Australia Box Office for The Mule (2018)

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The Mule
Theatrical Performance (US$)
Australia Box Office $6,600,000Details
Worldwide Box Office $173,453,994Details
Home Market Performance
North America DVD Sales $23,382,321 Details
North America Blu-ray Sales $12,962,138 Details
Total North America Video Sales $36,344,459
Further financial details...

  1. Summary
  2. News
  3. Box Office
  4. Worldwide
  5. Full Financials
  6. Cast & Crew
  7. Trailer

Synopsis

Earl Stone is a man in his 80s who is broke, alone, and facing foreclosure of his business when he is offered a job that simply requires him to drive. Easy enough, but, unbeknownst to Earl, he’s just signed on as a drug courier for a Mexican cartel. He does well—so well, in fact, that his cargo increases exponentially, and Earl is assigned a handler. But he isn’t the only one keeping tabs on Earl; the mysterious new drug mule has also hit the radar of hard-charging DEA agent Colin Bates. And even as his money problems become a thing of the past, Earl’s past mistakes start to weigh heavily on him, and it’s uncertain if he’ll have time to right those wrongs before law enforcement, or the cartel’s enforcers, catch up to him.

Metrics

Movie Details

Production Budget:$50,000,000
Australia Releases: January 24th, 2019 (Wide)
Video Release: March 19th, 2019 by Warner Home Video
June 3rd, 2019 by Warner Home Video
MPAA Rating: R for language throughout and brief sexuality/nudity.
(Rating bulletin 2550 (Cert #51878), 10/24/2018)
Running Time: 116 minutes
Keywords: Crime, Directing Yourself, Drug Cartels, Smuggler, DEA Agent, Narcotics, Autumn Years, Crime Drama
Source:Based on Factual Book/Article
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: Malpaso Productions, Imperative Entertainment, Warner Bros., Bron Creative
Production Countries: United States
Languages: English

Home Market Releases for April 2nd, 2019

April 3rd, 2019

A Silent Voice

Bumblebee is the last of the major winter release to hit the home market and with that we enter the summer doldrums. Fortunately, it is a great movie, even if it can’t live up to its Tomatometer Score, but it is still worth picking up and a contender for Pick of the Week. The only other contender is A Silent Voice on Blu-ray. It wasn’t a really close contest and A Silent Voice truly earns that honor. More...

Weekend Wrap-Up: Aquaman Ends the Year on Top

January 2nd, 2019

Aquaman

Due to the holidays, there was a delay in getting final numbers from major studios for the weekend box office, but the last of them have finally arrived. Aquaman dominated with $52.11 million over the three-day weekend, while it cracked $200 million on New Year’s Day. Mary Poppings Returns isn’t matching expectations, but it is still having a profitable run. Meanwhile, both Bumblebee and Spider-Man: Into The Spider-Verse are overcoming incredible competition to dig out profitable runs of their own. Overall, the weekend box office hit $188 million, which is 6.2% higher than last weekend, and while it is 3.5% lower than the same weekend last year, this is still better than expected. It will take a long time to get the final yearly results, not until the MPAA’s state of the industry report in April, but preliminary results have 2018 beating 2017 by 8.4% or $920 million at $11.91 billion to $10.99 billion. More...

Weekend Estimates: Aquaman and Entire Top Five have a Repeat Performance

December 30th, 2018

Aquaman

It has been an even more predictable weekend than expected, as every film in the top five finished in the same order as last weekend. This includes Aquaman topping the chart with an estimated $51.55 million over the weekend for a ten-day total of $188.79 million. It will cross $200 million shortly and overtake A Star is Born as Warner Bros.’ biggest domestic hit of the year. Internationally, the film added $85.4 million this weekend to push its global running tally to just shy of $750 million at $748.8 million. It is already ahead of Man of Steel and Suicide Squad on the DCEU chart and should soon step into first place. More...

Friday Estimates: Aquaman Rises with the Tides

December 29th, 2018

Aquaman

The Friday box office estimates are almost exactly as predicted, with most films out-pacing expectations by a small amount. At least as far as the top five is concerned. The lower films struggled more. For example, Aquaman led the way with $17.1 million putting it on pace for $52 million over the weekend. The film will become Warner Bros.’ second film released in 2018 to get to the $200 million mark (A Star is Born quietly got there before Christmas.) but it might have to wait till the new year to get there. Internationally, the film has already cracked $500 million with a running tally of $511.8 million as of the end of business on Friday. More...

