Taiwan Box Office for Jurassic World: Fallen Kingdom (2018)

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Jurassic World: Fallen Kingdom
Theatrical Performance (US$)
Taiwan Box Office $20,674,140Details
Worldwide Box Office $1,308,323,302Details
Home Market Performance
North America DVD Sales $24,547,365 Details
North America Blu-ray Sales $43,460,019 Details
Total North America Video Sales $68,007,384
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

It’s been four years since theme park and luxury resort Jurassic World was destroyed by dinosaurs out of containment. Isla Nublar now sits abandoned by humans while the surviving dinosaurs fend for themselves in the jungles. When the island’s dormant volcano begins roaring to life, Owen and Claire mount a campaign to rescue the remaining dinosaurs from this extinction-level event. Owen is driven to find Blue, his lead raptor who’s still missing in the wild, and Claire has grown a respect for these creatures she now makes her mission. Arriving on the unstable island as lava begins raining down, their expedition uncovers a conspiracy that could return our entire planet to a perilous order not seen since prehistoric times.

Metrics

Movie Details

Production Budget:$170,000,000
Taiwan Releases: June 8th, 2018 (Wide)
Video Release: September 18th, 2018 by Universal Home Entertainment
MPAA Rating: PG-13 for intense sequences of science-fiction violence and peril.
(Rating bulletin 2522 (Cert #51537), 4/11/2018)
Running Time: 128 minutes
Franchise: Jurassic Park
Keywords: Dinosaurs in the Modern World, Animals Gone Bad, Cloning, Dinosaurs, Prologue, Visual Effects, Voiceover/Narration, Rescue, Death of a Son or Daughter, Surprise Twist, Betrayal, Sequels With Returning Stars, Relationships Gone Wrong, Exes in Love, Romance, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Filmed in Pinewood Studios, Buckinghamshire, England, Filmed in Buckinghamshire England, Filmed in England, Filmed in United Kingdom, Filmed in Oahu, HI, Filmed in Hawaii, United States, Filmed in United States, Filmed in Hampshire, England, Filmed in Scotland, Filmed in Hawley Woods, Hampshire, England, Filmed in Langley Business Centre, Slough, England, Filmed in Slough, Berkshire, England, Filmed in East Berkshire College, Berkshire, England, Filmed in Loch Long, Argyll and Bute, Scotland, Filmed in Argyll and Bute, Scotland, Filmed in Hartland Park, Fleet, Hampshire, England, Filmed in Fleet, Hampshire, England, Filmed in Cragside House, Northumberland, England, Filmed in Northumberland, England, Filmed in Blackbushe Airport, Hampshire, England, Filmed in Dillingham Airfield, Oahu, HI, Filmed in Pua'ena Point, Oahu, HI, Filmed in He'eia Kea Small Boat Harbor, Oahu, HI, Filmed in Kualoa Ranch, Oahu, HI, Filmed in Papailoa Beach, Oahu, HI, Filmed in Hālona Blowhole, Oahu, HI, Filmed in Berkshire, England, Action Adventure
Source:Based on Fiction Book/Short Story
Genre:Action
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Universal Pictures, Amblin Entertainment, The Kennedy/Marshall Company, Legendary Pictures, Perfect World Pictures
Production Countries: United States
Languages: English

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Home Market Releases for September 18th, 2018

September 19th, 2018

My Man Godfrey

This week, Jurassic World: Fallen Kingdom is coming out on DVD, Blu-ray Combo Pack, 3D Combo Pack, or 4K Combo Pack and not surprisingly, it is scaring away the competition and it is the only significant first-run release of the week. Unfortunately, it is not a Pick of the Week contender, so we have to look to smaller releases My Man Godfrey is a classic and Supergirl: Season Three is still fun. There are also some Anime titles worth considering, including Saga of Tanya the Evil: The Complete Series and Gosick: The Complete Series. It was close, but My Man Godfrey won in the end. More...

Featured Blu-ray and DVD Review: Jurassic World: Fallen Kingdom

September 17th, 2018

Jurassic World: Fallen Kingdom

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International Box Office: The Meg Continues to Terrorize the Competition

August 21st, 2018

The Meg

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International Box Office: The Meg Swims the Seven Seas

August 16th, 2018

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The Meg led the way on the international chart cracking the century mark with $101.5 million on 30,212 screens in 42 markets and a worldwide opening of $146.9 million. This is great news, and the film cost Warner Bros. $130 million to make, after tax rebates and the like, so the film needed a monster opening to break even any time soon. The film’s biggest market was China, where it earned $49.83 million on 16,307 screens. It only managed third in that market, but it was a very busy weekend with two massive local hits also debuting this weekend. The film was able to top the charts in Mexico with $6.30 million on 1,936 screens and in Russia with $5.48 million on 2,628. It wasn’t as potent in the U.K., but it still topped the chart with $4.66 million in 499 theaters. The film has yet to open in South Korea, Australia, France, and Japan, so it should stick around the top five for a bit. More...

