Czech Republic Box Office for UglyDolls (2019)

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UglyDolls
Theatrical Performance (US$)
Czech Republic Box Office $105,825Details
Worldwide Box Office $32,630,599Details
Home Market Performance
North America DVD Sales $1,784,370 Details
North America Blu-ray Sales $1,673,962 Details
Total North America Video Sales $3,458,332
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Moxy loves her square-peg life in this round-hole town, but her curiosity about all things leads her to wonder if there’s something— anything—on the other side of the mountain which nestles Uglyville. Moxy gathers a group of her closest friends and sets off to find what’s on the other side. They discover another world Perfection—a town where more conventional dolls are trained in protocols before they graduate and are sent to the “real” world to find the love of a child. In Perfection, Moxy and her crew are subject to the manipulations of Lou, the perfect doll in charge of training recruits. Here, the UglyDolls will confront what it means to be different, struggle with their desire to be loved, and ultimately discover that you don’t have to be perfect to be amazing because who you truly are is what matters most.

Metrics

Movie Details

Production Budget:$45,000,000
Czech Republic Releases: May 3rd, 2019 (Wide)
Video Release: July 16th, 2019 by STX Entertainment
MPAA Rating: PG for thematic elements and brief action.
(Rating bulletin 2572 (Cert #51965), 4/3/2019)
Running Time: 87 minutes
Keywords: Living Toys, Underdog, Coming of Age, Bullies, Family Adventure
Source:Based on Toy
Genre:Adventure
Production Method:Digital Animation
Creative Type:Kids Fiction
Production/Financing Companies: Reel FX Animation Studios, STX Films, Huaxia Film & Distribution Coroporation
Production Countries: United States
Languages: English

Home Market Releases for July 30th, 2019

July 31st, 2019

The Thin Man

Avengers: Endgame is coming out on Video on Demand and it is scaring away all of the competition. It is a really shallow week, but there are several contenders for Pick of the Week. The biggest first run Blu-ray release of the week is Long Shot and it is among the contenders. As is Bojack Horseman and The Good Place. However, in the end I went with The Thin Man on Blu-ray, because I really want the full series to come out sooner rather than later. More...

Weekend Wrap-Up: Endgame Barely Tops Infinity War, Pickachu Solves Video Game Adaptations

May 14th, 2019

Pokémon: Detective Pikachu

The two biggest hits of the weekend were not as potent as predicted, but Avengers: Endgame and Pokémon: Detective Pikachu both have reasons to celebrate. Endgame became only the fourth film to reach $700 million domestically, while Detective Pikachu nearly entered the top ten video game adaptations of all time after just its opening weekend. As for the other wide releases, The Hustle did fine and the less said about Poms and Tolkien the better. The overall box office 16% from last weekend hitting $168 million. However, this was 21% higher than the same weekend last year, which is clearly the more important figure, as 2019 continues to try and climb out of the hole it dug for itself. It is now behind last year by 8.7% or $370 million at $3.83 billion to $4.20 billion. More...

Weekend Wrap-Up: Endgame Falls Just Short of The Force Awakens

May 7th, 2019

Avengers: Endgame

Avengers: Endgame didn’t do quite as well as expected over the The weekend, but it still managed the second best second weekend with $147.38 million. However, the number one film, The Force Awakens, was playing during the holidays, so Endgame has the record for best non-holiday second weekend. This wasn’t the only record Endgame set over the weekend. On the other hand, The Intruder was the only new release to top $10 million over the weekend, which resulted in a massive 50% box office decline from last weekend down to $199 million. A 50% week-over-week decline would be unusual most of the time, but this is what happens when you have a record-destroying weekend followed by a non-holiday weekend without any significant new releases. More importantly, this is still 17% more than the same weekend last year. 2019 is still way behind 2018, but the gap has dropped significantly over the past two weeks and is now 9.8% or $390 million at $3.61 billion to $4.00 billion. More...

Weekend Estimates: Endgame and Force Awakens in Real Fight

May 5th, 2019

Avengers: Endgame

The weekend isn’t going as well as I had hoped. Avengers: Endgame managed $145.80 million during its second weekend of release, which would leave it just behind The Force Awakens for biggest second weekend of all time. However, this is from Disney and they underestimated last week’s opening by such a large margin that I’m not sure The Force Awakens’ record is safe. On the other hand, there’s no ambiguity about Endgame setting the record for fastest to $600 topping The Force Awakens’s previous record by two full days. The film’s running tally sits at $619.70 million after just ten days of release and I don’t think it is hyperbolic to say it will top $900 million given its start so far. In fact, it could remove The Force Awakens from the top spot on the all-time Domestic title by the time its done, if it turns out Disney was being too conservative with its estimates again this week. More...

