United Kingdom Box Office for Peter Rabbit (2018)

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Peter Rabbit
Theatrical Performance (US$)
United Kingdom Box Office $54,031,318Details
Worldwide Box Office $358,117,307Details
Home Market Performance
North America DVD Sales $11,813,288 Details
North America Blu-ray Sales $9,889,974 Details
Total North America Video Sales $21,703,262
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Peter Rabbit, the mischievous and adventurous hero who has captivated generations of readers, now takes on the starring role in his own adventure. Peter’s feud with Mr. McGregor escalates to greater heights than ever before as they rival for the affections of the warm-hearted animal lover who lives next door.

Metrics

Movie Details

Production Budget:$50,000,000
United Kingdom Releases: March 16th, 2018 (Wide)
Video Release: April 20th, 2018 by Sony Pictures Home Entertainment
MPAA Rating: PG for mild thematic elements.
(Rating bulletin 2507 (Cert #50848), 12/20/2017)
Running Time: 95 minutes
Franchise: Peter Rabbit
Keywords: Animal Lead, Talking Animals, Romance, Relationships Gone Wrong, Love Triangle, Family Adventure
Source:Based on Fiction Book/Short Story
Genre:Adventure
Production Method:Animation/Live Action
Creative Type:Kids Fiction
Production/Financing Companies: Columbia Pictures, Olive Bridge Entertainment, Sony Pictures Animation, Animal Logic, 2.0 Entertainment
Production Countries: Australia, United States
Languages: English

Home Market Releases for May 1st, 2018

May 2nd, 2018

Miss Kobayashi's Dragon Maid

It is a really shallow week. There are releases that are fighting for a spot in the top five that normally would be so far down the list that we wouldn’t even cover them. That doesn’t mean there are no releases that are worth picking up. In Between was a limited release that earned near perfect reviews. The 1970s film, Legend of the Mountain, got a recent release and its reviews are even better. I reviewed Mary and the Witch’s Flower last week and it nearly won Pick of the Week then. I reviewed Miss Kobayashi's Dragon Maid: The Complete Series this week and it is one of my favorite recent Anime comedies. It was a really close race between these four films and in the end, it came down to a coin-toss with Miss Kobayashi's Dragon Maid coming out ahead. More...

International Box Office: Rampage Retains Lead on International Chart

April 25th, 2018

Rampage

Rampage remained in first place on the international chart with $58.0 million on 33,140 screens in 61 markets, for totals of $217.6 million internationally and $283.3 million worldwide. The studio’s share of this is very likely above the film’s $120 million production budget, so it has an excellent shot at breaking even early in its home market run. The film’s biggest market of the weekend was China, where it earned $27.07 million on 16,900 screens over the weekend for a two-week total of $106.57 million. The film has yet to open in France, Germany, and Japan and by the time it’s done, it will be very close to breaking even. More...

Home Market Releases for April 24th, 2018

April 25th, 2018

Paddington 2

Paddington 2 is the biggest release of the week and clearly at least one of the best. However, it isn’t the only film that’s a Pick of the Week contender. Bombshell: The Hedy Lamarr Story, Miss Kobayashi’s Dragon Maid, and others were all in contention for that honor. In the end, the Paddington 2 Blu-ray Combo Pack earned that title. More...

International Box Office: Rampage Runs Roughshod over Competition topping Century Mark

April 18th, 2018

Rampage

Rampage dominated the international box office earning more than the rest of the top ten combined with $115.7 million on 40,200 screens in 61 markets for a worldwide opening weekend of $151.5 million. The film’s biggest opening was in China, where it managed $54.88 million on 21,500 screens over the weekend for a total opening of $55.56 million. This is a good result, compared to recent results. It’s better than Tomb Raider managed, but not as good as Ready Player One, for example. The U.K. and South Korea were in a close race for second place with the former earning $5.8 million on 883 screens and the latter earning $4.99 million on 909 screens over the weekend for a total opening of $5.60 million. More...

Home Market Releases for April 17th, 2018

April 17th, 2018

MST3K

It’s a slow week on the home market, which is common for this time of year. The biggest release of the week, The Post, is also one of the best and one of only three contenders for Pick of the Week. In the end, I went with MST3K: Season 11 and awarded it the honor. More...