International Box Office: The Rise and Fall(out) of Mission: Impossible

August 8th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout returned to first place on the international chart with $76 million in 56 markets for totals of $205 million internationally and $330 million worldwide. The film opened in first place in both Japan and France, earning $8 million in each market. By this time next week, the film will no longer be in last place for the franchise, but it is still too soon to tell if it will become the biggest hit out of the six films. More...

Weekend Wrap-Up: Fallout Continues its Mission

August 7th, 2018

Mission: Impossible—Fallout

Mission: Impossible—Fallout remained on top of the weekend box office chart thanks in part to a stronger than expected hold and in part to weaker than expected competition. Christopher Robin was the only new release to make any real noise opening in second place with $24.59 million, while The Spy Who Dumped Me opened with less than half of that. Overall, the box office earned $139 million, 11% lower than last weekend. More importantly, this was 14% higher than this weekend last year. 2018 extended its lead over 2017 to just under $600 million or 8.7% at $7.46 billion to $6.86 billion. More...

International Box Office: Over $100 million for Mr. Billion

August 1st, 2018

Hello Mr. Billionaire

Hello Mr. Billionaire, a Chinese remake of Brewster’s Millions, opened in first place in China and the international market with $132.26 million. That’s more than 800 million in the local currency, while it took just one more day to live up to its name and reach 1 billion Yen in revenue. More...

International Box Office: Skyscraper Rises from the Ashes

July 24th, 2018

Skyscraper

Skyscraper roared to first place on the international chart, thanks mostly to its debut in China. Overall, it earned $77.8 million in 68 markets for totals of $135.7 million internationally and $182.8 million worldwide. It opened in first place in China with $48.11 million over the weekend for a total opening of $48.51 million. The second biggest new market was Colombia, where it earned $1.38 million on 195 screens. Its best holdover was in Mexico where it was down 50% to $1.68 million on 815 screens for a two-week total of $7.46 million. More...

International Box Office: Dying Slumps, Still Survives in Top Spot

July 18th, 2018

Dying to Survive

Dying to Survive remained in first place, both in its native China and on the international chart. It earned $69.29 million over the weekend for a total of $367.40 million after two full weeks of release. More...

Weekend Wrap-Up: Summer Vacation Boosts Transylvania’s Debut

July 17th, 2018

Hotel Transylvania 3: Summer Vacation

The weekend wasn’t nearly as close as expected. Hotel Transylvania 3: Summer Vacation ran away at the box office, while fellow new release, Skyscraper, only managed third place. This did allow Ant-Man and the Wasp to earn second place during its second weekend of release. Overall, the box office fell 12% compared to last weekend, but it was 1.6% higher than the same weekend last year. Granted, this is not a high enough margin of victory to compensate for ticket price inflation, but 2018 has such a large lead that even a small victory like this is more than enough to feel good about the overall box office. Speaking of large leads, 2018’s lead over 2017 remains impressive at $550 million or 8.9% at $6.72 billion to $6.17 billion. More...

Weekend Predictions: Will Transylvania have a Buoyant Vacation? Or can Skyscraper Stand Tall?

July 12th, 2018

Hotel Transylvania 3: Summer Vacation

There should be a close race at the top of the box office this weekend, as both Hotel Transylvania 3: Summer Vacation and Skyscraper have a real shot at $40 million over the weekend. In fact, there’s a good chance both films will earn first place at least one day over the weekend. Meanwhile, Ant-Man and the Wasp will be pushed into third place, but will still be a solid box office performer. It’s this depth that is key, because the top two films from this weekend last year, War for the Planet of the Apes and Spider-Man: Homecoming, both earned more than either of the two new releases this year are expected to earn. 2018 is weak at the top, but the depth gives the weekend a great shot at coming out ahead in the year-over-year comparison. More...

International Box Office: Dying Does More than Just Survive

July 11th, 2018

Dying to Survive

Dying to Survive opened in its native China with a stunning $152.73 million during its opening weekend for a nine-day debut of $201.56 million—enough for it to easily win the weekend at the international box office. This film is based on the real-life story of a cancer patient who smuggled cheap drugs from India to China. Since Indian films have found an audience in China, perhaps this is another step if forging connections between those two markets. More...