Friday Estimates: Endgame Nearly Matches The Force Awakens

May 4th, 2019

Avengers: Endgame

Avengers: Endgame dominated the Friday box office with $40.64 million for the day. By comparison, The Force Awakens earned $49.33 million during its second Friday of release; however that was Christmas Day, which is one of the best days of the year. Endgame should have better legs over the rest of the weekend and could close the gap by the end of Sunday. I’m not convinced that will happen, but it should still beat our $140 million prediction, so I’m sure Disney will be more than happy with this performance. Furthermore, the film topped $500 million in just its eighth day of release, beating The Force Awakens previous record of 10 days, and will get to $600 million by the end of the weekend, 2 days faster than Awakens reached that milestone. More...

Thursday Night Previews: Intruder Takes a Shot at the other Wide Releases

May 3rd, 2019

Long Shot

Despite earning the worst reviews, The Intruder had the best previews among the new releases last night. That said, it only managed $865,000. It will likely beat our prediction for the weekend as a whole, albeit by a small margin with just over $10 million. That would be a great start for a film that reportedly only cost $5 million to make. More...

Weekend Prediction: Endgame Takes Aim at The Force Awakens

May 2nd, 2019

Avengers: Endgame

Avengers: Endgame looks to break more records this weekend. It is specifically taking aim at The Force Awakens for the biggest second weekend of all time. If it can break this record, then The Force Awakens’s all-time Domestic title is in serious trouble. There are also a trio of wide releases opening this week, but I don’t think they will be a major factor at the box office. Long Shot is clearly the best and I think it will do well for a Romantic Comedy. UglyDollsreviews are not pretty, but they shouldn’t hurt this family film too much. Finally there's, The Intruder, which is not only the smallest release, but it is also earning the worst reviews. This weekend last year, Avengers: Infinity War dominated the chart, with Overboard earning second place with just under $15 million. More...

2019 Preview: May

May 1st, 2019

Detective Pikachu

April got off to a fast start with Shazam! opening the first weekend of the month. Meanwhile, Avengers: Endgame ended the month with a record-breaking debut. Unfortunately for 2019, last April had a very similar result leaving 2019 behind 2018’s pace by over $400 million. Will May be able to turn things around? Last May, there were only two films that reached $200 million, Deadpool 2 and Solo: A Star Wars Story. Meanwhile, this May there are three such films, Detective Pikachu, Aladdin, and Godzilla: King of the Monsters. There are two points we need to make. Firstly, the only reason there are more potential $200 million hits this year is because May has five Fridays this year. Secondly, this May also has a lot better depth with films like John Wick: Chapter 3 - Parabellum and Rocketman being potential $100 million hits. Even if we ignore the final weekend, May should do well enough to cut into 2018’s lead over 2019. It’s not going to be able to cut it in half, but it could do well enough to make box office analysts a little more positive about the year’s chances overall. More...

UglyDolls Trailer

February 8th, 2019

Animated musical adventure opens May 3 ... Full Movie Details. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/05/03 4 $55,378   122 $454   $55,823 1
2019/05/10 8 $21,241 -62% 64 $332   $91,296 2
2019/05/17 13 $9,702 -54% 50 $194   $102,951 3
2019/05/24 18 $2,545 -74% 26 $98   $105,825 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 5/17/2019 $114,684 195 195 312 $227,452 7/11/2019
Australia 9/27/2019 $117,190 250 250 757 $884,128 10/26/2020
Brazil 5/17/2019 $214,162 128 270 398 $321,978 5/31/2019
Bulgaria 5/17/2019 $9,072 0 0 0 $35,827 7/3/2019
China 10/4/2019 $0 0 0 0 $498,061 11/1/2019
Czech Republic 5/3/2019 $55,378 122 122 262 $105,825 5/28/2019
France 7/12/2019 $154,910 293 293 534 $398,631 8/4/2019
Italy 11/14/2019 $318,575 0 35 42 $629,472 1/20/2020
Lithuania 6/28/2019 $2,473 6 108 354 $137,187 9/4/2019
Mexico 5/17/2019 $726,285 0 0 0 $1,301,018 6/3/2019
Netherlands 8/2/2019 $57,776 95 95 392 $375,471 10/20/2019
New Zealand 9/26/2019 $18,996 80 80 271 $186,546 10/19/2022
North America 5/3/2019 $8,603,407 3,652 3,652 11,234 $20,150,241 10/24/2022
Poland 5/31/2019 $318,099 206 206 824 $861,560 6/29/2019
Portugal 8/2/2019 $53,457 72 75 249 $220,983 10/19/2022
Russia (CIS) 8/22/2019 $131,372 1109 1109 2329 $296,539 10/19/2022
Slovakia 5/17/2019 $26,555 72 72 172 $64,001 7/2/2019
South Korea 5/1/2019 $119,014 331 331 383 $318,275 5/23/2019
Spain 5/3/2019 $193,992 307 307 908 $532,943 5/30/2019
Turkey 5/17/2019 $34,956 251 251 421 $65,971 6/27/2019
United Kingdom 8/16/2019 $323,337 437 437 874 $753,069 8/28/2019
 
Rest of World $4,265,421
 
Worldwide Total$32,630,599 10/24/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Kelly Clarkson    Moxy
Janelle Monáe    Mandy
Blake Shelton    Ox
Wanda Sykes    Wage
Gabriel Iglesias    Babo
Leehom Wang    Lucky Bat
Bebe Rexha    Spy Girl
Charli XCX    Spy Girl
Lizzo    Spy Girl
Nick Jonas    Lou
Pitbull    Ugly Dog