International Box Office: Ready Remains First, Nears $400 million Worldwide

April 10th, 2018

Ready Player One

Ready Player One remained in first place on the international chart with $83.8 million on 33,787 screens in 65 markets for totals of $297.1 million internationally and $393.6 million worldwide. The film’s best new market was Germany, where it opened in first place with $2.88 million on 866 screens. Its best market overall was China with $43.45 million in 17,738 screens over the weekend for a two-week total of $162.26 million. More...

International Box Office: Ready Starts Out Number One Internationally with $127.5 million

April 4th, 2018

Ready Player One

Ready Player One opened in first place on the international chart with $127.5 million on 35,600 screens in 62 markets. Its biggest single market was China with $61.61 million on 18,200 screens over the weekend for a total opening of $62.06 million. This is Warner Bros.’ biggest opening ever in this market. The film’s second biggest international market of the weekend was South Korea, where it earned second place with $6.35 million on 1,079 screens for a total opening of $8.08 million. The film also had to settle for second place behind Peter Rabbit in the U.K. with $7.3 million on 1,251 screens. The film did open in first place in several other major markets, including France ($6.15 million on 719 screens) and Russia ($5.74 million on 1,461). More...

International Box Office: Uprising Starts Out on Up with $122.4 million

March 28th, 2018

Pacific Rim: Uprising

Pacific Rim: Uprising easily earned first place on the international chart with $122.4 million in 61 markets during its opening weekend. The film earned first place in China with $63.80 million over the weekend for a total opening of $65.19 million including previews. There were two markets who could claim second place: Russia and South Korea. In Russia, the film earned $6.76 million on 1,538 screens. Meanwhile in South Korea, it opened with $5.27 million on 1,143 screens over the weekend for a total opening of $6.80 million. More...

Weekend Predictions: Kaiju vs. Panther

March 22nd, 2018

Pacific Rim: Uprising

Black Panther will finally give up its hold on first place, that is unless something goes horribly wrong for Pacific Rim: Uprising. There are four other wide or semi-wide releases hitting theaters this weekend, which is at least two too many. Sherlock Gnomes and Paul, Apostle of Christ are the only two that have a legitimate shot at the top five. Meanwhile, Midnight Sun and Unsane are just hoping to not miss the top ten. This weekend last year, there were three wide releases that earned a combined $60 million. This is more than the five wide releases this year will earn. Also, Beauty and the Beast remained in second place with $90 million. 2018 has already lost its lead over 2017 and this weekend it is going to get crushed in the year-over-year comparison. More...

International Box Office: Tomb Raider Steals Top Spot with $87.2 million

March 21st, 2018

Tomb Raider

Tomb Raider roared into first place on the international chart earning $87.2 million on 33,290 screens in 65 markets for an early total of $105.2 million. The film’s biggest single market was China, where it opened in first place with $40.79 million on 15,640 screens over the weekend for a total opening of $41.26 million. The film’s second best opening was in the U.K. at $4.29 million in 585 theaters. The only other market where the film opened with more than $4 million was Russia with $4.11 million on 1,457 screens. The film debuted in first place in all three markets and is in a good position to break even early in its home market run. More...

Weekend Wrap-Up

March 20th, 2018

Black Panther

As predicted, Black Panther remained in first place on the weekend chart. Tomb Raider had an okay opening in second place, while I Can Only Imagine was the biggest positive surprise of the weekend. Love, Simon had a solid opening, especially compared to its production budget. The less said about 7 Days in Entebbe, the better. Overall, the weekend box office was down 4.8% from last weekend to just $132 million. This is 49% lower than this weekend last year. A 49% decline usually only happens when there is a misalignment in holidays, but in this case it’s due to Beauty and the Beast’s debut. 2018 is still ahead of 2017, albeit by a fraction of last week’s lead at just $66 million or 2.8%. In fact, with a margin of just $2.46 billion to $2.39 billion, it is very likely 2018 will lose its lead before the next weekend begins. More...

Weekend Predictions: Can Raider Capture Top Spot?

March 15th, 2018

Tomb Raider

Another week and another film trying to dethrone Black Panther. This week, it’s Tomb Raider’s chance to finally remove Black Panther from first place on the weekend chart. I don’t like its chances. The only other truly wide release of the week is Love, Simon, which should have a solid, but not spectacular opening. There are two other films with a shot at earning a spot in the top ten: I Can Only Imagine and 7 Days in Entebbe. This weekend last year, Beauty and the Beast opened with nearly $175 million. That’s more than the entire box office is going to earn this weekend. 2018 is going to get crushed. More...