Weekend Wrap-Up: Ant-Man Remains one of the Smaller MCU Hits

July 10th, 2018

Ant-Man and the Wasp

The two biggest releases of the weekend couldn’t quite match expectations, while the two big holdovers weren’t able compensate, resulting in a rare loss for 2018. Ant-Man and the Wasp still had an excellent opening with $75.81 million over the weekend, the seventh-best opening weekend of the year. The First Purge started out well on Wednesday, but slipped below the pace needed to match predictions by the weekend. That said, the overall weekend haul was still impressive at $188 million, which is 5.8% higher than last weekend. Granted, it is 8.7% lower than the same weekend last year, but Spider-Man: Homecoming opened with $117.03 million, so this is still a good result. Furthermore, 2018 remains ahead of 2017 by a substantial amount: $570 million, or 9.6%, at $6.47 billion to $5.90 billion. If the year ended with a lead of $570 million, we would be very happy. More...

Weekend Estimates: Ant-Man Shrank Over Saturday, Still Finishes Weekend with $76 million

July 8th, 2018

Ant-Man and the Wasp

Ant-Man and the Wasp did not have as good a Saturday as hoped, and this has left it with a projected $76.03 million over the weekend, according to Disney’s Sunday morning estimate. While, this is more or less in line with original predictions, it is lower than previews and Friday estimates suggested. Fortunately, with great reviews and an A minus from CinemaScore, it should have legs long enough to get to $200 million domestically, with a little help from the studio. This would be a little more than a 10% increase from the first Ant-Man. Internationally, the film opened with $85 million in 41 markets, including a monster opening in South Korea. The film managed $20.9 million debut there, including previews, which was 78% higher that the first film’s opening in that market. Overall, the film saw 45% growth internationally compared to just under 33% growth here. More...

Friday Estimates: Wasp Towers Above the Competition

July 7th, 2018

Ant-Man and the Wasp

Ant-Man and the Wasp dominated the box office on Friday with $33.80 million. This is about $1 million less than we would have liked to have seen after its Thursday previews, but still above our earlier prediction. Its reviews are 86% positive, and it earned an A minus from CinemaScore, which is good for a blockbuster, but I was expecting an A like the original Ant-Man earned and it is below average for the MCU. More...

Weekend Predictions: Will the Wasp Help Ant-Man Grow at the Box Office?

July 5th, 2018

Ant-Man and the Wasp

It’s technically the July 4th Weekend, although July 4th was yesterday. This is a good weekend to release a film and Ant-Man and the Wasp is looking to take advantage of the holiday. Meanwhile, The First Purge already started its run with $2.5 million in previews. Jurassic World: Fallen Kingdom and Incredibles 2 will continue to be a major presence at the box office. This weekend last year, Spider-Man: Homecoming opened with $117.03 million. There’s no way Ant-Man and the Wasp is going to match that. It’s highly unlikely Ant-Man and the Wasp and The First Purge combined will match that. The depth this year is a little better, but I think 2018 will lose in the year-over-year comparison. Hopefully it will be close. More...

Theater Averages: Triplets Top Trio of $10,000 Club Members

July 4th, 2018

Three Identical Strangers

Three Identical Strangers top the theater average chart with an average of $34,301 in five theaters. The only other members of the $10,000 club were wide releases, with Jurassic World: Fallen Kingdom earning an average of $13,581 and Incredibles 2 being relatively close behind with $10,525. More...

International Box Office: Fallen Remains Tops, but Ant-sized Competition Looms

July 4th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom remained on top of the international chart for the fourth and final time. This past weekend, it earned $57.3 million in 68 markets for totals of $669.2 million internationally and $934.9 million worldwide. The film had no major market openings this past weekend and has no major market opening next week as well, before closing out its international run in Japan on the 13th. The film’s biggest market of the weekend was China, where it earned $14.81 million on approximately 10,000 screens over the weekend for a three-week total of $230.67 million. More...

Weekend Wrap-Up: Dinos Help the Box Office Hold On

July 3rd, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom was within a rounding error of our prediction with $60.91 million over the weekend. Additionally, both new releases, Sicario: Day of the Soldado and Uncle Drew, beat expectations, as did every other film in the top five helping the overall box office reach $178 million. Granted, this weekend still plummeted 36% from last weekend, but last weekend was the biggest ever weekend in June, so falling from that figure isn’t disappointing. In fact, it is 4.8% higher than the same weekend last year, which is higher than the rate of inflation, so I would call that a significant margin. Year-to-date, 2018 has pulled in $6.15 billion, making it the fastest year to get to the $6 billion mark. This is also $560 million or 10.0% higher than the same pace last year. I’m going to make a prediction that is the the peak lead 2018 will have over 2017, at least in terms of percentage. More...