Weekend Predictions: Aquaman Will Celebrate the New Year on Top

December 28th, 2018

Aquaman

It’s the weekend after Christmas and as is the holiday tradition, there are no new releases this week. I guess you could technically call Holmes and Watson and Vice new releases, but they’ve been out since Tuesday. This means there won’t be much new news to talk about. Aquaman will dominate, while Mary Poppins Returns will bounce back, as will most other family fair. I think the same five films that appeared in the top five last weekend will appear in the top five this weekend. Holmes and Watson might not collapse and could grab a spot in the top five, but I personally wouldn’t bet on it. This weekend last year, Star Wars: The Last Jedi barely stayed ahead of Jumanji: Welcome to the Jungle, as both films earned more than $50 million. Aquaman has close to a 50/50 chance of earning $50 million, but the rest of the films will be well back resulting in 2018 ending on a losing note. That said, it should be relatively close and 2018 has already topped last year’s final box office by a significant margin. More...

Weekend Wrap-Up: Box Office Christmas Clean-up

December 27th, 2018

Aquaman

The Christmas holiday is over for most people, although it is not entirely over for some studios. This is making getting all of the box office details much harder to do. In fact, we are still limited to estimated for more than half the top five this weekend. We have enough details now to look at the weekend results and the Christmas Day releases and see which are thriving and which are not. Aquaman dominated the charts with just over $100 million so far, including its paid previews. On the other hand, Mary Poppins Returns missed expectations by a substantial margin. It will still break even. The same can be said of Bumblebee, which could usher in a new era of Transformers movies. Overall, the box office rose by 53% from last weekend to $177 million. This is just 0.3% lower than the same weekend last year; however, last year, Christmas Eve fell on a Sunday and Christmas Eve is a dead zone at the box office. We can’t even compare Christmas Day, because landing on a Monday vs. a Tuesday is a huge difference. Next weekend’s comparison will be much easier to make. Year-to-date, and this is up to Boxing Day, 2018 is ahead by 7.7% or $810 million at $11.37 billion to $10.56 billion. This would be an impressive year, even if no more movie tickets were sold after boxing day. More...

Christmas Predictions: Can Sherlock Solve the Case?

December 24th, 2018

Holmes and Watson

Tomorrow is Christmas Day, which is a surprisingly good day to release a movie, and two new films are hoping to take advantage of this. Holmes and Watson is by far the bigger of the two releases, but despite the comedic talent in the movie, its reviews are, well, practically non-existent. There’s only one review and it is negative. Not that long ago, I thought the film would still open with $10 million for the day, as Will Ferrell and John C. Reilly do have box office drawing power. However, the lack of reviews hurts and the buzz isn’t loud enough to compensate. I think $8 million is more likely. More...

Weekend Estimates: Aquaman Easily Tops Weekend Chart, Poppins / Bumblebee Need Long Legs

December 23rd, 2018

Aquaman

Aquaman is the only certifiable hit of the weekend with an estimated opening of $67.4 million over the weekend for a total of $72.1 million including last week’s paid previews. This is not more than we predicted, but it is dominating the chart, because the competition didn’t show up. It should hit $100 million by the end of Christmas Day. Its reviews are good, but not great, and the same is true of its A minus from CinemaScore. It is also a comic book movie and those tend to have shorter legs, so it might not get as large a multiplier as the average Christmas weekend release, but it should be a large enough hit that Warner Bros. will keep this new direction going for the DCEU. Internationally, it is earning an estimated $91.3 million on 31,930 screens in 70 markets for a three-week total of $410.7 million. Overall, it is tracking ahead of every other film in the DCEU, but a lot of that has to do with China. More...

Friday Estimates: Aquaman Easily Tops Chart, Bumblebee tops Struggling Mary Poppins

December 22nd, 2018

Aquaman

Friday was not as potent as midnight previews led us to believe it would be. That said, Aquaman still had an impressive $28.0 million opening day. This does include the previous night’s $9.0 million in previews, but not last weekend’s $4.7 million in previews, giving the film a $32.7 million running tally. The film’s reviews remain in the overall positive level and it earned an A minus from CinemaScore, so it should have relatively good legs over the weekend, for a comic book movie. We predicted an opening weekend of $67 million and I think the film will top that, by one or two million dollars. It is more than enough for Warner Bros. to continue with the new direction DCEU is taking. More...

Weekend Predictions: Will Aquaman Swim to Victory, or will Mary Poppins Return to Top Spot?