Weekend Predictions: Is It Time for Panther to Relinquish Top Spot?

March 8th, 2018

A Wrinkle in Time

There are four wide releases coming out this week, but only one of them, A Wrinkle in Time, has a shot at dethroning Black Panther. Only one other, The Strangers: Prey at Night, has a shot at the top five. The other two, Gringo and The Hurricane Heist, are just hoping to not embarrass themselves. This weekend last year, the top two movies earned nearly $100 million. This year, the top five likely won’t earn that much. 2018 will lose the year-over-year comparison, but hopefully it will be close. More...

International Box Office: Red Sea Takes a Victory Lap on Top of the Chart

March 7th, 2018

Operation Red Sea

Operation Red Sea remained in first place with $62 million in seven markets for an international total of $472 million. Of this, the film earned $61.90 million in its native China for a two-week total of $471.44 million there. More...

Weekend Wrap-Up: Black Panther Hits Half a Billion Dollars

March 6th, 2018

Black Panther

Black Panther keeps beating expectations to the point where it is my fault for not being overly optimistic. This past weekend, it earned $66.31 million, becoming the third fastest film to reach $500 million. The two new releases weren’t bad either. Red Sparrow earned second place while Death Wish wasn’t that far behind in third. Overall, the box office still fell 24% from last weekend, earning $147 million. It was also down from this week last year last year by a similar 22% margin. Year-to-date, 2018’s lead shrunk by almost exactly $10 million, but we still have a $220 million / 12% lead over 2017 at $2.09 billion to $1.87 billion. That lead will shrink dramatically over the next few weeks. More...

Weekend Predictions: New Releases Battle for Season Place as Black Panther Completes Threepeat

March 1st, 2018

Red Sparrow

March will begin the same way February ended, with Black Panther on top of the box office. The two new releases, Red Sparrow and Death Wish, might not make as much over the full weekend as Black Panther will earn on Friday. This weekend last year, Logan opened with $88.41 million, while Get Out held on better than expected with $28.24 million. There’s little chance 2018 will be able to beat that at the top, so 2018’s winning streak might come to an end. More...

Weekend Wrap-Up: Another Week, Another Set of Records for Black Panther

February 26th, 2018

Black Panther

Almost everyone expected Black Panther to earn first place over the weekend. I doubt there were many people who expected this. The film fell just 45% earning $111.66 million for a ten-day total of $403.61 million, helping the film make appearances on a number of record charts, including; second biggest second weekend of release, second fastest to $400 million, etc. The new releases matched expectations, more or less, with Game Night earning second place and coming within a rounding error of our prediction. Overall, the box office earned $192 million. This is 33% lower than last weekend; however, this is a good hold for a post-holiday weekend. Compared to last year, the box office was up by 55% and this is a much more important number. Year-to-date, 2018 has a 14% / $230 million lead over 2017, at $1.88 billion to $1.65 billion. This is great news at this point of the year, but we really need to stretch that lead to over $300 million in the next two plus weeks, before we are dealing with Beauty and the Beast, if we can’t, then this lead could evaporate before the end of March. More...

Friday Estimates: Black Panther on Pace for $100-Million Weekend

February 24th, 2018

Black Panther

As expected, Black Panther dominated on Friday at the box office. However, it was a little better than we were predicting, earning $28.86 million. Usually when outstanding reviews have to go up against the Fanboy effect, the Fanboy effect wins, but not this time. Look for $101 million during its second weekend of release, making it just the fourth film to earn $100 million during its second weekend. On a related note, the film has already topped the lifetime totals of several MCU installments, including Thor: Ragnarok. More...

Weekend Predictions: Are the New Releases Brave Enough to Take On Black Panther?

February 22nd, 2018

Game Night

Three wide releases are attempting to take on Black Panther at the box office; none will be successful. Game Night is the widest release of the week and its reviews are amazing. Annihilation is barely opening in 2,000 theaters, but its reviews are even better. Then there’s Every Day, which is just hoping to not get lost in the crowd. All three new releases combined won’t earn half as much as Black Panther will earn this weekend, so the real competition for the returning box office champ is this weekend last year. Get Out debuted with $33.38 million, while the total box office was $123.61 million. Black Panther won’t get to $123.61 million, but it should do well enough to keep 2018 significantly ahead of 2017. More...