Weekend Estimates: The Fallen Jurassic World Still Comes out on Top with $60.0 million

July 1st, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom fell like a typical blockbuster hit, down 59% to $60 million over the weekend for a two-week total of $264.8 million. This matches our prediction perfectly. The film will have no trouble crossing $300 million next weekend and should finish north of $350 million domestically. As for its international numbers, it added $56.1 million to its running tally, which now sits at $667.6 million, while its worldwide total is a hair under $1 billion at $932.4 million. More...

Friday Estimates: Soldado is Solid, but Dinosaurs Dominate

June 30th, 2018

Sicario: Day of the Soldado

Jurassic World: Fallen Kingdom added $17.44 million on Friday, after hitting $200 million on Thursday. It was easily the best film on the day; however, this was still 70% lower than its opening Friday. Granted, it will bounce back tomorrow and should come close to our $60 million prediction, but it is not going to have great legs, like its predecessor had. More...

Weekend Predictions: Putting a Hit out on the Box Office

June 28th, 2018

Sicario: Day of the Soldado

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Theater Averages: Kingdom Crowned Leader of Theater Average Chart

June 27th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom led the way on the theater average chart with an average of $33,078, putting it ahead of Incredibles 2’s sophomore stint score of $18,219. The King was the best of the new limited releases, with an average of $14,525 in two theaters. Finally, 2001: A Space Odyssey returned to the $10,000 club with an average of $12,989. The 4K Ultra HD Combo Pack is coming out in October. More...

International Box Office: $100 million Threepeat for Fallen Kingdom

June 27th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom completed the hat-trick with $107.6 million in 67 markets for three-week totals of $561.5 million internationally and $709.5 million worldwide. The film’s biggest opening was in Mexico, where it earned $10.14 million over the weekend for a total opening of $12.09 million. It also did well in South America with $9.28 million during its opening in Brazil, while in neighboring Argentina, the film earned $2.51 million over the weekend for a total opening of $2.75 million. It earned $7.63 million on 734 screens during its opening in Australia. The film fell 69% in China earning $33.96 million over the weekend for a two-week total of $202.07 million. More...

Weekend Wrap-Up: Jurassic World and Incredibles Combine for Biggest June Weekend

June 26th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom beat expectations with $148.02 million over the weekend, but it wasn’t the only monster hit in theaters. Incredibles 2 added $80.35 million during its second weekend of release, which helped the overall box office become the biggest June weekend of all time. The overall box office rose just 2.3%, but that was enough to break the record with $277 million. This is also 98% higher than the same weekend last year. 2018 has had a string of hits that have dominated their 2017 counterparts, even if they missed expectations, so it is no surprise that 2018 has a lead over 2017 in the year-over-year comparison. However, that lead is surprisingly larger. It has grown to 9.1% or $490 million at $5.85 billion to $5.36 billion. No year has started as fast as 2018 has, and even its estimated ticket sales are the best in the 2010s. More...

Weekend Estimates: Fallen Starts Out on Top

June 24th, 2018

Jurassic World: Fallen Kingdom

Sequels usually start faster but fall quicker, when compared to their predecessor. However, no one expected Jurassic World: Fallen Kingdom to follow suit. In fact, many thought it would collapse. That wasn’t the case, as Fallen Kingdom opened with $150 million over the weekend. Granted, this is nearly 30% lower than Jurassic World’s opening weekend, but it could have been much worse. On the downside, its reviews are almost exactly 50% positive, which suggests weak legs. It did earn an A minus from CinemaScore, so audiences did like the film more than critics did, so we have mixed signals about what the movie will do going forward. Internationally, the film added $106.7 million over the weekend for a three-week total of $561.5 million. This includes a $12.3 million debut in Mexico. More...

Friday Estimates: Dinosaurs Dominate, Incredibles Still Doing Good

June 23rd, 2018

Jurassic World: Fallen Kingdom

Despite earning mixed reviews, Jurassic World: Fallen Kingdom’s opened on Friday with $58.68 million. It also earned an A minus from CinemaScore, so audiences liked it more than critics, and that should help it over the rest of the weekend, earning about $144 million. Granted, this is significantly lower than what Jurassic World opened with, but it didn’t fall as much as anticipated, so Universal should be happy with this result. More...

