 3/20/2020 $0 0 130 203 $160,546 11/5/2020
Netherlands 6/26/2020 $81,812 105 114 975 $1,208,215 10/19/2022
New Zealand 3/12/2020 $51,111 65 65 188 $122,167 10/19/2022
Nicaragua 8/27/2020 $0 0 3 6 $5,736 10/22/2020
North America 3/13/2020 $9,103,614 3,250 3,250 4,725 $10,410,004 2/22/2023
Norway 8/14/2020 $21,000 87 87 94 $175,299 10/16/2020
Oman 3/12/2020 $528 8 8 8 $528 3/20/2020
Philippines 3/11/2020 $60,095 0 0 0 $60,095 3/26/2020
Poland 6/12/2020 $2,196 47 47 141 $30,149 10/19/2022
Portugal 8/21/2020 $14,996 51 51 119 $35,347 9/29/2020
Qatar 3/12/2020 $637 10 10 10 $637 3/20/2020
Russia (CIS) 3/19/2020 $84,120 714 714 993 $131,863 10/19/2022
Serbia and Montenegro 9/3/2020 $0 0 6 6 $10,485 10/2/2020
Singapore 3/12/2020 $9,143 11 11 22 $20,335 3/26/2020
South Korea 1/19/2022 $1,702 33 33 33 $5,473 1/26/2022
Switzerland (German Speaking) 8/14/2020 $32,000 46 46 74 $316,264 11/5/2020
Taiwan 3/20/2020 $19,176 0 0 0 $43,419 4/9/2020
United Arab Emirates 3/12/2020 $17,807 42 42 42 $17,807 3/20/2020
Uruguay 10/1/2020 $1,166 10 10 18 $1,984 10/22/2020
Vietnam 3/13/2020 $27,204 0 0 0 $33,393 4/3/2020
 
Rest of World $335,252
 
Worldwide Total$16,703,751 2/22/2023

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

K.J. Apa    Jeremy Camp
Britt Robertson    Melissa Lynn Henning-Camp

Supporting Cast

Melissa Roxburgh    Heather Henning
Nathan Parsons    Jean-Luc La Joie
Shania Twain    Teri
Gary Sinise    Tom Camp
Abigail Cowen    Adrianne Camp
Cameron Arnett   
Anjelah N. Johnson   
Reuben Dodd   
Nicolas Bechtel   

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Jon Erwin    Director
Andrew Erwin    Director
Jon Erwin    Screenwriter
Jon Gunn    Screenwriter
Jeremy Camp    Story based on the book by
Jon Erwin    Producer
Andrew Erwin    Producer
Kevin Downes    Producer
Bart Millard    Executive Producer
Tony Young    Executive Producer
D. Scott Lumpkin    Executive Producer
Jeremy Camp    Executive Producer
Matt Balm    Executive Producer
Jon Gunn    Executive Producer
Chad Ahrendt    Co-Producer
Joshua Michael Walsh    Co-Producer
Jerilyn Esquibel    Co-Producer
Madeline Carroll    Co-Producer
Kristopher Sean Kimlin*    Director of Photography
Joseph T. Garrity    Production Designer
Anna Redmon    Costume Designer
Ben Smallbone    Editor
Parker Adams    Editor
Jeremy Redmon    Additional Music
John Debney    Composer
Paul Mills    Music Producer
Paul Mabury    Executive Music Producer
Kevin Edelman    Music Supervisor
Beverly Holloway    Casting Director