Weekend Wrap-Up: Black Panther Re-Writes the Record Book

February 20th, 2018

Black Panther

Black Panther destroyed expectations over the Presidents Day long weekend earning $202.00 million / $242.16 million over the 3-day / 4-day weekend. The list of records this film broke seems endless, but we will get to that in a bit. Unfortunately, the two other new releases, Early Man and Samson, both bombed. On a more positive note, the total box office rose 103% from last weekend reaching $285 million. This is the third-biggest weekend of all-time, and the biggest non-December weekend. This is also 92% higher than the same weekend last year. Even if we use Presidents Day of last year, 2018 was still 51% higher. More importantly, 2018 completely erased the small deficit it had and is now ahead of 2017 by $120 million or 8% at $1.62 billion to $1.50 billion. More impressively, 2018 is even ahead of 2017 in terms of ticket sales at 178 million to 172 million. More...

Weekend Estimates: Black Panther Powers to $218 Million Long Weekend

February 18th, 2018

Black Panther

Black Panther is riding a waving of positive feedback all the way to record territory this weekend, with Disney projecting a $192 million three-day, and $218 million four-day weekend, as of Sunday morning. That gives the film three outright records right off the bat: biggest weekend in February, biggest three-day Presidents Day weekend, and biggest four-day Presidents Day weekend. In each case, the film is topping the jaw-dropping-at-the-time opening of Deadpool in 2016. More...

Friday Estimates: Black Panther Crushes Expectations, Headed over $200 million for Weekend

February 17th, 2018

Black Panther

As expected, Black Panther crushed the competition on Friday. However, it beat all but the most enthusiastic predictions to earn $75.81 million for the day. Add in 97% positive reviews on Rotten Tomatoes and an A+ from CinemaScore, and the film should have good legs over the weekend. On the negative side, it is a monster hit thanks in part to the deafening hype, so that’s going to result in shorter legs. More...

Weekend Predictions: Black Panther is About to Bring In a Lot of Green

February 15th, 2018

Black Panther

It’s Presidents Day long weekend and there are two-and-a-half films trying to take advantage of the holiday with wide releases. However, the only film opening this weekend that people are actually talking about is Black Panther. This film is earning more buzz than any film opening until Infinity War and is widely expected to break records. Early Man’s reviews have been overwhelmingly positive, but it is just hoping to reach the top five. Finally, there’s Samson, which is only opening semi-wide. This weekend last year was the weekend after Presidents Day long weekend, so it is not a fair comparison and 2018 will crush 2017. Compared to Presidents Day of last year, 2018 will still crush the competition. More...

Weekend Wrap-Up: Freed Falls to $38.56 million

February 13th, 2018

Fifty Shades Freed

Fifty Shades Freed topped our prediction by a tiny margin earning first place over the weekend with $38.56 million. Peter Rabbit also beat expectations with $25.01 million. Then there’s The 15:17 to Paris. Overall, the box office rocketed up 49% from last weekend to $140 million. Unfortunately, this wasn’t enough to compete with this weekend last year, as 2018 was 26% lower. That sounds devastating, but remember, there is a misalignment in holidays, so next weekend 2018 will bounce back. Likewise, because of the misalignment in holidays, the year-to-date comparison isn’t particularly useful. 2018 is behind 2017’s pace by 5.0% or $65 million at $1.22 billion to $1.28 billion. However, by this time next week, that entire deficit could be erased. More...

Weekend Estimates: Fifty Shades Finishes with $38.8 Million

February 11th, 2018

Fifty Shades Freed

Fifty Shades Freed caps the Shades franchise this weekend with a solid $38.805 million debut, according to Universal’s weekend estimate. That’s down from Fifty Shades Darker’s $46.6 million opening, but nowhere near the drop between the first and second movies—Fifty Shades of Grey came out the gate with $85 million back in 2015, although it was helped by Valentine’s Day falling on Saturday. More...

Friday Estimates: Freed Costs Moviegoers $18.5 million on Friday

February 10th, 2018

Fifty Shades Freed

Fifty Shades Freed dominated the box office on Friday, earning $18.5 million. This is 14% lower than Fifty Shades Darker earned during its opening day. The two films should have similar legs, as they have similar reviews and both films earned B pluses from CinemaScore. Plug the numbers into that equation and we get an opening weekend of a little more than $40 million, enough to put it on pace for $100 million domestically. More...