December 19th, 2018

Mary Poppins Returns

It is a busy week, as there are seven films opening wide over the next seven days. Not all of these will be hits—the competition is just too great for that. However, there could be a real race for Christmas champion this year. Because of its fast start in China and its strong pre-sales numbers, many believe Aquaman will top earlier expectations and earn first place over the three-day weekend. However, I think Mary Poppins Returns will be number one over the full week, partially because it should earn a bigger boost over Christmas, but also because it is opening two days early. Meanwhile, Bumblebee’s surprisingly strong reviews are lifting its box office potential. More...

Weekend Wrap-Up: Spider-Man Starts Strong as Christmas Holidays Begin

December 18th, 2018

Spider-Man: Into The Spider-Verse

The weekend went according to predictions, more or less. Spider-Man: Into The Spider-Verse was the biggest surprise and it beat our prediction by barely more than $1 million at $35.36 million. The Mule was a distant second place with $17.51 million, but this is still a good result for its production budget / target demographic. On the other hand, Mortal Engines bombed. There’s no polite way to describe this result. The overall box office rose by 37% from last weekend, hitting $115 million. Unfortunately, this weekend last year, Star Wars: The Last Jedi opened with nearly double that by itself. 2018 was off by 58% when compared to last year. That would be a terrible result, even if there were a misalignment in holidays. Fortunately, 2018 still has a huge lead over 2017, up by 9.3% or $930 million at $10.96 billion to $10.03 billion and even if 2018 loses by this amount for the next two weeks, it will still end the year with a massive lead over 2018. More...

Weekend Estimates: Spider-Man is too much for just one Universe

December 16th, 2018

Spider-Man: Into The Spider-Verse

Sony’s estimates have Spider-Man: Into The Spider-Verse earning $35.4 million over the weekend. Its reviews and its A plus from CinemaScore should both helps its legs, as will the upcoming holidays. On the other hand, it does have direct competition next weekend, more or less. Aquaman will attack it from the super hero side of things, while Mary Poppins Returns will take from its family film side. That said, with a start like this, $100 million domestically is practically guaranteed, while $150 million is a solid goal to aim for. More...

Friday Estimates: Spidey Starts Miles Ahead of the Competition

December 15th, 2018

Spider-Man: Into The Spider-Verse

Spider-Man: Into The Spider-Verse debuted with $12.6 million on Friday, putting it on pace for $35.5 million over the full weekend, at least according to Sony. It will get a tiny boost on Sunday, because about 5% of school kids start their winter holidays on Monday. It will get a larger boost from its reviews, which remain Oscar-worthy. And this is not a case of the critics loving it and the audiences being more ambivalent, as the film earned an A plus from CinemaScore and a five-star rating from PostTrak. If the film does match Sony’s estimates, then it will be a little better than our prediction. More importantly, if its word-of-mouth boosts its legs, it could earn more than $200 million domestically. That’s asking a lot, but it is a possibility. It is certainly something to keep our eyes on. More...

Thursday Night Previews: Spider-Man gets off to a Swinging Start

December 14th, 2018

Spider-Man: Into The Spider-Verse

Spider-Man: Into The Spider-Verse opened with $3.5 million during its previews last night. Unfortunately, it is nearly impossible to make an accurate prediction based on this opening, as this is an unusual film. It is an animated film, so we could use other animated films released during this time of year. Sing earned $1.7 million during its previews two years ago; however, that was a Wednesday release that opened less than a week before Christmas Day. Into the Spider-Verse doesn’t have school holidays to boost its numbers, which should help its legs. On the other hand, it is a super hero movie and its Fanboy Effect will hurt its legs. Overall, I think this is good news for the film and it should top our prediction, but we won’t have a really firm grasp on where it’s going until we get Friday’s estimates tomorrow. More...

Weekend Predictions: Will Spider-man Swing into First Place?

December 13th, 2018

Spider-Man: Into The Spider-Verse

After two weeks with no new releases in the top five, we have three new films vying for a position there. This includes Spider-Man: Into The Spider-Verse, which is all but guaranteed a spot in the top five. The Mule was thought to be an Awards Season contender, but its reviews are disappointing, given those high hopes. Finally there’s Mortal Engines, a film that cost $100 million to make and will likely barely earn a spot in the top five. This weekend last year, Star Wars: The Last Jedi opened with $220.01 million. That’s more than the entire box office will earn this year. This could be more than all three wide releases earn in total. Fortunately, 2018 has a $1 billion lead over 2017, so three weeks of bad losses won’t change that. More...

The Mule Trailer

December 3rd, 2018

Drama directed by and starring Clint Eastwood, with Bradley Cooper, and Laurence Fishburne opens December 14 ... Full Movie Details. More...