Thursday Night Previews: Fallen Falls from World with $15.3 million

June 22nd, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom opened with $15.3 million in previews, which is impressive, but below the $18.5 million Jurassic World managed. There is further bad news. The film’s reviews are significantly worse than its predecessor’s reviews were. The film also has much stronger competition. That said, it is still in a good position to top our prediction. We will know more by this time tomorrow. More...

Weekend Predictions: Can Dinosaurs Stomp the Competition?

June 21st, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom is the only wide release of the week and it was expected to dominate the box office. That was until Incredibles 2 broke records last weekend. Furthermore, Fallen Kingdom’s reviews have fallen below the overall positive level. Now there might be a race at the box office, at least on the daily charts. Meanwhile, this weekend last year, Transformers: The Last Knight missed expectations with just $45 million over the weekend and $70 million in five days. Fallen Kingdom had better earn $45 million on Friday alone, or it is in serious trouble. More...

International Box Office: Fallen Kingdom Falls compared to Jurassic World

June 19th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom remained in first place with $173.6 million in 51 markets for a two-week total of $370.0 million worldwide. It opened in first place in China with $111.31 million over the weekend, for a total opening of $113.42 million. This is better than the $100.10 million opening Jurassic World managed in that market. While this is good news, there are some issues. The film suffered an average of 60% decline in holdover markets. This includes a 63% decline in South Korea ($5.44 million on 1,230 screens over the weekend for a two-week total of $37.74 million.) and in Russia ($2.78 million on 1,541 screens for a running tally of $15.16 million there.) It did hold on better in the United Kingdom, down 51% to $9.38 million in 656 theaters for a total of $33.75 million so far. The film has yet to open in Australia, Brazil, and Mexico, where it opens this weekend. Meanwhile, the film doesn’t open in Japan till next month. More...

Weekend Wrap-Up: Incredible Doesn’t Even Begin to Describe It

June 18th, 2018

Incredibles 2

Incredibles 2 became the first potential monster hit since Infinity War to beat tracking numbers, opening with a mind-numbing $182.69 million. It is hard to describe how amazing this opening is. It has rewritten the record book when it comes to animated films and it gives Disney the top three openings of 2018 and four of the top five. This is twice as much as the rest of the box office earned over the entire weekend. There were other new releases this week, with Tag doing fine. Its $14.95 million opening is nothing special, but it should break even sometime on the home market. SuperFly, on the other hand, was a disappointment. The overall box office grew by 126% from last weekend, with Incredibles 2 earning about 50% more than the entire box office pulled in last weekend. The film was just shy of the same weekend last year, while the overall box office rose by 43%. Year-to-date, 2018 continues to have a lead over 2017, and it has grown to a commanding lead of 6.6% or $340 million at $5.44 billion to $5.10 billion. Granted, we are barely halfway through the year, but 2018 is in a great position to break the all-time yearly box office record. More...

Weekend Estimates: $180 million Opening is Beyond Incredible

June 17th, 2018

Incredibles 2

Incredibles 2 was widely expected to dominate the box office over the weekend, but after the two previous potential monster hits missed high expectations, I thought it was wise to be a little more pessimistic. I was wrong. Incredibles 2 opened with an estimated $180 million. This is not only the best opening for a Pixar film, and an animated film in general, it is the 8th biggest opening weekend of all time. (It could slip a little in tomorrow’s final numbers, putting it in 9th place behind Captain America: Civil War.) The film is already the 50th biggest animated hit of all time and unless its legs are shorter than expected, it will quickly race to the top of that chart. Speaking of legs, Incredibles 2 has the best reviews in the top ten and earned a stunning A plus from CinemaScore. To be frank, perhaps stunning isn’t the right word. Perhaps “expected” is a better term, as Pixar has earned 7 A plus ratings out of its 20 films and has never once slipped below an A minus. Internationally, the film opened in second place with $51.5 million in 25 markets and earned a Pixar-best opening in Mexico ($12.3 million) and Argentina ($3.0 million). In fact, it was outstanding in all of Latin America. It is also the fasting opening Pixar film in Australia with $7.7 million, while it managed the studio’s second biggest opening in Russia with $5.4 million. Granted, the film is not doing as well internationally as it is domestically; however, it is still on pace for $1 billion worldwide, so there’s no way the studio isn’t celebrating this opening. More...