Supporting Cast

Emma Roberts    Wedgehead
Kelly Asbury    Gibberish Cat/Oliver/Chef/Buttons
Jane Lynch    Scanner
Natalie Martinez    Meghan
Stephen Zimpel    Michael
Enrico C. Santos    Nolan
Rob Riggle    Exposition Robot
Steven Schweickart    New Arrival
Afi Ekulona    Tray
Jacques Colimon    Sporko
Poonam Basu    Various Voices
Carrin Baker    Additional Voice
Rajia Baroudi    Additional Voice
Elizabeth Bartley    Additional Voice
Ranjani Brow    Additional Voice
William Calvert    Additional Voice
David Chen    Additional Voice
David Cowgill    Additional Voice
Brian T. Delaney    Additional Voice
Lynn Evans    Additional Voice
Chase Fein    Additional Voice
Jeff Fischer    Additional Voice
Jackie Gonneau    Additional Voice
Jason Griffith    Additional Voice
Wendy Hoffman    Additional Voice
Terence Mathews    Additional Voice
Janora McDuffie    Additional Voice
Scott Menville    Additional Voice
David Michie    Additional Voice
Richard Mino    Additional Voice
Andrew Morgado    Additional Voice
Masasa Moyo    Additional Voice
Richard Ortega    Additional Voice
Devika Parikh    Additional Voice
Constance Parng    Additional Voice
Michael Pennington    Additional Voice
Eliza Jane Schneider    Additional Voice
Dennis Singletary    Additional Voice
Kelly Stables    Additional Voice
Jaquita Ta'le    Additional Voice
Matt Wolf    Additional Voice
Shelby Young    Additional Voice

Uncategorized

Juan Pacheco    Additional Voice

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Kelly Asbury    Director
Jane Hartwell    Producer
Robert Rodriguez    Producer
Oren Aviv    Producer
Alison Peck    Screenwriter
Robert Rodriguez    Story by
David Horvath    Character Creator
Kim Sun-min    Character Creator
Robert Simonds    Executive Producer
Adam Fogelson    Executive Producer
Ruoging Fu    Executive Producer
Mingyu Peng    Executive Producer
Huixia Zhang    Executive Producer
Fan Luyuan    Executive Producer
Zhang Wei    Executive Producer
Jerry Li    Executive Producer
Shujin Lan-Shuster    Executive Producer
Gabriel Bloch    Executive Producer
Pitbull    Executive Producer
Drew Matilsky    Executive Producer
Julie Rogers    Editor
Nolan Southerland    Editor
Christopher Lennertz    Song Writer
Glenn Slater    Song Writer
Christopher Lennertz    Composer
Jason Markey    Music Supervisor
Paul McEvoy    Head of Story
Andrew Woodhouse    Production Designer
Shannon Jeffries    Production Designer
Sébastien Bruneau    Head of Animation
David Esneault    Visual Effects Supervisor
Scott Peterson    Character CG Supervisor
Andrea McCarthy Paul    Associate Producer
Steven Schweickart    Production Manager
Ruth Lambert    Casting Director
Robert McGee    Casting Director
Kevin Weaver    Executive Music Producer
Liu Guoqing    Associate Producer
Vivian Wang    Associate Producer
David Trumble    Story Artist
Robert Briggs    Story Artist
Seema Virdi    Story Artist
David Feiss    Story Artist
Dirk Van Dulmen    Story Artist
Sharon Bridgeman    Story Artist
Ed Gombert    Story Artist
Kevin Harkey    Story Artist
Patrick Pakula    Story Artist
Keith Baxter    Story Artist
Peter Paul Bautista    Story Artist
Daniel LaFrance    Story Artist
Terry Michaud    Story Artist
Sue Nichols    Story Artist
Michael Wechsler    First Assistant Editor
Ken Scribner    Assistant Editor
Nik Siefke    Assistant Editor
Lara Khachooni    Assistant Editor
John Damien Ryan    Assistant Editor
Magdiela Hermida Duhamel    Production Supervisor
Luis Grane    Lead Character Designer
Ovi Nedelcu    Character Designer
Alison Donato    Character Designer
Joel Dougherty    Re-recording Mixer
Greg Orloff    Re-recording Mixer
Branden Spencer    Supervising Sound Editor
Sean McCormack    Supervising Sound Editor
Shawn Montgomery    Post-Production Supervisor
Paul Pirola    Sound Designer
Jessica Arkoff    Dialogue Editor
Duncan Campbell    Sound Effects Editor
Hayden Collow    Sound Effects Editor
Harvey James    Sound Effects Editor
Andrew Neil    Sound Effects Editor
Brendan Croxon    Foley Editor
Sam Baker    Foley Editor
Ryan Squires    Foley Mixer
Dan DiPrima    Music Editor
Christopher Brooks    Music Editor
Dara Taylor    Score Producer
Frank Wolf    Score Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.