2018 Preview: December

December 1st, 2018

Mary Poppins Returns

November turned out to be a really, really good month. I thought 2018’s lead over 2017 would shrink, potentially by $200 million to $300 million. However, the lead actually managed to grow a little bit, thanks to hits like Ralph Breaks the Internet, Dr. Seuss’ The Grinch, Fantastic Beasts: The Crimes of Grindelwald, and Bohemian Rhapsody. December has an equal number of potential hits, led by Mary Poppins Returns, which some think will top $300 million. Additionally, Spider-man Into the Spider-Verse, Aquaman, Bumblebee, and Holmes and Watson all have a realistic shot at $100 million or more. On the other hand, last December was stronger, at least on top. The Last Jedi earned more than $500 million just during December, which is more than any December release this year will earn in total. It could be more than the top two films earn in total. 2018 will win the in year-over-year competition; however, its lead won’t be as large as it is at the start of the month. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2019/01/25 1 $1,366,722   311 $4,395   $1,419,034 1
2019/02/01 1 $1,253,418 -8% 271 $4,625   $3,503,844 2
2019/02/08 3 $764,298 -39% 291 $2,626   $4,601,948 3
2019/02/15 5 $518,306 -32% 303 $1,711   $5,420,417 4
2019/02/22 6 $345,877 -33% 266 $1,300   $5,957,233 5
2019/03/01 8 $236,776 -32% 229 $1,034   $6,268,338 6
2019/03/08 14 $79,368 -66% 91 $872   $6,386,180 7
2019/03/15 22 $34,061 -57% 68 $501   $6,497,199 8
2019/03/22 - $16,761 -51% 37 $453   $6,532,699 9
2019/03/29 - $8,953 -47% 20 $448   $6,561,752 10

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 1/4/2019 $284,000 116 116 514 $1,210,000 9/9/2019
Australia 1/24/2019 $1,366,722 311 311 1887 $6,600,000 10/19/2022
Brazil 2/14/2019 $321,173 94 278 539 $1,060,000 4/16/2019
Bulgaria 2/1/2019 $35,072 0 0 0 $137,416 4/2/2019
China 8/26/2019 $470,000 2663 2663 2663 $1,512,095 10/9/2019
Czech Republic 3/22/2019 $64,605 113 113 190 $139,467 4/9/2019
France 1/23/2019 $4,200,000 533 694 3471 $15,100,000 10/19/2022
Germany 2/1/2019 $223,000 105 105 105 $223,000 2/8/2019
Greece 1/4/2019 $245,000 62 62 62 $1,190,000 10/19/2022
Italy 2/7/2019 $2,529,614 0 525 1124 $7,267,011 9/26/2019
Japan 3/8/2019 $1,800,000 238 238 714 $7,300,000 10/19/2022
Lithuania 1/4/2019 $27,524 51 51 126 $78,497 1/29/2019
Mexico 1/25/2019 $884,215 640 640 640 $2,570,000 10/19/2022
Netherlands 3/7/2019 $324,622 76 86 492 $1,230,000 10/19/2022
North America 12/14/2018 $17,509,431 2,588 3,329 21,063 $103,804,407 11/2/2020
Poland 3/15/2019 $261,000 114 114 570 $1,150,000 10/19/2022
Portugal 2/1/2019 $230,518 73 73 351 $914,865 5/14/2019
Russia (CIS) 3/1/2019 $658,230 417 417 1462 $2,000,000 10/19/2022
Slovakia 1/11/2019 $58,288 71 71 108 $120,314 2/5/2019
South Korea 3/14/2019 $394,793 472 472 614 $728,483 4/11/2019
Spain 3/8/2019 $1,326,834 288 355 2172 $6,400,000 10/19/2022
Taiwan 1/11/2019 $206,000 88 88 88 $229,000 1/20/2019
United Arab Emirates 1/11/2019 $311,000 5 5 5 $311,000 1/15/2019
United Kingdom 1/25/2019 $955,934 462 462 887 $2,630,000 10/19/2022
 
Rest of World $9,548,439
 
Worldwide Total$173,453,994 10/19/2022

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Clint Eastwood    Earl Stone