International Box Office: Fallen Kingdom Falls compared to Jurassic World

June 12th, 2018

Jurassic World: Fallen Kingdom

Jurassic World: Fallen Kingdom opened in first place on the international chart with $150.9 million in 48 markets. The film’s biggest market was South Korea, where it set the opening day record with $9.7 million, but its overall weekend was not quite as impressive, as it earned $15.17 million for a total opening of $26.57 million. That three-day total is better than Jurassic World, but its a drop from the opening day to its weekend total. This could be a sign of weak word-of-mouth and that’s troubling as its reviews have slipped below the overall positive level. The film also cracked $10 million in both the U.K. ($19.20 million in 662 theaters) and in France ($10.91 million in 700), but this is lower than the predecessor managed in both those markets. Overall, the film will have little trouble earning $1 billion worldwide, but it very likely won’t live up to Jurassic World. More...

2018 Preview: June

June 1st, 2018

Incredibles 2

This May was an odd month, as Avengers: Infinity War opened on the last weekend of April, rather than the first weekend of May. This meant May started out slowly, but Deadpool 2 and Solo: A Star Wars Story did well enough to give 2018 a healthy lead over 2017. Looking forward, there are two potential monster hits this month, Incredibles 2 and Jurassic World: Fallen Kingdom, and another $100 million hit, Ocean’s 8. Last June, there were four $100 million hits, led by Wonder Woman, which pulled in over $400 million. I think 2018 and 2017 will be an even match at the top, so 2018 will have to rely on depth to improve upon its lead over 2017. More...

Jurassic World: Fallen Kingdom Trailer

December 7th, 2017

Sci-fi action movie starring Chris Pratt and Bryce Dallas Howard opens June 22 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/06/08 - $8,541,706   164 $52,084   $9,958,623 1
2018/06/15 - $3,680,996 -57% 153 $24,059   $16,037,756 2
2018/06/22 - $1,488,402 -60% 145 $10,265   $18,391,457 3
2018/06/29 - $893,941 -40% 118 $7,576   $19,733,527 4
2018/07/13 - $130,872   75 $1,745   $20,490,993 6
2018/07/20 - $77,530 -41% 58 $1,337   $20,617,271 7
2018/07/27 - $24,805 -68% 28 $886   $20,655,955 8
2018/08/10 - $347   2 $174   $20,672,215 10
2020/04/03 - $570   6 $95   $20,673,731 96
2020/04/10 - $47 -92% 3 $16   $20,673,863 97
2020/04/24 - $146   2 $73   $20,674,112 99