Thursday Night Previews: Freed Starts Strong with $5.6 million

February 9th, 2018

Fifty Shades Freed

Fifty Shades Freed got off to a fantastic start with $5.6 million from its previews on Thursday. This is nearly identical to the $5.72 million earned by Fifty Shades Darker. Add in the slight improvement in Tomatometer scores and I think we might have been a little pessimistic in our prediction. We will get a better idea where the film is at tomorrow, but for now, I’m bumping our prediction from $38 million to $42 million. More...

Weekend Predictions: Will the Final Grey Film Open in the Black?

February 8th, 2018

Fifty Shades Freed

As the weekend approaches, there’s only one film that everyone is talking about: Black Panther. The film’s reviews are nearly 100% positive and Fandango announced its presales are the best for any pre-summer release. Unfortunately, it doesn’t open until next weekend. This week we have to settle for Fifty Shades Freed, Peter Rabbit, and The 15:17 to Paris. Fifty Shades Freed is widely expected to be the biggest hit released in 2018, at least so far. On the other hand, its reviews and the Fangirl Effect strongly suggest very short legs. Peter Rabbit is a family film and even though it has direct competition next weekend, it should have the best legs on this week’s list. Finally there’s The 15:17 to Paris, which is not living up to expectations with critics and this will likely hurt its box office chances. This weekend last year was Presidents Day long Weekend. 2018 is going to get absolutely destroyed in the year-over-year comparison. More...

Weekend Estimates: Jumanji and Greatest Showman in Record Territory

February 4th, 2018

Winchester

In spite of a decent opening, Winchester is proving to be no match for Jumanji this weekend. The holiday holdover returns to top spot on the chart in its seventh weekend with $11 million, down 32% from last time out. That makes it four weekends at the top of the chart for Jumanji, after opening in second place back on December 20. One needs to go back the best part of 30 years to find a film that matches that performance. More...

2018 Preview: February

February 1st, 2018

Black Panther

2018 got off to a good start and January more or less held its ground when compared to 2017. There were some misses, but surprise holdovers made up the difference. Looking forward, February will be dominated by Black Panther. In fact, it will very likely make more during its opening weekend than the second place film, Fifty Shades Freed, will likely make in total. Black Panther likely won’t break records, but it could come close, while Fifty Shade Freed and Peter Rabbit both have a 50/50 shot at $100 million. Last February, The Lego Batman Movie both earned $175 million, while Fifty Shades Darker earned over $100 million. Black Panther will easily beat any film from last February; in fact, it could earn more than the top two films earned combined. As long as the rest of the box office isn’t a complete disaster, February should help 2018 earn a significant edge over 2017 in the year-over-year comparisons. More...

Peter Rabbit Trailer

January 12th, 2018

Adventure starring James Corden, Rose Byrne, and Domhnall Gleeson opens February 9 ... Full Movie Details.

Peter Rabbit, the mischievous and adventurous hero who has captivated generations of readers, now takes on the starring role in his own adventure. Peter’s feud with Mr. McGregor escalates to greater heights than ever before as they rival for the affections of the warm-hearted animal lover who lives next door. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2018/03/16 1 $10,124,175   599 $16,902   $10,124,175 1
2018/03/23 1 $6,502,390 -36% 627 $10,371   $19,299,686 2
2018/03/30 1 $7,870,046 +21% 694 $11,340   $30,359,687 3
2018/04/06 1 $4,441,066 -44% 671 $6,619   $45,397,742 4
2018/04/13 2 $2,881,202 -35% 652 $4,419   $54,302,790 5
2018/04/20 5 $683,991 -76% 631 $1,084   $54,578,785 6
2018/04/27 5 $807,435 +18% 585 $1,380   $54,638,645 7
2018/05/04 9 $162,671 -80% 521 $312   $53,939,817 8
2018/05/11 12 $156,261 -4% 480 $326   $54,280,171 9
2018/05/18 14 $68,033 -56% 384 $177   $54,072,183 10
2018/05/25 9 $157,472 +131% 460 $342   $53,742,062 11
2018/06/01 12 $133,656 -15% 315 $424   $54,268,758 12
2018/06/08 - $52,134 -61% 278 $188   $54,528,682 13
2018/06/15 - $47,436 -9% 223 $213   $54,177,330 14
2018/06/22 - $15,511 -67% 134 $116   $54,242,182 15
2018/06/29 23 $16,195 +4% 145 $112   $54,047,449 16
2018/07/06 - $19,130 +18% 164 $117   $54,335,329 17
2018/07/13 - $8,759 -54% 65 $135   $54,165,013 18
2018/07/20 - $5,710 -35% 32 $178   $53,769,945 19
2018/07/27 - $5,563 -3% 23 $242   $53,783,057 20
2018/08/03 - $648 -88% 8 $81   $53,390,583 21
2018/08/10 - $1,369 +111% 10 $137   $52,363,616 22
2018/08/17 - $32,285 +2,258% 120 $269   $52,256,621 23
2018/08/24 - $6,686 -79% 32 $209   $52,806,683 24
2018/08/31 - $424 -94% 8 $53   $53,245,404 25
2018/09/07 - $727 +71% 8 $91   $53,122,177 26
2018/09/14 - $90 -88% 0     $53,740,751 27
2018/09/21 - $555 +517% 3 $185   $53,671,085 28
2018/09/28 - $127 -77% 2 $64   $53,615,204 29
2018/10/05 - $200 +57% 2 $100   $53,812,080 30
2018/10/12 - $128 -36% 2 $64   $54,031,318 31