Supporting Cast

Bradley Cooper    Colin Bates
Laurence Fishburne    DEA Special Agent
Michael Peña    Enforcer
Dianne West    Mary
Andy Garcia    Laton
Patrick L. Reyes    Farmhand #3
Cesar de Leon    Jose
Gustavo Munoz    Farmhand #2
Jackie Prucha    Helen
Richard Herd    Tim Kennedy
Adam Drescher    Computer Daylily Guy
Christi McClintock    Daylily Fan
Keith Flippen    MC
Alison Eastwood    Iris
Kinsley Isla Dillon    Younger Ginny
Dianne Wiest    Mary
Joe Knezevich    Dave
Megan Leahy    Bartender
Taissa Farmiga    Ginny
Austin Freeman    Mike
Victor Rasuk    Rico
Robert LaSardo    Emilio
Saul Huezo    Andres
Lee Coc    Assault Rifle Guy
Eugene Cordero    Luis Rocha
Noel G.    Bald Rob
Jessica B. Wellington    Biker #2
Felicia Dee    Biker #1
Michael H. Cole    Banker
Charles Lawlor    Phil
Alan Heckner    Texas State Trooper
Mollie Busta    Mollie-B
Joe Poper    Guitarist
Dana Lindblad    Drums
Ted Lange    Singer/Accordion
James DeForest Parker    Old Vet
Clifton Collins, Jr.    Gustavo
Daniel Moncada    Eduardo
Ignacio Serricchio    Julio
Paul Lincoln Alayo    Sal
Travina Springer    Young Wife
Kareem Grimes    Nerdy Husband
Caroline Granger    Hot 45-Year Old
Diego Catano    Weasel
Kiana N. Paz    Cartel Girl #1
Dylan Kussman    Sheriff
Nicole M. Gomez    Cartel Girl #3
Ashley V. Yanez    Cartel Girl #2
Grant Roberts    DEA Agent
Pete Burris    DEA Regional Manager
Loren Dean    Agent Brown
Kenny Barr    SWAT Captain
Jan Hartsell    Beauty School Admin
Manny Montana    Axl
Lobo Sebastian    Bug
Javier Vazquez Jr    Driver Pulled Over
Derek Russo    Big Dude
Megan Mieduch    24 Hour Waitress
Leonard Hennessy    Pastor
Billy Richards    Helicopter Pilot
Dayna Beilenson    Judge
Tess Malis Kincaid    Attorney
Antwan Mills    Translator

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Clint Eastwood    Director
Nick Schenk    Screenwriter
Clint Eastwood    Producer
Tim Moore    Producer
Kristina Rivera    Producer
Jessica Meier    Producer
Dan Friedkin    Producer
Bradley Thomas    Producer
Aaron L. Gilbert    Executive Producer
Ruben Fleischer    Executive Producer
David Bernad    Executive Producer
Todd Hoffman    Executive Producer
Sam Dolnick    Story inspired by the New York Times Magazine article “The Sinaloa Cartel’s 90 Year Old Drug Mule” by
Yves Belanger    Director of Photography
Kevin Ishioka    Production Designer
Joel Cox    Editor
Deborah Hopper    Costume Designer
Arturo Sandoval    Composer
Doug Coleman    Stunt Coordinator
David M. Bernstein    Co-Producer
Jillian Apfelbaum    Co-Producer
Geoffrey Miclat    Casting Director
Tim Moore    Unit Production Manager
David M. Bernstein    First Assistant Director
Jeff Hubbard    Second Assistant Director
Stephen S. Campanelli    Second Unit Director
Holly Hagy    Associate Producer
Julien Pougnier    Supervising Art Director
Ronald R. Reiss    Set Decorator
Nathan Godley    Assistant Editor
David Cox    Assistant Editor
Ana Maria Quintana    Script Supervisor
Alan Robert Murray    Supervising Sound Editor
Steven A. Morrow    Sound Mixer
Chris McGeary    Music Editor
Chris McGeary    Score Producer
Mitchell Kenney    Costume Supervisor
Luisa Abel    Make up
Patricia Dehaney    Hairstylist
Cheryl Daniels    Hairstylist
Patrick O. Mignano    Supervising Location Manager
Elizabeth Wright    Location Manager
J.D. Schwalm    Special Effects Supervisor
Cameron Steenhagen    Supervising Dialogue Editor
Jason King    Sound Effects Editor
John Joseph Thomas    Sound Effects Editor
Christian Wenger    Sound Effects Editor
Darren Maynard    Sound Effects Editor
Goeun Lee    Sound Effects Editor
John C. Stuver    Dialogue Editor
Andrea Horta    Dialogue Editor
Bobby Fernandez    Score Mixer
John Reitz    Re-recording Mixer
Dean A. Zupancic    Re-recording Mixer
Richard Duarte    Foley Mixer
Jack Cucci    Foley Mixer
Roberto Alegria    Foley Mixer
Darrin Mann    Foley Mixer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.