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Albania 6/7/2018 $0 0 1 1 $23,282 1/1/2019
Argentina 6/21/2018 $2,514,280 212 223 967 $11,414,779 12/2/2018
Australia 6/22/2018 $7,670,848 734 734 3264 $26,313,345 11/7/2018
Austria 6/8/2018 $1,001,916 77 79 508 $3,675,488 6/2/2021
Belgium 6/6/2018 $1,284,377 80 80 867 $5,751,344 10/11/2018
Bolivia 6/21/2018 $451,431 20 20 120 $2,141,933 1/1/2019
Brazil 6/22/2018 $2,992,248 0 701 3252 $21,343,039 9/16/2020
Bulgaria 6/8/2018 $181,918 53 53 75 $762,424 2/26/2019
Central America 6/21/2018 $2,240,753 146 147 659 $7,244,980 10/4/2018
Chile 6/21/2018 $1,589,733 71 149 626 $7,795,431 1/1/2019
China 6/14/2018 $110,260,000 175289 175289 372634 $261,223,078 8/17/2018
Colombia 6/21/2018 $1,759,202 194 194 770 $7,326,672 1/1/2019
Croatia 6/7/2018 $110,804 50 50 144 $367,785 6/17/2020
Cyprus 6/7/2018 $58,685 6 6 37 $181,728 8/7/2018
Czech Republic 6/22/2018 $969,640 157 157 627 $2,795,221 1/1/2019
Denmark 6/7/2018 $1,090,096 98 98 640 $4,436,996 10/4/2018
Ecuador 6/22/2018 $818,273 43 43 195 $2,883,303 1/1/2019
Egypt 6/15/2018 $115,558 15 17 112 $889,671 1/1/2019
Estonia 6/8/2018 $122,477 22 22 91 $430,674 8/23/2018
Finland 6/8/2018 $483,624 162 162 632 $1,935,175 10/11/2018
France 6/6/2018 $10,193,414 713 803 5587 $31,480,310 2/6/2019
Germany 6/6/2018 $8,907,607 696 735 6699 $30,201,948 10/26/2018
Greece 6/7/2018 $313,902 155 155 377 $880,616 8/7/2018
Hong Kong 6/7/2018 $4,265,222 58 58 284 $11,809,517 8/29/2018
Hungary 6/8/2018 $745,428 64 74 340 $2,347,083 1/1/2019
Iceland 6/8/2018 $144,192 12 12 40 $338,727 1/1/2019
India 6/7/2018 $8,140,180 1466 1466 3785 $19,211,954 10/11/2018
Indonesia 6/6/2018 $5,355,301 291 291 899 $13,950,645 1/1/2019
Israel 6/7/2018 $375,411 33 33 168 $1,458,773 1/1/2019
Italy 6/7/2018 $4,271,968 530 530 530 $12,169,642 8/20/2018
Japan 7/13/2018 $13,424,192 0 375 1127 $72,322,055 10/18/2018
Latvia 6/8/2018 $47,765 11 12 68 $253,334 1/1/2019
Lebanon 6/7/2018 $89,748 17 17 65 $462,320 1/1/2019
Lithuania 6/8/2018 $59,704 195 195 692 $303,910 8/15/2018
Macedonia 6/7/2018 $0 0 2 3 $28,061 1/1/2019
Malaysia 6/7/2018 $4,167,873 152 155 793 $13,035,567 8/29/2018
Mexico 6/22/2018 $10,143,017 0 817 1780 $35,179,278 8/26/2020
Middle East Region 6/7/2018 $666,999 48 70 337 $5,755,156 8/12/2020
Mongolia 6/8/2018 $65,044 8 8 48 $241,426 1/1/2019
Netherlands 6/7/2018 $2,236,838 125 130 1258 $9,667,537 6/24/2020
New Zealand 6/22/2018 $1,211,336 131 131 712 $3,332,939 10/19/2022
North America 6/22/2018 $148,024,610 4,475 4,485 30,489 $417,719,760
Norway 6/8/2018 $1,144,049 173 173 655 $4,063,118 9/20/2018
Pakistan 6/14/2018 $280,782 52 52 184 $1,288,909 1/1/2019
Paraguay 6/21/2018 $136,306 0 18 69 $496,371 1/1/2019
Peru 6/21/2018 $1,724,170 100 100 406 $6,124,948 1/1/2019
Philippines 6/6/2018 $4,081,371 203 203 854 $9,831,170 1/1/2019
Poland 6/8/2018 $1,005,051 171 193 1135 $4,821,049 1/1/2019
Portugal 6/8/2018 $520,187 87 97 527 $1,850,812 8/15/2018
Romania 6/8/2018 $329,082 78 78 372 $1,324,078 1/1/2019
Russia (CIS) 6/7/2018 $7,398,762 1527 1550 6668 $19,462,038 2/26/2019
Serbia and Montenegro 6/7/2018 $85,512 65 65 257 $307,603 1/1/2019
Singapore 6/7/2018 $2,945,039 32 33 184 $7,395,537 9/9/2020
Slovakia 6/21/2018 $426,431 82 82 267 $966,462 9/6/2018
Slovenia 6/7/2018 $76,343 23 23 107 $330,913 10/4/2018
South Africa 6/8/2018 $591,604 138 143 746 $2,809,006 8/23/2018
South Korea 6/6/2018 $14,666,555 1972 1972 4876 $44,045,562 8/14/2018
Spain 6/8/2018 $8,363,970 406 406 3632 $28,411,563 12/24/2020
Sweden 6/8/2018 $1,442,153 170 170 805 $5,931,284 11/14/2018
Switzerland 6/6/2018 $1,046,930 121 121 614 $3,645,521 9/26/2018
Taiwan 6/8/2018 $8,541,706 164 164 754 $20,674,140 5/6/2020
Thailand 6/7/2018 $4,665,921 66 157 489 $8,618,134 8/7/2018
Trinidad 6/20/2018 $245,217 19 20 80 $1,012,013 1/1/2019
Turkey 6/8/2018 $720,001 649 649 2451 $2,499,398 2/26/2019
Ukraine 6/7/2018 $842,754 176 176 778 $2,146,842 10/7/2020
United Arab Emirates 6/7/2018 $1,838,149 50 50 272 $7,253,982 6/17/2020
United Kingdom 6/6/2018 $19,218,252 663 667 4993 $54,724,774 10/17/2018
Uruguay 6/21/2018 $178,216 21 25 132 $1,037,846 1/1/2019
Venezuela 6/22/2018 $518,694 67 67 237 $5,479,355 10/11/2018
Vietnam 6/8/2018 $1,815,486 154 159 586 $4,142,077 1/1/2019
 
Rest of World $6,541,891
 
Worldwide Total$1,308,323,302 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Chris Pratt    Owen Grady
Bryce Dallas Howard    Claire Dearing