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 3/22/2018 $347,714 227 227 995 $1,388,554 1/1/2019
Aruba 2/8/2018 $1,185 5 5 18 $22,632 1/1/2019
Australia 3/16/2018 $353,607 151 439 3475 $20,087,928 4/1/2024
Austria 3/23/2018 $396,262 90 95 768 $2,188,639 8/22/2018
Bahrain 3/29/2018 $77,754 8 9 45 $411,886 1/1/2019
Belgium 3/30/2018 $360,425 107 107 1075 $2,842,743 7/24/2018
Bolivia 3/22/2018 $38,376 23 23 95 $139,699 1/1/2019
Brazil 3/23/2018 $1,088,029 656 656 3312 $3,884,415 8/14/2018
Bulgaria 3/30/2018 $85,920 71 71 296 $676,236 2/26/2019
Cambodia 2/14/2018 $24,120 42 42 110 $66,020 1/1/2019
Central America 3/15/2018 $209,243 168 168 489 $668,594 5/21/2018
Chile 3/15/2018 $217,821 85 85 552 $1,225,614 1/1/2019
China 3/2/2018 $66,323 0 33897 67080 $26,500,000 8/10/2018
Colombia 3/15/2018 $280,533 272 272 784 $999,617 1/1/2019
Croatia 3/22/2018 $96,037 78 78 344 $335,076 1/1/2019
Curacao 2/8/2018 $2,217 3 3 22 $25,277 1/1/2019
Czech Republic 3/16/2018 $66,425 30 129 961 $1,176,317 1/1/2019
Denmark 3/22/2018 $236,906 99 100 854 $1,951,660 7/24/2018
Dominican Republic 3/15/2018 $14,805 28 28 112 $57,269 1/1/2019
East Africa 4/6/2018 $833 1 1 2 $2,037 4/17/2018
Ecuador 3/16/2018 $146,140 65 65 233 $583,920 1/1/2019
Egypt 3/29/2018 $19,050 15 15 90 $83,018 1/1/2019
Estonia 3/23/2018 $79,293 16 16 106 $329,343 6/20/2018
Finland 3/30/2018 $193,699 123 123 675 $993,599 8/7/2018
France 4/4/2018 $2,475,208 550 724 4400 $12,343,790 5/30/2018
Germany 3/23/2018 $2,298,286 638 755 5989 $12,302,965 7/19/2018
Ghana 3/30/2018 $2,357 4 4 22 $11,286 1/1/2019
Greece 3/29/2018 $95,683 98 104 572 $518,595 6/27/2018
Hong Kong 3/29/2018 $494,306 116 310 654 $1,443,662 7/19/2018
Hungary 3/15/2018 $441,018 59 68 521 $1,218,956 1/1/2019
Iceland 3/28/2018 $25,820 6 7 50 $167,434 1/1/2019
India 4/6/2018 $336,646 325 325 639 $946,819 7/24/2018
Indonesia 2/23/2018 $502,429 276 276 660 $1,297,195 1/1/2019
Iraq 3/29/2018 $8,748 6 6 26 $26,495 1/1/2019
Israel 2/28/2018 $201,750 52 52 457 $1,308,679 1/1/2019
Italy 3/22/2018 $943,183 0 190 424 $3,202,471 8/29/2018
Jamaica 3/16/2018 $5,156 1 5 13 $55,507 1/1/2019
Japan 5/18/2018 $1,679,318 463 463 2219 $10,171,634 8/21/2018
Jordan 3/29/2018 $19,579 5 5 29 $72,597 1/1/2019
Kenya 3/23/2018 $12,217 19 19 81 $71,064 1/1/2019
Kuwait 3/29/2018 $179,780 14 14 69 $810,848 1/1/2019
Latvia 3/9/2018 $37,184 11 13 95 $324,440 1/1/2019