Supporting Cast

Rafe Spall    Eli Mills
Justice Smith    Franklin Webb
Daniella Pineda    Zia Rodriguez
James Cromwell    Benjamin Lockwood
Toby Jones    Gunnar Eversol
Ted Levine    Ken Wheatley
B.D. Wong    Dr. Henry Wu
Isabella Sermon    Maisie Lockwood
Geraldine Chaplin    Nanny
Jeff Goldblum    Dr. Ian Malcolm
Robert Emms    Tech Merc
Peter Jason    Senator Sherwood
Kevin Layne    Submarine Pilot
John Schwab    Tech Operator
Sam Redford    Helicopter Pilot
Charlie Rawes    Lead Mercenary
Patrick Crowley    Prop Plane Pilot
Alex Dower    Russian Mob Guy
Honey Holmes    Russian Girlfriend
Neil Bishop    Russian Bidder
Philippa Thomas    BBC News Anchor
Ronan Summers    Brutish Mercenary
Corey Peterson    Committee Chairman
Jeremy Gilbert    Hero Tracker
Victor Gardener    Crewman
Daryl Kwan    Another Bidder
Eric Kofi Abrefa    Helicopter Merc
Ben Peel    Helicopter Merc
Mark Griffin    Helicopter Merc
Paul Sockett    Bearded Merc
Doug Robson*    Mercenary in Tunnel
Gil Kolirin    Mills’ Man
Nathan Florence    Surfer
Bryan Phillips    Surfer
Mitchell L. Johnson    Jungle Merc

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

J.A. Bayona*    Director
Colin Trevorrow    Screenwriter
Derek Connolly    Screenwriter
Michael Crichton    Character Creator
Frank Marshall    Producer
Patrick Crowley    Producer
Belen Atienza    Producer
Colin Trevorrow    Executive Producer
Steven Spielberg    Executive Producer
Bernat Vilaplana    Editor
Michael Giacchino    Composer
Oscar Faura    Director of Photography
Carolyn Loucks    Set Decorator
Rob Inch    Stunt Coordinator
Thomas Hayslip    Co-Producer
Andy Nicholson    Production Designer
John Williams    Jurassic Park Theme Song by
Sammy Sheldon Differ*    Costume Designer
Nina Gold    Casting Director
David Vickery    Visual Effects Supervisor
Alex Wuttke    Visual Effects Supervisor
Thomas Hayslip    Unit Production Manager
Patrick Crowley    Unit Production Manager
Michael Lerman    First Assistant Director
Brett Robinson    Key Second Assistant Director
Joey Coughlin    Second Assistant Director
Joan Schneider    Unit Production Manager
Dan Barrow    Visual Effects Producer
Michael Solinger    Post-Production Supervisor
Jance Rubinchik    Animation Supervisor
Glen McIntosh    Animation Supervisor
Jaume Marti    Additional Editor
Al Nelson    Supervising Sound Editor
Gwendolyn Yates Whittle    Supervising Sound Editor
Christopher Boyes    Re-recording Mixer
Pete Horner    Re-recording Mixer
Jason Knox-Johnston    Supervising Art Director
Matt Wynne    Senior Art Director
Marco Restivo    Art Director
Anthony Caron-Delion    Art Director
Guy Bradley    Art Director
Gavin Fitch    Art Director
Tina Jones    Set Decorator
Renate Nicolaisen    Set Decorator
Renate Nicolaisen    Art Director
Al Nelson    Sound Designer
Pete Horner    Sound Designer
Oriol Tarrago    Sound Designer
Luke Clare    Assistant Editor
Esther Bailey    Assistant Editor
Jeremy Richardson    Assistant Editor
Paul Corbould    Special Effects Supervisor
Nicole Young    Costume Supervisor
Karen Cohen    Hair, Makeup and Prosthetics Supervisor
Sian Miller    Key Hair, Makeup and Prosthetics Artist
Jo Beckett    Script Supervisor
Alison Banks    Production Supervisor
Nick Oliver    Supervising Location Manager
Stuart McCowan    Sound Effects Editor
Scott Guitteau    Sound Effects Editor
Ben Burtt    Sound Effects Editor
Christopher Barnett    Sound Effects Editor
James Spencer    Dialogue Editor
Cheryl Nardi    Dialogue Editor
Will Ralston    Dialogue Editor
Marc Bech    Sound Editor
Albert Ribas    Sound Editor
Marti Albert    Sound Effects Editor
Paul Apelgren    Music Editor
Joe E. Rand    Music Editor
Linda Matthews    Costume Supervisor
Michael Gowen    Assistant Art Director

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.