Lebanon 3/29/2018 $52,777 16 19 87 $275,626 1/1/2019
Lithuania 3/16/2018 $6,096 5 141 772 $285,132 7/25/2019
Malaysia 3/15/2018 $382,511 239 239 866 $1,369,715 5/1/2018
Mexico 3/16/2018 $1,343,300 0 428 881 $4,456,983 5/24/2018
Netherlands 3/27/2018 $678,528 142 150 2105 $3,978,270 8/14/2018
New Zealand 3/29/2018 $468,611 109 120 1008 $3,049,787 8/9/2018
Nigeria 3/30/2018 $12,332 30 30 145 $60,225 1/1/2019
North America 2/9/2018 $25,010,928 3,725 3,725 27,257 $115,234,093 6/7/2024
Norway 2/16/2018 $329,523 210 210 1122 $1,778,581 7/24/2018
Oman 3/29/2018 $32,750 11 11 47 $133,747 1/1/2019
Pakistan 2/9/2018 $8,185 24 24 31 $16,170 1/1/2019
Paraguay 3/28/2018 $17,774 23 23 73 $36,346 1/1/2019
Peru 3/29/2018 $599,721 149 149 427 $1,451,098 1/1/2019
Philippines 2/28/2018 $255,185 140 140 223 $363,983 3/20/2018
Poland 4/13/2018 $471,610 177 212 1301 $2,668,595 1/1/2019
Portugal 3/29/2018 $317,116 78 78 535 $1,499,842 8/15/2018
Qatar 3/29/2018 $122,313 14 14 78 $471,593 1/1/2019
Romania 3/30/2018 $196,482 110 110 715 $854,201 1/1/2019
Russia (CIS) 3/23/2018 $4,233,320 1371 1428 5624 $9,780,228 2/26/2019
Serbia and Montenegro 3/29/2018 $48,177 35 35 216 $232,043 1/1/2019
Singapore 3/1/2018 $202,791 44 44 224 $816,887 6/11/2018
Slovakia 3/16/2018 $35,159 23 66 490 $404,896 7/31/2018
Slovenia 3/29/2018 $49,409 22 22 126 $210,634 9/5/2018
South Africa 3/29/2018 $308,658 100 103 544 $1,764,414 6/20/2018
South Korea 5/7/2018 $0 0 599 1700 $2,784,901 7/24/2018
Spain 3/23/2018 $1,681,206 426 426 3541 $9,428,559 9/5/2018
Suriname 2/9/2018 $939 1 1 11 $7,373 1/1/2019
Sweden 2/21/2018 $379,817 198 198 1230 $2,006,904 8/6/2018
Switzerland 3/22/2018 $0 0 106 797 $1,882,930 9/5/2018
Syria 3/29/2018 $3,212 1 2 5 $6,316 1/1/2019
Taiwan 4/4/2018 $363,710 100 100 304 $926,141 6/11/2018
Thailand 4/5/2018 $270,625 98 98 276 $1,064,473 6/5/2018
Trinidad 3/14/2018 $25,764 13 13 119 $211,154 1/1/2019
Turkey 2/23/2018 $218,228 229 229 652 $505,080 2/26/2019
Ukraine 3/22/2018 $418,549 289 289 955 $1,147,351 1/1/2019
United Arab Emirates 3/29/2018 $433,666 47 47 233 $1,676,411 1/1/2019
United Kingdom 3/16/2018 $10,124,175 599 694 7878 $54,031,318 10/17/2018
Uruguay 3/22/2018 $21,963 19 19 159 $196,329 1/1/2019
Venezuela 3/16/2018 $547,747 55 61 330 $5,680,969 6/11/2018
Vietnam 2/16/2018 $265,427 111 111 339 $1,043,544 1/1/2019
 
Rest of World $11,389,935
 
Worldwide Total$358,117,307 6/7/2024

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

James Corden    Peter Rabbit

Supporting Cast

Rose Byrne    Bea
Domhnall Gleeson    Mr. Thomas McGregor
Sam Neill    Old Mr. McGregor
Daisy Ridley    Cottontail
Elizabeth Debicki    Mopsy
Marianne Jean-Baptiste    General Manager
Sia*    Mrs. Tiggy-Winkle
Colin Moody    Benjamin Bunny
Margot Robbie    Flopsy/Narrator
Fayssal Bazzi    Mr. Tod
Christian Gazal    Felix D’eer
Ewen Leslie    Pigling Bland
Natalie Dew    Harrods Worker—Janelle
Terenia Edwards    Harrods Worker—Siobhan
Gareth Davies    Bannerman
Vauxhall Jermaine    Harrods Security
Tom Greaves    Harrods Security
Alexandra Gluck    London Street Rat
Taryn Gluck    London Street Rat
Sam Haft    Postman
Sacha Horler    Taxi Driver—Betty
Will Reichelt    JW Rooster II
Alex Blias    Hardware Clerk—Phil
Dave Lawson    Hardware Clerk—Chris
Felix Williamson    Derek
Ming-Zhu Hii    Sarabeth
Rachel Ward    Peter’s Mother
Bryan Brown    Peter’s Father
Lance Kerfuffle    J. David Scarfington
David Wenham    Johnny Town-Mouse
Jyla Mabaso    Small Girl
Jessica Freedman    Singing Sparrow
Shana Halligan    Singing Sparrow
Katharine Hoye    Singing Sparrow
Chris Mann    Singing Sparrow
Chad C. Reisser    Singing Sparrow
Fletcher Sheridan    Singing Sparrow

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Will Gluck    Director
Will Gluck    Story by
Rob Lieber    Story by
Will Gluck    Screenwriter
Rob Lieber    Screenwriter
Beatrix Potter    Characters and Tales based on “Peter Rabbit” by
Will Gluck    Producer
Zareh Nalbandian    Producer
Doug Belgrad    Executive Producer
Jodi Hildebrand    Executive Producer
Catherine Bishop    Executive Producer
Susan Bolsover    Executive Producer
Emma Topping    Executive Producer
Rob Lieber    Executive Producer
Jason Lust    Executive Producer
Jonathan Hludzinski    Executive Producer
Peter Menzies Jr.    Director of Photography
Roger Ford    Production Designer
Christian Gazal    Editor
Jonathan Tappin    Editor
Nikki Barrett    Casting Director
Dominic Lewis    Composer
Wende Crowley    Music Supervisor
Rob Coleman    Animation Director
Will Reichelt    Visual Effects Supervisor
Lizzy Gardiner    Costume Designer
Lawrence Woodward    Stunt Coordinator
Paul Ranford    Unit Production Manager
P.J. Voeten    First Assistant Director
Danielle Blake    Second Assistant Director
Christian Gazal    Co-Producer
Felicity Staunton    Associate Producer
Jason Bath    Associate Producer
Brian Lynch    Associate Producer
Monette Dubin    Associate Producer
Simon Whiteley    Animation Production Designer
Kelly Baigent    Head of Story
Ian Gracie    Supervising Art Director
Damien Drew    Art Director
Lisa Thompson    Set Decorator
Sophie Fabbri-Jackson    Script Supervisor
Robyn Elliott    Costume Supervisor
Ben Osmo    Sound Recordist
Peter Stubbs    Special Effects Supervisor
Jeremy Peek    Location Manager
Mary Barltrop    Location Manager
Kate McCowage    Set Designer
Kelly Baigent    Second Unit Director
Kasra Rassoulzadegan    First Assistant Editor
Supriya Naidu-James    First Assistant Editor
Andrew Corsi    First Assistant Editor
Carly Turner    First Assistant Editor
Nicole Thorn    Assistant Editor
Stephanie Tighe    Assistant Editor
Varinya Eammano    Assistant Editor
Shannon Longville    Assistant Editor
Kevin O'Connell    Re-recording Mixer
Robert Mackenzie    Re-recording Mixer
Andy Wright    Re-recording Mixer
Robert Mackenzie    Supervising Sound Editor
Andy Wright    Supervising Sound Editor
Mark Franken    Supervising Dialogue and ADR Editor
Leah Katz    Dialogue and ADR Editor
Mia Stewart    Dialogue Editor
Mick Boraso    Sound Effects Editor
Tara Webb    Sound Effects Editor
Rep. Tim Ryan    Music Editor
Al Clay    Score Mixer
Evan McHugh    Score Recordist
Luke Hetherington    Visual Effects Producer
Tom Wood    Visual Effects Supervisor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.